%%%%%%%%%%%%%%%%%%%%
% Data-Description %
%%%%%%%%%%%%%%%%%%%%
%
%                       Syskill and Webert Web Page Ratings
% 
% Abstract
% 
%    This database contains the HTML source of web pages plus the ratings
%    of a single user on these web pages. The web pages are on four
%    seperate subjects (Bands- recording artists; Goats; Sheep; and
%    BioMedical)
% 
% Data Type
% 
%    html web pages with user ratings
% 
% Sources
% 
%     Original Owner and Donor
% 
% [1]Michael Pazzani
% Department of Information and Computer Science,
% University of California, Irvine
% Irvine, CA 92697-3425
% [2]pazzani@ics.uci.edu
% 
%    Date Donated: October 20, 1998
% 
% Data Characteristics
% 
%    The HTML source of a web page is given. Users looked at each web page
%    and inidated on a 3 point scale (hot medium cold) 50-100 pages per
%    domain. However, this is realistic because we want to learn user
%    profiles from as few examples as possible so that users have an
%    incentitive to rate pages.
% 
% Data Format
% 
%    Each subject is in a seperate directory. Within each directory, there
%    is an file named "index". The index contains information on the other
%    files. Each entry is a line of the form:
%  file-name  |  rating  |  url  |  date-rated  |  title
% 
%    where file-name is the name of a file (usually an integer), rating is
%    hot, medium, or cold. There are so few medium's that mediums are
%    usually merged with cold in experiments.
% 
%    The other fields aren't used in learning, but they are collected by
%    the interface for other purposes. They are the url of the html source,
%    the date rated and the title of the web oage.
% 
% Past Usage
% 
%    Pazzani M., Billsus, D. (1997). Learning and Revising User Profiles:
%    The identification of interesting web sites. Machine Learning 27,
%    313-331
% 
%    Pazzani, M., Muramatsu J., Billsus, D. (1996). [3]Syskill & Webert:
%    Identifying interesting web sites. Proceedings of the National
%    Conference on Artificial Intelligence, Portland, OR. [4]PDF
%      _________________________________________________________________
% 
% 
%     [5]The UCI KDD Archive
%     [6]Information and Computer Science
%     [7]University of California, Irvine
%     Irvine, CA 92697-3425
% 
%    Last modified: July 12, 1999
% 
% References
% 
%    1. http://www.ics.uci.edu/~pazzani
%    2. mailto:pazzani@ics.uci.edu
%    3. http://www.ics.uci.edu/~pazzani/RTF/AAAI.html
%    4. http://www.ics.uci.edu/~pazzani/Publications/aaai-webert.pdf
%    5. http://kdd.ics.uci.edu/
%    6. http://www.ics.uci.edu/
%    7. http://www.uci.edu/
%%%%%%%%%%%%%%%%%%%%
% Task-Description %
%%%%%%%%%%%%%%%%%%%%
%                       Syskill and Webert Web Page Ratings
% 
% Task Type
% 
%    classification
% 
% Sources
% 
%     Donor
% 
% [1]Michael Pazzani
% Department of Information and Computer Science,
% University of California, Irvine
% Irvine, CA 92697-3425
% [2]pazzani@ics.uci.edu
% 
%    Date Donated: October 20, 1998
% 
% Problem Description
% 
%    The problem is to predict user ratings for web pages (within a subject
%    category). The HTML source of a web page is given. Users looked at
%    each web page and inidated on a 3 point scale (hot medium cold) 50-100
%    pages per domain. However, this is realistic because we want to learn
%    user profiles from as few examples as possible so that users have an
%    incentitive to rate pages.
% 
%    The accuracy of predicting ratings is reported in early publications.
%    Later publications used the precision at top N or the F-measure.
% 
% Results
% 
%    The initially study compared traditional meachine learning methods
%    with IR methods. A variety of learning algorithms worked acceptably,
%    including naive bayes, nearest neighbor, and Rocchio's method
% 
%    Pazzani M., Billsus, D. (1997). Learning and Revising User Profiles:
%    The identification of interesting web sites. Machine Learning 27,
%    313-331
% 
%    Pazzani, M., Muramatsu J., Billsus, D. (1996). [3]Syskill & Webert:
%    Identifying interesting web sites. Proceedings of the National
%    Conference on Artificial Intelligence, Portland, OR. [4]PDF
%      _________________________________________________________________
% 
% 
%     [5]The UCI KDD Archive
%     [6]Information and Computer Science
%     [7]University of California, Irvine
%     Irvine, CA 92697-3425
% 
%    Last modified: July 12, 1999
% 
% References
% 
%    1. http://www.ics.uci.edu/~pazzani
%    2. mailto:pazzani@ics.uci.edu
%    3. http://www.ics.uci.edu/~pazzani/RTF/AAAI.html
%    4. http://www.ics.uci.edu/~pazzani/Publications/aaai-webert.pdf
%    5. http://kdd.ics.uci.edu/
%    6. http://www.ics.uci.edu/
%    7. http://www.uci.edu/
%
% Information about the dataset
% CLASSTYPE: nominal
% CLASSINDEX: last
%

@relation SyskillWebert-Bands

@attribute id STRING
@attribute text STRING
@attribute class {cold,hot,medium}

@data
1,'EL SOB [1][sm-EL_SOB.gif] Skin a Cat [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 147k, 220k / Full song 3 mins, 2.10M, 4.21M) [6]College/Indie/Lo-Fi, [7]Folk, [8]Humor, [9]Pop, [10]Weird ----------------------------------------------------------------- [ [11]|| Comments & Reviews [12]|| Email ] EL SOB With their vocal-oriented alternative pop sound, El Sob blends a mix of acoustic instruments, varied percussion and winning harmonies, setting them against the hard-edged songwriting of Bruce Rayburn. Active in the San Francisco music scene since the post-punk explosion of the mid-80\'s, both Rayburn and bassist Sally Engelfried comprised two-thirds of the folk-punk band Yo, who delighted audiences with their three independently released albums on Deadbeat and Enigma Records. Band member Christine Wall brings to the band sweet-tinged vocal harmonies which made her contributions to the last two Chris Isaak records (including the hit \"Wicked Game\") so memorable. Violinist John Tenney is a veteran of stage and record whose solid musicianship has been appreciated by the likes of XTC, Van Morrison, and Frank Sinatra, with whom he has played. Together El Sob\'s quirky mix of stark yet dense lyrics and sweet and brooding music comprises the unique sounds you will hear on this tape. BAND MEMBER LIST 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Bruce Rayburn-vocals/guitar 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Christine Wall-vocals/percussion 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Sally Engelfried-bass 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh John Tenney-violin/mandolin/percussion CONTACT INFORMATION Christine Wall (510) 799-0415 Sally Engelfried (510) 549-3031 or write: El Sob 5637 Circle Drive El Sobrante, CA 94803 BRIEF DESCRIPTION OF THE SONG \"Skin a Cat\" (2:55 minutes) \"Skin a Cat\" layers nonsense lyrics and nursery rhymes in a catchy pop commentary on sameness in our society. Combined with the unusual instrumention--squeaky pork chop, gargling, and animal noises--this discourse makes \"Skin a Cat\" one of El Sob\'s most popular live tunes. LYRICS Hey diddle the cat and the fiddle Stick it out on Chicken Little Lucy in the Sky and the Cat in the Hat Don\'t waste your time on things like that I ain\'t nothing like you I ain\'t nothing like you There\'s more than one way to skin a cat I live till I die and I can\'t come back Koo koo ca choo and the joke\'s on you Laugh in their face \'cause the things they do I ain\'t nothing like you I ain\'t nothing like you Do it like me, do it like me Do it like me It\'s better like me! Up in the sky with a thousand eyes Everyone\'s looking for love at first sight There\'s more than one way to skin a cat I live till I die and I can\'t come back I ain\'t nothing like you I ain\'t nothing like you Be more like me, be more like me Be more like me It\'s better like me! OTHER INFO (because we don\'t have any press reviews!) El Sob...and Stuff Folk-roots rockers El Sob coined the term \"Stuff Band\" to describe themselves because \"we\'re not afraid to play anything that might come our way while shopping at Thrift Town,\" says Christine Wall, who has been known to balance a cowbell, a glass of water for gargling, and a dog toy during the course of one song. \"I used to play a regular electric bass,\" adds Sally Engelfried, \"but I found it too limiting, so in searching for the right sound I had one made for me.\" The resulting one-of-a-kind instrument is striking in its piano-like resonance. \"I\'m devoted to El Sob because this is the only band that lets me shake my tookus in public,\" comments John Tenney, who sometimes takes a turn at tambourine and kazoo, in addition to his specialties of violin and mandolin. Bruce Rayburn, whose stuff most often comes from down-and-out cousins, has been known to write songs about stuff and his cousins. \"I got Christine\'s dumbek for her from an old girlfriend who owed me,\" says Rayburn gleefully. MERCHANDISE DESCRIPTION YOU\'VE HEARD ABOUT THE STUFF, NOW HEAR THE STUFF! Check out their recent 4-song demo El Sob featuring \"Cold,\" \"Velvet,\" \"Southern Cross\" and \"Dream of a Dreamer.\" Send $3 to Bruce Rayburn c/o El Sob, 5637 Circle Drive, El Sobrante, CA 94803. ======= [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/EL_SOB/EL_SOB.jpg 2. file://localhost/IUMA-2.0/ftp/volume2/EL_SOB/mono-excerpt-Skin_a_Cat.au 3. file://localhost/IUMA-2.0/ftp/volume2/EL_SOB/mono-excerpt-Skin_a_Cat.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/EL_SOB/mono-Skin_a_Cat.mp2 5. file://localhost/IUMA-2.0/ftp/volume2/EL_SOB/stereo-Skin_a_Cat.mp2 6. file://localhost/IUMA-2.0/olas/genre/CO_007.html#EL_SOB 7. file://localhost/IUMA-2.0/olas/genre/FO_004.html#EL_SOB 8. file://localhost/IUMA-2.0/olas/genre/HA_002.html#EL_SOB 9. file://localhost/IUMA-2.0/olas/genre/PO_006.html#EL_SOB 10. file://localhost/IUMA-2.0/olas/genre/WE_001.html#EL_SOB 11. http://www.iuma.com/iuma-bin/view-comment.pl?EL_SOB 12. mailto:jten@crl.com 13. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
2,'Lead Pipe Cinch [1][sm-Lead_Pipe_Cinch.gif] Winnipeg [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 160k, 240k / Full song 4.5 mins, 4.04M, 8.09M) [6]Hard Rock, [7]College/Indie/Lo-Fi, [8]Rock ----------------------------------------------------------------- [ [9]|| Comments & Reviews ] LEAD PIPE CINCH The human ear searches for sounds that are unique and melodic. The human eye looks for color and excitement, and the human body responds to tension and energy. Lead Pipe Cinch demands these reactions! Not even a year-old, this Seattle band quickly developed a sound and energy all it\'s own. \"Big Rock!\" says Abe Beason from 90.3 KCMU in Seattle. After a successful first demo which garnered college radio play throughout the Northwest, Lead Cinch Pipe has recorded 3 new songs that show the maturity and growth of the band. Winnipeg, Gun, and I Suspend, are new pieces which feature the diversity and excitement of their music. Lead Pipe Cinch has played with national acts, headlined it\'s own shows in Vancouver, B.C., Seattle, Ellensburg, Spokane, and performed live on Seattle college radio station KCMU. Soon to be exposed internationally through the Internet, Lead Pipe Cinch is creating a buzz throughout the underground. Hooky, melodic and heavy are operative adjectives for LPC\'s songs, which complement their assaulting, in your face live performance. Excited and confident from overwhelmingly positive audience response, Lead Pipe Cinch gathers steam in their ardent quest to Rock The Nation!!! CONTACT INFORMATION LEAD PIPE CINCH 908 N. 46th Seattle, WA 98103 (206) 633-2780 _________________________________________________________________ [10][band-Lead_Pipe_Cinch.gif] Lead Pipe Cinch are: Joel Herbert - Drums Lenny Burnett - Guitar James Phillips - Vocals Mark Walker - Bass ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Lead_Pipe_Cinch/Lead_Pipe_Cinch.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Lead_Pipe_Cinch/mono-excerpt-Winnipeg.au 3. file://localhost/IUMA-2.0/ftp/volume3/Lead_Pipe_Cinch/mono-excerpt-Winnipeg.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Lead_Pipe_Cinch/mono-Winnipeg.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Lead_Pipe_Cinch/stereo-Winnipeg.mp2 6. file://localhost/IUMA-2.0/olas/genre/HR_010.html#Lead_Pipe_Cinch 7. file://localhost/IUMA-2.0/olas/genre/CO_022.html#Lead_Pipe_Cinch 8. file://localhost/IUMA-2.0/olas/genre/RR_027.html#Lead_Pipe_Cinch 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Lead_Pipe_Cinch 10. file://localhost/IUMA/ftp/music/Lead_Pipe_Cinch/band-Lead_Pipe_Cinch.jpg 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
3,'Porter, JL [1][sm-Porter,_JL.gif] Nothing But Magic [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 160k, 240k / Full song 2.5 mins, 1.70M, 3.41M) [6]Pop, [7]Rock ----------------------------------------------------------------- [ [8]|| Comments & Reviews ] J. L. Porter J. L. Porter\'s California is Central Valley tule fog on I-5, grunion runs on Windansea beach in La Jolla, rows of Bart Simpson banks on Tijuana\'s main drag. It\'s a world of weekend road trips, beach parties, and college football games. And, it\'s where love and innocence are found, and lost, and found again, someplace between a margarita and a forgotten Elvis movie. [9][JL Porter: album cover] Porter\'s debut CD, Viva La Revolucion! (on independent label Permanent Records Del Mar), covers all these bases and more. The 12 songs, performed by Porter (on his trusty Vox Wildcat guitar) and drummer Brendan Kremer, feature stripped-down arrangements and a light, rockabilly feel. This disc is produced by Porter and fellow San Diego singer/songwriter \"Famous\" Steve Denyes. Viva La Revolucion! has been lauded not only by San Diego\'s music press, but also in the pages of Nashville-based national magazine Performing Songrwriter. Porter is a regular performer at San Diego\'s coffeehouses and bars. Contact Porter via Permanent Records Del Mar\'s voice-mail at 619/454-1627; or by email at jlporter@cts.com. If you\'d like to receive Porter\'s newsletter, Big In Vegas, leave your address (ideally, snail mail and email). More information, including song lyrics and the latest version of Virtually Big In Vegas, can be obtained via anonymous FTP at ftp.cts.com/pub/jlporter (via Web browser: ftp://ftp.cts.com/pub/jlporter). The disc Viva La Revolucion! can be ordered by sending $10 (payable to J. L. Porter) to Permanent Records Del Mar, P. O. Box 636, Del Mar, CA 92014. Songs on Viva La Revolucion! : 1. Nothing but magic 2. Be in my Elvis movie 3. Tucson, Arizona 4. Viva La Revolucion! 5. Sand in my best pair of shoes 6. Las Vegas train 7. First kiss 8. All yours 9. The Pete Best in me 10. Did I just pass Buttonwillow? 11. Fall is made for Saturdays 12. Every boy has a dreams ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/Porter,_JL/Porter,_JL.jpg 2. file://localhost/IUMA-2.0/ftp/volume2/Porter,_JL/mono-excerpt-Nothing_But_Magic.au 3. file://localhost/IUMA-2.0/ftp/volume2/Porter,_JL/mono-excerpt-Nothing_But_Magic.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/Porter,_JL/mono-Nothing_But_Magic.mp2 5. file://localhost/IUMA-2.0/ftp/volume2/Porter,_JL/stereo-Nothing_But_Magic.mp2 6. file://localhost/IUMA-2.0/olas/genre/PO_013.html#Porter,_JL 7. file://localhost/IUMA-2.0/olas/genre/RR_022.html#Porter,_JL 8. http://www.iuma.com/iuma-bin/view-comment.pl?Porter,_JL 9. file://localhost/IUMA/ftp/music/JL_Porter/cover-JL_Porter.jpg 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
4,'Dr. Octojoculus [1][sm-Dr._Octojoculus.gif] Mo Fat [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 125k, 125k / Full song 3 mins, 3.40M, 6.79M) [6]HipHop-Rap, [7]Funk ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Email [10]|| Ordering Info ] Dr. Octojoculus makes music and stuff and tries to sell it. He has an independent label/publishing company called Gray Area which has several cool things for you to buy. He also has a cool band called the Shellhead Mutants for you to come and see. He also has an overwhelming desire to kill but it is controlled through medication. what we sell: \"SPLEEN\" After toiling for a decade on the fringes, Dr. Octojoculus (aka Gary Gray) steps forward with his first CD release. \"SPLEEN\" finds him showing yet another side of his schizophrenic musical personality with a sound that is slick yet bent. The monstrous \"MO FAT\" anchors 12 songs of big beats and heavy guitars, twisted samples and half baked harangues. We like it--if you know what\'s good for you, you will too. lp cassette/cd. Released 1995. HOUSE Disco, disco Doc. ep cassette. Released 1994 _________________________________________________________________ also available: Shellhead Mutants: THE CORN PIGS Twenty years after the death of the concept album, the Shellhead Mutants cough up their second release, THE CORN PIGS. The loathsome Corn Man Pig threatens the planet with his mutagenic snot, turning millions into his pigheaded slaves. It\'s up to Earl Jackson (aka Ant Man Bee) to turn the tide aided only by his cousin Tyrone, his mysterious mentor Bubba Woltech and his team of superheroes. lp cassette. Released 1995. Shellhead Mutants: DIRECT FROM THE 27TH CENTURY \"During the 27th century the shellhead mutants became the dominant life form on the planet Earth. Environmental degradation and societal collapse led to the evolution of these humanoid/crustacean/vegetables....\" The debut release from the Shellhead Mutants is full of fun songs about the decline and inevitable destruction of the human race, with a hard guitar-based edge. lp cassette. Released 1993. the web page: [11]http://www.dnai.com/~grayarea featuring photos, lyrics, flyers, artwork and more.... the label: Gray Area 2425b Channing Way, #347 Berkeley, CA 94704 (510) 261-4047 [12]grayarea@dnai.com ======= [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Dr._Octojoculus/Dr._Octojoculus.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Dr._Octojoculus/mono-excerpt-Mo_Fat.au 3. file://localhost/IUMA-2.0/ftp/volume3/Dr._Octojoculus/mono-excerpt-Mo_Fat.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Dr._Octojoculus/mono-Mo_Fat.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Dr._Octojoculus/stereo-Mo_Fat.mp2 6. file://localhost/IUMA-2.0/olas/genre/lf-RA_001.html#Dr._Octojoculus 7. file://localhost/IUMA-2.0/olas/genre/lf-FN_002.html#Dr._Octojoculus 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Dr._Octojoculus 9. mailto:garygray@netcom.com 10. file://localhost/iuma-bin/buy.pl?init=Dr._Octojoculus 11. http://www.dnai.com/~grayarea 12. mailto:grayarea@dnai.com 13. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
5,'Adam Bomb Stand On Up [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 120k, 180k / Full song 4:06 mins, 2.95M, 5.91M) [5]HipHop-Rap, [6]College/Indie/Lo-Fi ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| Email [9]|| More Songs [10]|| Song Lyrics ] Biography Adam Bomb has lived behind \"enemy lines\" for most of his life, much to his dismay. As a white male, he watched his fellow Anglo-Americans create and perpetuate racist, prejudiced and sexist ideals. With his self-produced debut of \"Organic Hard-Core\" Rap he is out to unsettle the status quo and give them a dose, from one of \"their own\", of something that they have been deaf to for far too long... the TRUTH. [11][the man himself] [12][record label log] Adam Bomb\'s rhymes defend individual freedom, attack authority and define true liberty which, to him, is more than just privileges for the advantaged few. His music throbs and grooves with funky samples, rock and funk inspired guitar tracks, keyboards, and live horns. \"Government, religion, and social standing are not excuses for racism, sexism, oppression and censorship by the powers that be,\" Adam Bomb says. \"The Constitution was a great document, in theory, but its ideals have not been afforded, to this day, to all men and womyn equally. It has never been anything more than a fairy tale to many of the people who in large part built this country, but have to ask permission to share the dream.\" His tracks confront everything from racist attitudes of the powers that be, to sexism and the failing two-party political system. \"Stand On Up\", inspired by a Malcolm X speech warn all races that things haven\'t changed enough to relax on any level, and that action like that of the 60\'s Civil Rights movement is still a must: \'Cause if you\'re sittin\' then you\'re just a sittin\' duck Lettin\' those who choose, bombs instead of schools Still vote for the sucker, if ya vote at all fool In \"Peacemaker, Soulshaker\", Adam Bomb serves up other ideologies he disdains -- misogyny, organized religion, bigotry and violence among all races of people who should be fighting the system rather than smoking dope, drinking \"40\'s\" and killing each other. \"The System\" calls for an end to the two-party system which as Adam Bomb sees it is a farce. \"Although the two groups make a lot of noise espousing different points of view, they are essentially the same. They have their own best interests in mind and the true needs of the masses are not even an issue\". My vision Destroy the institution With an urge ta purge suckers that are usin\' up the masses Mutha fuckin\' facists, I won\'t be passive Better believe I\'m down for somethin\' drastic... Enough of this evil Politicians gonna keep ya in submission till ya feeble \"Everybody Get-A-Gun\" takes a sarcastic swipe at those in our society who are obsessed with firearms. Mother don\'t cry, he only thought he was protecting you Not expecting to Take out his own son, with a cap from his own gun The same gatt we used ta shoot for fun... The Second Amendment Nothin\' more than a remnant of our past The Second Amendment Propaganda from a Klansmen in my path By attacking long since established views, values and philosophies, Adam Bomb is prepared for criticism from middle America. He is also prepared for the Hip-Hop and Rap communities to come at him as well by virtue of the fact that his skin is white. \"I\'ve seen it happen, and quite frankly in many cases, people got what they deserved. I feel my music is different. My lyrics are relevant and I am not wasting people\'s time to fill my pockets. It\'s people\'s minds I hope to help set free\". Realizing his passion for expressing himself through music at an early age, Adam Bomb formed a band with his brother when he was barely out of elementary school. He went from high school to study sound design at the Berklee College of Music in Boston. It was during his college years that Adam Bomb discovered a powerful from of expression that spoke to him and the ideals that he believed in vehemently. He walked in to a record store one day and knew that in Rap he had found his niche. \"I heard Public Enemy in a local store, and their message and delivery inspired me to change my outlook on music\", Adam Bomb recalls. \"Chuck D\'s lyrics were intelligent, deep and pertinent.\" Chuck D, KRS-1 and Ice Cube became his strongest Rap influences. Adam Bomb\'s first project was producing a young rapper named Stud B. As Adam Bomb learned about rap as an art form, he began producing tracks for both himself and Stud B, that were both political and original. Songs like \"Earth to the White Man\" and \"Proof is in the Pudding\", which was a reaction to the Rodney King beating, were results of the pairs collaboration. Now a resident of Los Angeles, Adam Bomb continues to grow and evolve as an artist. He keeps his ears, heart and mind open for innovative sounds and ideas and persists at expressing the truth, which he hopes will force those \"in charge\" to finally own up to their wrongs and relinquish the power to those who should have had it all along. _________________________________________________________________ Quotes and Other Stuff Exploding across the Net, North America, and Europe! I got your tape in the post this morning. i listened to all of it before coming in to work. it really is great, \'organic hardcore\' just about describes it for me. a couple of the tracks have got double vocals on them - are they both you? - one at a higher pitch than the other, this sounds a lot like early PE, I\'m thinking of \'megablast\' especially. I also picked up house of pain & ratm (your voice - in places) styles, yet not derivative, more expansive. I\'ll be playing your tape on my show tonight. Jimmy Possession, May 5, 1995 CUR 945 - Cambridge, England _________________________________________________________________ Contact Info: 11015 Morrison Street, #202 North Hollywood, California 91601 Voice: 818.766.1374 Internet: [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References Visible links 1. file://localhost/IUMA-2.0/ftp/volume7/Adam_Bomb/mono-excerpt-Stand_On_Up.au 2. file://localhost/IUMA-2.0/ftp/volume7/Adam_Bomb/mono-excerpt-Stand_On_Up.mp2 3. file://localhost/IUMA-2.0/ftp/volume7/Adam_Bomb/mono-Stand_On_Up.mp2 4. file://localhost/IUMA-2.0/ftp/volume7/Adam_Bomb/stereo-Stand_On_Up.mp2 5. file://localhost/IUMA-2.0/olas/genre/RA_001.html#Adam_Bomb 6. file://localhost/IUMA-2.0/olas/genre/CO_001.html#Adam_Bomb 7. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Adam_Bomb 8. mailto:abomb@primenet.com 9. file://localhost/IUMA-2.0/ftp/volume7/Adam_Bomb/html/songs.html 10. file://localhost/IUMA-2.0/ftp/volume7/Adam_Bomb/html/lyrics.html 11. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Adam_Bomb.jpg 12. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Phunk.jpg 13. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map Hidden links: 14. mailto:abomb@primenet.com>abomb@primenet.com</A><P><CENTER><IMGALT=',cold
6,'Russlee [1][sm-Russlee.gif] Cold-Hearted [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 125k, 124k / Full song 4 mins, 2.90M, 5.80M) [6]Pop ----------------------------------------------------------------- [ [7]|| Comments & Reviews ] Russlee is a singer/songwriter whose music is neither ordinary or definable in current categories in the music industry. His music creates and atmosphere of dark nights and dreamy delusions of love and loss. ======= [8][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Russlee/Russlee.jpg 2. file://localhost/IUMA-2.0/ftp/volume1/Russlee/mono-excerpt-Cold-Hearted.au 3. file://localhost/IUMA-2.0/ftp/volume1/Russlee/mono-excerpt-Cold-Hearted.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/Russlee/mono-Cold-Hearted.mp2 5. file://localhost/IUMA-2.0/ftp/volume1/Russlee/stereo-Cold-Hearted.mp2 6. file://localhost/IUMA-2.0/olas/genre/PO_014.html#Russlee 7. http://www.iuma.com/iuma-bin/view-comment.pl?Russlee 8. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
7,'ISIKOJAM ISIKOJAM Dance [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 120k, 181k / Full song 2:56 mins, 2.16M, 4.31M) [5]World Beat, [6]Instrumental, [7]Jazz, [8]Funk, [9]HipHop-Rap ----------------------------------------------------------------- [ [10]|| Comments & Reviews [11]|| Email [12]|| More Songs ] ISIKOJAM [13][logo-sticker thing] [14][the band] ISIKOJAM, whose musicians come from Nigeria, Cameroon, Boston, and San Francisco, is a fusion of musical ideas from these parts of the world. ISIKOJAM was formed while Kirk Casey, Soul Maah, and Maanas Itene were backing various South African and reggae artists in the San Francisco Bay Area. Kirk brought keyboardist Jonathan Ridpath to the group, and after one night of playing that was it! \"It felt as though we had been playing together for years.\" ISIKOJAM combines many styles of music and fuses them together to produce music that is very groove oriented with distinct melodies. BASS: Simon (Soul) Maah from Cameroon played with EKAMBI Brilliant and Manu Dibango, The Soul Makossa Man. Soul left Cameroon for Nigeria to play with Jerry Cooper. He then embarked on a thirteen year recording and producing career that took him to such world class studios as EMI, DECCA, Phonodisk, RecordDisk, Satellite, and TABANSI. After touring with Sonny Okusons for five years, Soul came to the United States looking for new challenges. Residing in the East Bay, Soul plays for many international and local artists that make their way through the Bay Area. GUITARS: Kirk Casey was born and raised in the San Francisco Bay Area. As a young teenager his band opened shows for The Grateful Dead, Santana, and The Sons Of Champlin. Studying composition in college, Kirk then continued with Cuban Classical guitar. Kirk\'s interest in world music and jazz lead him to study music from many countries of the world. He then studied with Miles Davis guitarist Dave Cramer. Currently, Kirk can be heard on many national television commercials for such Fortune 500 companies as Alamo Car rental, Toyota, GMC trucks, Buick,Yamaha motorcycles, and the NBA. Kirk also tours internationally with Jamaican artists Della Grant and The Twinkle Brothers. DRUMS: Maanas Itene hails from Nigeria, West Africa. It took Maanas three years to get to the United States to seek his fortune as a respected musician. Upon arrival to the United States the tour previously scheduled for the band was canceled. Maanas found himself without work and stranded. He made his way to the Bay Area, and now tours with KOTOJA, West African High Life Band, and Inka Inka. Groups that Maanas has formerly played with in Nigeria include Liberty Loverboy, Victor Suuku, Isaac Black, King Walla Man, and Mandators. KEYBOARDS: Jonathan Ridpath has been playing for over thirty years. He studied at the Berklee School of Music and the New England Conservatory. After his schooling, Jonathan then toured along the East Coast, and has played at Tanglewood on several occasions. Jonathan moved to San Francisco in 1976 and began teaching classical piano. Jonathan recently released a solo EP, titled Reflections. For information about ISIKOJAM please contact: ISIKOJAM MUSIC P.O. Box 1778 Orinda, CA 94563 (510) 254-4632 E-mail: [15]jonnyW@ix.netcom.com ======= [16][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume7/ISIKOJAM/mono-excerpt-ISIKOJAM_Dance.au 2. file://localhost/IUMA-2.0/ftp/volume7/ISIKOJAM/mono-excerpt-ISIKOJAM_Dance.mp2 3. file://localhost/IUMA-2.0/ftp/volume7/ISIKOJAM/mono-ISIKOJAM_Dance.mp2 4. file://localhost/IUMA-2.0/ftp/volume7/ISIKOJAM/stereo-ISIKOJAM_Dance.mp2 5. file://localhost/IUMA-2.0/olas/genre/WO_002.html#ISIKOJAM 6. file://localhost/IUMA-2.0/olas/genre/IN_005.html#ISIKOJAM 7. file://localhost/IUMA-2.0/olas/genre/JZ_003.html#ISIKOJAM 8. file://localhost/IUMA-2.0/olas/genre/FN_003.html#ISIKOJAM 9. file://localhost/IUMA-2.0/olas/genre/RA_001.html#ISIKOJAM 10. http://www.iuma.com/iuma-bin/view-ola-comment.pl?ISIKOJAM 11. mailto:jonnyW@ix.netcom.com 12. file://localhost/IUMA-2.0/ftp/volume7/ISIKOJAM/html/songs.html 13. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/ISIKOJAM.jpg 14. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/ISIKOJAMband.jpg 15. mailto:jonnyW@ix.netcom.com 16. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',medium
8,'Myer, Larry Higher Away [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 195k, 292k / Full song 3:30 mins, 2.53M, 5.06M) [5]Easy Listening, [6]Folk, [7]Pop, [8]Rock ----------------------------------------------------------------- [ [9]|| Comments & Reviews [10]|| Email [11]|| More Songs [12]|| Ordering Info ] LARRY MYER 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Larry Myer is an outstanding singer/songwriter and acoustic performer from Ames, Iowa. His self produced debut CD \"Flatlands\" is receiving rave reviews, substantial radio airplay, and has gone on to its third pressing. A second CD will be released this year. 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Larry is well known for his incredible voice and aggressive touring schedule. He has opened shows for more than a dozen nationally known performers and bands, such as The Freddy Jones Band, The Jayhawks, Arlo Guthrie, and Richard Thompson. Larry is also the winner of the Branson Songwriters\'s Competition (out of more than 150 entries). 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh He is truly a unique and talented artist. See for yourself. [13]Reviews [14]Flatlands Play List [15]Lyrics [16]Contact/booking info [17]Product Information ======= [18][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/Myer,_Larry/mono-excerpt-Higher_Away.au 2. file://localhost/IUMA-2.0/ftp/volume2/Myer,_Larry/mono-excerpt-Higher_Away.mp2 3. file://localhost/IUMA-2.0/ftp/volume2/Myer,_Larry/mono-Higher_Away.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/Myer,_Larry/stereo-Higher_Away.mp2 5. file://localhost/IUMA-2.0/olas/genre/EZ_001.html 6. file://localhost/IUMA-2.0/olas/genre/FO_001.html 7. file://localhost/IUMA-2.0/olas/genre/PO_001.html 8. file://localhost/IUMA-2.0/olas/genre/RR_001.html 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Myer,_Larry 10. mailto:peoplespro@aol.com 11. file://localhost/IUMA-2.0/ftp/volume2/Myer,_Larry/html/songs.html 12. file://localhost/iuma-bin/buy.pl?init=Myer,_Larry 13. file://localhost/IUMA/ftp/music/Myer,_Larry/Reviews.html 14. file://localhost/IUMA/ftp/music/Myer,_Larry/Playlist.html 15. file://localhost/IUMA/ftp/music/Myer,_Larry/Lyrics.html 16. file://localhost/IUMA/ftp/music/Myer,_Larry/Contact.html 17. file://localhost/IUMA/ftp/music/Myer,_Larry/Info.html 18. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',medium
9,'Life Like Feel [1][sm-Life_Like_Feel.gif] World After June [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 123k, 185k / Full song 3:40 mins, 2.58M, 5.16M) [6]College/Indie/Lo-Fi, [7]Rock ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Email [10]|| More Songs [11]|| Song Lyrics ] Life Like Feel Rising from the grunge factory of Seattle, Life Like Feel is much more than their place of birth suggests. Their alternative/progressive sound, a blend of hard edges and melodic textures, engulfs you with each listen; delivered with honesty and shattering intensity. Life Like Feel is quickly gaining popularity worldwide. _________________________________________________________________ [12][Image of Life Like Feel] Life Like Feel\'s self-titled debut album (on Phisst Records) is available in stores across the country. This exciting new release contains 11 songs and includes their first single, \"Start All Over Again,\" produced by Candlebox producer Kelly Gray. The song is also prominently featured on Propaganda , the compilation CD benefiting the Rock the Vote organization. It is receiving much radio airplay and press nationwide including the Album Network and Billboard magazine. Life Like Feel\'s new video uses the latest cutting edge technology and features full 30-frame per second computer animation, bump mapping, and full 24-bit color imaging. You must check out this amazing video. An excerpt from it can be seen on Life Like Feels own world wide web site. \"LIFE LIKE FEEL displays a progressive flair and modern edge coupled with distinctve melodies which make it different from the average, stereotypical Seattle grunge sound.\" - - RAG magazine \"LIFE LIKE FEELs debut album offers up catchy riffs and heavy guitar playing in the vein of 1970s pre-arena rock. With ballads that dont suck and some pounding tunes that will make grunge rockers beg for mercy . . .\" - - guitar for the practicing musician, march 1995 _________________________________________________________________ the band: FOSSO - bearer of chaos and allegorical rhetoric lead vocals, guitar, and percussion JEF ALLEN - subliminal yells and ethereal inhaler drums and percussion POKE - enigmatic rumbler of earth and other stationary objects bass, backing vocals, and percussion ROBERT WILSON - pursuer of pursuant things and trivial trivia keyboards, guitar, and percussion \"Thanks for checking us out! We look forward to seeing you at our next show. Wed also like to invite you to become a part of the band network. Just send us your e-mail or snail mail address (whichever you prefer - both are kept confidential, of course) and well keep you posted of upcoming events. All e-mails are eligible for rare CDs and other cool merchandise. THANKS again for all of your support.\" -- LIFE LIKE FEEL ATTENTION: Come check out Life Like Feels soon to be finished homesite on the wwweb. Get the latest info, tour dates, songs and video clips, merchandise and even a chance to win some cool stuff and more!! . . . and remember to call your favorite radio station and request LIFE LIKE FEEL. Thanks! LIFE LIKE FEEL P.O.Box 30869 Seattle, WA 98103-0869 e-mail / [13]llfeel@aol.com Life Like Feel website under construction photo credit: Rich Andrews Music, photo, and text (c) 1995 Life Like Feel ======= [14][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume7/Life_Like_Feel/Life_Like_Feel.jpg 2. file://localhost/IUMA-2.0/ftp/volume7/Life_Like_Feel/mono-excerpt-World_After_June.au 3. file://localhost/IUMA-2.0/ftp/volume7/Life_Like_Feel/mono-excerpt-World_After_June.mp2 4. file://localhost/IUMA-2.0/ftp/volume7/Life_Like_Feel/mono-World_After_June.mp2 5. file://localhost/IUMA-2.0/ftp/volume7/Life_Like_Feel/stereo-World_After_June.mp2 6. file://localhost/IUMA-2.0/olas/genre/CO_001.html 7. file://localhost/IUMA-2.0/olas/genre/RR_001.html 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Life_Like_Feel 9. mailto:llfeel@aol.com 10. file://localhost/IUMA-2.0/ftp/volume7/Life_Like_Feel/html/songs.html 11. file://localhost/IUMA-2.0/ftp/volume7/Life_Like_Feel/html/lyrics.html 12. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Life_Like_Feel2.jpg 13. mailto:llfeel@aol.com 14. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
10,'Tweezerhead Rebellion, The [1][sm-Tweezerhead_Rebellion,_The.gif] V. S. I Love You [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Stereo] (Excerpt 120k, 180k / Full song 4 mins, 5.92M) [5]Pop ----------------------------------------------------------------- [ [6]|| Comments & Reviews [7]|| Email ] The Tweezerhead Rebellion P.O. Box 3670 Manhattan Beach California 90266 Mdmeloan@aol.com 310.395.8644 [8][band-Tweezerhead_Rebellion,_The.gif] The Tweezerhead Rebellion is a satire, rock and roll, and spoken word trio. Frederick Kleffel programs drums and synthesizers, Dana Massie plays guitar, and Michael Meloan writes lyrics and performs vocals. Kleffel and Massie are computer engineers at E- Mu Systems, a manufacturer of high end music synthesizer electronics. They live in Santa Cruz, California. Meloan is a writer in Los Angeles, whose short stories and articles have appeared in Buzz Magazine, and many other publications. He has also written dramatic material for Joe Frank\'s National Public Radio program \"In the Dark.\" The Rebellion is busy rounding up material for their upcoming CD release. V. S. I Love You was inspired by an interview with model Vickie Smith, who later became supermodel Anna Nicole Smith. V.S. I Love You has been played on Liza Richardson\'s Man in the Moon radio program out of KCRW in Santa Monica, California. It was also carried on the nationally syndicated version of her show, sponsored by MTV. ======= [9][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/Tweezerhead_Rebellion,_The/Tweezerhead_Rebellion,_The.jpg 2. file://localhost/IUMA-2.0/ftp/volume2/Tweezerhead_Rebellion,_The/mono-excerpt-V._S._I_Love_You.au 3. file://localhost/IUMA-2.0/ftp/volume2/Tweezerhead_Rebellion,_The/mono-excerpt-V._S._I_Love_You.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/Tweezerhead_Rebellion,_The/stereo-V._S._I_Love_You.mp2 5. file://localhost/IUMA-2.0/olas/genre/PO_017.html#Tweezerhead_Rebellion,_The 6. http://www.iuma.com/iuma-bin/view-comment.pl?Tweezerhead_Rebellion,_The 7. mailto:Mdmeloan@aol.com 8. file://localhost/IUMA/ftp/music/Tweezerhead_Rebellion,_The/band-Tweezerhead_Rebellion,_The.jpg 9. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
11,'Rapanese [1][sm-Rapanese.gif] The Party Song [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 118k, 178k / Full song 4.4 mins, 3.13M, 6.25M) [6]Rock, [7]none-other ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Ordering Info ] The RAPANESE method First the lyrics (each of twelve lessons) are repeated slowly without music in both Spanish and English, just like conventional language tapes. Then the lyrics are repeated with AWESOME music. We repeat the Spanish and English words and phrases up to 4 times for the longer phrases. YOU DO NOT GET BORED because your mind fixates on the music and you pick up the Spanish the way you pick up words to your favorite song. YOUR MIND BECOMES BILINGUAL. The Result You may be in a Spanish Restaurant and hear \"Disculpame.\" Right away you think \"Excuse Me.\" It becomes automatic. You actually think in English but speak in Spanish (in the beginning.) History of RAPANESE Rapanese was created by a Canadian, ex-disc jockey, school teacher, Mike D\'Amours. He started using Rapanese in his classroom of 25 students in 1989. Since then, the Kelowna Secondary School, B.C. Canada, has had to hire a second language instructor to cope with the 5 fold increase in demand in only 2 years. Available in French, Spanish, and Japanese Look for our continuing series RAPANESE P.O.Box 8 MOUNT EDEN, CA 94557 PH# 510-887-4834 FAX# 510-264-1148 U.S.A. 1-800-645-2726 ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Rapanese/Rapanese.jpg 2. file://localhost/IUMA-2.0/ftp/volume1/Rapanese/mono-excerpt-The_Party_Song.au 3. file://localhost/IUMA-2.0/ftp/volume1/Rapanese/mono-excerpt-The_Party_Song.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/Rapanese/mono-The_Party_Song.mp2 5. file://localhost/IUMA-2.0/ftp/volume1/Rapanese/stereo-The_Party_Song.mp2 6. file://localhost/IUMA-2.0/olas/genre/RR_023.html#Rapanese 7. file://localhost/IUMA-2.0/olas/genre/ZZ_001.html#Rapanese 8. http://www.iuma.com/iuma-bin/view-comment.pl?Rapanese 9. file://localhost/iuma-bin/buy.pl?init=Rapanese 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
12,'Arthur Loves Plastic [1][sm-Arthur_Loves_Plastic.gif] I Love You [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 122k, 183k / Full song 3.5 mins, 2.13M, 4.27M) [6]Dance/House/Techno/Rave, [7]Ambient, [8]Electronic ----------------------------------------------------------------- [ [9]|| Comments & Reviews [10]|| Email ] Contact: Arthur Loves Plastic PO Box 66294 Washington, DC 20035 (301)949-5513 internet: [11]BEVERLEYS@delphi.com ======= [12][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/Arthur_Loves_Plastic/Arthur_Loves_Plastic.jpg 2. file://localhost/IUMA-2.0/ftp/volume2/Arthur_Loves_Plastic/mono-excerpt-I_Love_You.au 3. file://localhost/IUMA-2.0/ftp/volume2/Arthur_Loves_Plastic/mono-excerpt-I_Love_You.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/Arthur_Loves_Plastic/mono-I_Love_You.mp2 5. file://localhost/IUMA-2.0/ftp/volume2/Arthur_Loves_Plastic/stereo-I_Love_You.mp2 6. file://localhost/IUMA-2.0/olas/genre/DA_001.html#Arthur_Loves_Plastic 7. file://localhost/IUMA-2.0/olas/genre/AM_001.html#Arthur_Loves_Plastic 8. file://localhost/IUMA-2.0/olas/genre/EL_002.html#Arthur_Loves_Plastic 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Arthur_Loves_Plastic 10. mailto:BEVERLEYS@delphi.com 11. mailto:BEVERLEYS@delphi.com 12. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',medium
13,'Pattrex [1][sm-Pattrex.gif] Sometimes Goodbye [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 121k, 121k / Full song 4 mins, 2.59M, 3.46M) [6]Rock ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| Email ] SomeTimes Goodbye by Pattrex Approximate length: 3:30 Stereo Recording Songs available (there\'s more songs at [9]http://www.com/99x/pattrex.html): Pattrex is a new media artist. All instruments and vocals performed, produced, and composed by Pattrex. Copyright 1995 Pattrex. Email at \"pattrex@npixi.com\". Pattrex performs with a 4 piece backing band occasionally. They are loud (like a jet taking off at a distance of 10 feet), so bring ear protection when you see them. Yes, Pattrex is a vegetarian but that doesn\'t mean he is a \"nice mellow kind of guy\". Hemorrhaging at concerts is not a fun thing. Protect your ears. Always. The idea behind Pattrex is to create exciting experiences utilizing available technology. Pattrex is part of an emerging convergence of these tools. The song you\'ll be listening to is a midtempo type pop thing. Kinda sounds like a cross between Smashing Pumpkins and Peter Gabriel. And then some. The music is real. If you like what you hear and want to hear more please send check or money order of $9.00 plus $2.00 shipping and handling to: [10]Empty Street Productions 931 Monroe Drive STE 102-183 Atlanta, GA 30308 For a 4 song cassette tape and some propaganda mailings. If you ask, we\'ll even enclose a Macintosh Floppy Disk Demo (requires a color capable Mac and at least a 13\" screen). Allow 6 weeks for delivery (A&R reps get free tape if they promise to listen to the damn thing, send email). There are several Pattrex Web Sites available throughout the universe. Here\'s a popular one: [11]http://www.com/99x/pattrex.html You will soon be able to electronically order a Pattrex CD EP over various BBS\'s. This will really expedite things, \'cause you\'ll be able to use your credit card and get the CD mailed to you overnight. Wow. Again, send email if you are interested in that. This should be up and running by May 1995 Most of what you are hearing was created and recorded digitally. The studio this was recorded in is a tiny back room at Empty Street in Atlanta, GA. Most of the studio lives in a Macintosh IIvx computer with a 1.2 GB Hard Disk and Opcode\'s StudioVision sequencer/digital recorder. Pattrex used inexpensive and readily-available hardware and software for this effort. Mackie mixers were used, and Alesis effects devices. I recommend these brands pretty highly. Tannoy speakers (PBM 6.5s). Also, a basic Tascam 488 cassette 8 track was used to slave in some additional tracks. Pretty simple stuff, actually. The only semi-expensive element was an AKG C414 microphone I rented for a day for $10 from Private Studios in Champaign Illinois (thanks Jon! PS: call up and harass Jon at (217) 367-3530). Oh, yeah- a cool 12 string electric guitar was borrowed from CV LLoyde\'s in Champaign (call (217) 352-7031 to harass Gary and CV and order stuff). But that\'s not all... Pattrex has several multimedia demos available on-line through the internet and on services such as America Online and Compuserve. One of these, the first Macintosh-created music industry promo clip available on the Internet, is called \"pats music video\" and is available via anonymous ftp from sumex-aim.stanford.edu under directory /info-mac/grf/qt. Pattrex also has appeared on the Internet \"musenet\" 1992 compilation CD with the song \"There\'s Love Here Today\", and on the 10th AMUG CDROM compilation BBS-In-A-Box (available through the Arizona Macintosh Users Group). Pattrex is a founding member of the renegade multimedia group \"NPiX InterActive\", and creates freelance multimedia for the entertainment industry in his spare time. Pattrex is a member of IICS (International Interactive Computing Society), ASCAP, and an Apple Associate Developer and MultiMedia Program member. Pattrex is also part of [12]NPiX Interactive. You *might* be able to reach Pattrex at (404) US-FOLKS. Maybe. That machine is pretty flaky, though. Email is best. Or voice mail us at (404) 892-1971. Critics say: \"Hot, Hot, Hot. It sure is f*cking hot out today, why the hell don\'t you get air conditioning huh?\" - Gary Strater of the band StarCastle formerly on Epic Records (check out StarCastle\'s upcoming album!) \"I hope you know your rent is past due. Again.\" - Donald Mead, Landlord (PS: send don email at dmm@prism.gatech.edu if you think he should cut me some slack. Thanks!) \"Hey babe, get used to it\" - Meghan Neely, drunk groupie from Mocksville, North Carolina (Stay away from Meghan. Trust me). \"Thank you for your submission. Even though we called you and asked for a copy of your EP, we have no intention of listening to it. Actually, unless you are my boss\'s kid sister or are willing to sleep with my German Shepherd I don\'t think I will even return your calls. Pretty funny, huh? How\'s THAT grab you buddy?\" - Anonymous (ex)Major Label executive from a company on Sunset in L.A. \"It is loud and bothered me. It made my liver hurt. And I had to go to the bathroom all the time.\" - Man describing ultrasonic procedure for removing kidney stones \"Wow. Pat is melodic and urgent, and I am reminded of a young Bryan Adams.\" -Rolling Stone Magazine (yeah, it\'s true but I don\'t know how to take that...) ======= [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Pattrex/Pattrex.jpg 2. file://localhost/IUMA-2.0/ftp/volume1/Pattrex/mono-excerpt-Sometimes_Goodbye.au 3. file://localhost/IUMA-2.0/ftp/volume1/Pattrex/mono-excerpt-Sometimes_Goodbye.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/Pattrex/mono-Sometimes_Goodbye.mp2 5. file://localhost/IUMA-2.0/ftp/volume1/Pattrex/stereo-Sometimes_Goodbye.mp2 6. file://localhost/IUMA-2.0/olas/genre/RR_021.html#Pattrex 7. http://www.iuma.com/iuma-bin/view-comment.pl?Pattrex 8. mailto:pattrex@npixi.com 9. http://www.com/99x/pattrex.html 10. http://www.yak.net/pub/emptystreet/emptystreet.html 11. http://www.com/99x/pattrex.html 12. http://www.npixi.com/NPiX2.html 13. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
14,'Youngs, Drew [1][sm-Youngs,_Drew.gif] Montumo [2][MPEG Stereo] (Full song 3 mins, 2.83M) [3]Jazz, [4]Instrumental ----------------------------------------------------------------- [ [5]|| Comments & Reviews [6]|| More Songs ] Acoustic Latin Jazz: Drew Youngs, a nationally released artist and composer, blends the qualities of his smooth Jazz vocals with nylon, bronze and steel string guitar. Accompanied by protege Chris Rossbach on bronze string acoustic guitar and Joey Fabian, an Atlanta home-boy on bass. Also featured are two world class bass players, Kai Eckhardt and Dave Enos. Bassist, Kai Eckhardt has played for such renowned artists as John McLaughlin, Saxophonist Wayne Shorter, and most recently has toured with drummer Billy Cobham. Dave Enos has recorded with David Benoit and is currently on tour with trumpeter, David Arturo Sandoval. Drew has most recently played for: the San Francisco 1994 World Cup Socer Reception, the San Jose Museum\'s \"Art\'s Alive\" Jazz series, The Palo Alto Centenial Birthday Celebration and The City of Palo Alto Summer Concert Series. Upcoming performances will include a special holiday Jazz concert at the Cultural Center Auditorium as part of the Palo Alto Autumn Concert Series. The fifteen song CD, entitled \"Tres Conmigo\", contains all original compositions, except for \"Seven Days\", a tune written by Sting off his latest CD release \"Ten Sumners Tales\". CDs will sell for $15.00 (which include tax and postage and handling). To obtain a CD, send check or money order to: Drew Youngs Productions, 3190 Mackall, Palo Alto, CA 94306. For further information call (415) 858-2548. ======= [7][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Youngs,_Drew/Youngs,_Drew.jpg 2. file://localhost/IUMA-2.0/ftp/volume1/Youngs,_Drew/stereo-Montumo.mp2 3. file://localhost/IUMA-2.0/olas/genre/JZ_006.html#Youngs,_Drew 4. file://localhost/IUMA-2.0/olas/genre/IN_007.html#Youngs,_Drew 5. http://www.iuma.com/iuma-bin/view-comment.pl?Youngs,_Drew 6. file://localhost/IUMA-2.0/ftp/volume1/Youngs,_Drew/html/songs.html 7. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
15,'Hungry Ghost [1][sm-Hungry_Ghost.gif] Aboral [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 160k, 240k / Full song 3:40 mins, 2.51M, 5.03M) [6]Ambient, [7]Hard-core/Industrial ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Email [10]|| More Songs [11]|| Ordering Info ] HUNGRY GHOST \"Hovel\" HUNGRY GHOST is: 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh DJ Miscreant: computer treatments/processing, digitizing 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Cactus: guitars, samplers, tape looping 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Ulbrecht: keyboards, tape looping 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Bhopal: keyboards, samplers, pit bull activities CONTACT INFORMATION: Hungry Ghost c/o Galivant Media P.O. Box 170331 San Francisco, California 94117 USA fax: (415) 885.6091 e-mail: dj.miscreant@sfnet.com Legal: Jeff LaFave, Esq. Thorsnes, Bartolotta, McGuire & Padilla Fifth Ave. Financial Center, 11th Floor 2550 Fifth Avenue San Diego, CA 92103 Excerpted from an interview with Ms. Karen Eliot, editor of BULLET TRAIN: When and where did the band coalesce? Hungry Ghost began in 1937 near Brussels, but the band really began creating in earnest about a year ago. Our home base is San Francisco, but Ulbrecht recently moved to Moscow for a two-year stint posing as an American attorney. Bhopal coordinates his efforts from San Diego, California because he likes to surf with the sharks. How would you describe the music? We consider our stuff pretty diverse. We strive to create ambient soundscapes and sound collages with an ethnic-industrial twist. How does the band create the music? We do a lot of free forming. Most times we start with sound clips taken from the urban environment that surrounds us and then mush \'em together with guitars, percussion, samplers and synthesizers. A lot of times we do long, improvisational jam sessions and take out short clips for further manipulation. Other times, we have a particular mood or idea in mind and create songs around this concept with whatever sound is handy at the time. We work well together; everyone has a finger in the creation of a song. Where do you do your creating? We have our own studio, called DS2 (Death of a Supermodel or 2) here in San Francisco. It\'s clean and warm and has everything we require. The digital age has made us self-sufficient in our creative efforts. Do you have any recordings available yet? We have two jukebox 45s floating around. One is a single with two cuts: \"Maimana Casque\" and \"Quechua Click.\" Recently, we cut a joint single with friends from Portland, Oregon. Our cut is called \"Miles.\" On the flip side is a band called Compost. Around August 1994, we\'ll be releasing our first CD, which is entitled \"Brownout at the Spectacle.\" These items are available through our label, Galivant Media in San Francisco. You can mail order all of it. Any other projects in the works? Yeah . . . We have some videos in the works. We\'ve been shooting a lot of Super 8mm film, which is a truly wonderful medium. Very grainy and great texture; quite a contrast to the sterility of most other formats. When a song gives us particular inspiration, we create some visual images to accompany it. We\'re planning on distributing the videos through Galivant Media, and we have plans to air the videos on OFFLINE, which is a public access program distributed on networks around the United States. We\'re working on a soundtrack for a public access film about graffiti art in subway tunnels. It\'s in the works... We\'re also working with multimedia artists who produce CD-ROMs. The group is called Cafe-E, and they\'re in New York. We provide them with \"content,\" as it\'s called in the venacular. Do you have any plans to tour? Not as yet, but we\'re not averse to live gigs. We want to wait until there is sufficient interest in our music before we venture forth from the comfortable confines of DS2. When we do decide to tour, we\'d like to start in Europe. That way we can tour and vacation at the same time. We feel no pressure though. Is there any political bent in the music? Just the usual smash the State stuff. We don\'t use lyrics as such, so the sound textures are more open to interpretation than the straight narrative stuff in most music. This drives some people crazy, but we expect each listener to interpret the soundscapes in their own way based on what they\'re thinking or feeling at the time. We definitely have our own political agendas, but they aren\'t essential to our musical agendas. ======= [12][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Hungry_Ghost/Hungry_Ghost.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Hungry_Ghost/mono-excerpt-Aboral.au 3. file://localhost/IUMA-2.0/ftp/volume3/Hungry_Ghost/mono-excerpt-Aboral.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Hungry_Ghost/mono-Aboral.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Hungry_Ghost/stereo-Aboral.mp2 6. file://localhost/IUMA-2.0/olas/genre/AM_004.html#Hungry_Ghost 7. file://localhost/IUMA-2.0/olas/genre/HC_004.html#Hungry_Ghost 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Hungry_Ghost 9. mailto:tjustman@galivant.com 10. file://localhost/IUMA-2.0/ftp/volume3/Hungry_Ghost/html/songs.html 11. file://localhost/iuma-bin/buy.pl?init=Hungry_Ghost 12. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
16,'Redbug Funky Nassau [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 154k, 232k / Full song 3.5 mins, 2.51M, 5.01M) [5]College/Indie/Lo-Fi, [6]Country, [7]Punk ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Email ] [LOGO] Members (This time): 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Blair Barnette: Vocals, Bass, Guitar 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Bill Bartling: Vocals, Guitar, Mandolin, Lyrics 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Andrew Dalio: Acoustic and Electric Bass Guitar 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Erik Lievano: Drums Redbug hatched about three years ago when Bill started playing a solo acoustic gig after leaving a six year tenure with Central Florida\'s mid-1980\'s trend-setters, Braille Closet (of which Erik was also a member). After three independent releases on the Figurehead label, he felt that it was time to focus on writing lyrics and music that was a little more raw and a little less serious than what Braille Closet was doing. In early 1993, Bill started the Canned Corn label. The first release in Spring of 1993 was Redbug\'s \"Blue Light Special\" b/w \"Downtown\" 7-inch. The single received good airplay in a few markets and none in a lot. Redbug played a few shows with various members: drummer Brian Maguire (currently with Jacksonville\'s Dave Ronan and the Hootowls) and bassist Andrew Dalio (also of Disco Biscuit). Blair had been working on a solo project and was recruited to sing on the record and play bass on a mini-tour since Andrew\'s other band keeps him real busy. The session for the current album, \"No Muffins For Shadow!,\" started as a session for another 7-inch. Engineer Mark Ignoffo had worked with Smashing Pumpkins in their early days, and the band was impressed with a lot of the music coming out of his studio, Reel Time. Mark didn\'t know what to think of Redbug at first. The band didn\'t care. They just wanted to take advantage of his 20 hours for $500.00 special. Two of the songs on the album, \"Hush Puppy\" and \"Steely Cowsdell,\" were improvisational jams that ended up on the record. Also included on the C.D. are wacky versions of Deep Purple\'s \"Highway Star\" and Pearl Jam\'s \"Black.\" \"Blue Light Special\" and \"Downtown\" were remixed and included on the disc also. \"Astro-Manta-Ray\" is a tribute to one of the band\'s faves, Man or Astro-Man. The song \"Funky Nassau\" available here is a eulogy to our now defunct bowling league, Crush Crush Crush. Redbug\'s music was described in Minneapolis\' YOUR FLESH as \"proficient country-dork spoo.\" Charlotte\'s THE INDIE FILE described them as \"They Might Be Giants with some real talent.\" The bands influences range from The Outlaws and Buck Owens to the B-52\'s and X. They prefer not to be categorized, but if need be, call \'em cow-dork-punk. Discography: CCR 0.01 \"Blue Light Special\"b/w\"Downtown\" 7-inch CCR 0.05 \"No Muffins For Shadow!\" Compact Disc Write them at Canned Corn Records, PO Box 2946, Orlando, FL 32802 Or e-mail at CCORN@delphi.com _________________________________________________________________ \"Funky Nassau\" Lyrics by Bill Bartling Performed by Redbug on the compact disc release \"No Muffins For Shadow!,\" CCR 0.05. Copyright 1994 Bill Bartling, Blair Barnette, Andrew Dalio, Erik Lievano. All Rights Reserved. Every Tuesday night they come from all around. They all got names on their shirts. Passin\' round the hat again for someone\'s ailing heart Does anybody know if it\'s legit. Looking forward to this night, Looking forward to a Life. Just can\'t wait for Tuesday night, In Nassau, Funky Nassau. This one\'s not out in the ocean. It\'s in somebody\'s tar, Scattered there like flamingos in the yard. Allured like flies to the aroma of some rot To the shed they put up on that spot. Looking forward to this night, Looking forward to a Life. Just can\'t wait for Tuesday night, In Nassau, Funky Nassau. No this song is not a cover of something you may have heard By The Beginning Of The End. It\'s about a guy who\'s got his number on his shirt How many times that he has been. Looking forward to this night, Looking forward to a Life. Just can\'t wait for Tuesday night, In Nassau, Funky Nassau. What\'s that there thing that you got strapped on to your wrist? It must help you hold it straight. Cuz the more you use it the better you must get, and once you start you get hooked on it. Looking forward to this night, Looking forward to a Life. Just can\'t wait for Tuesday night, In Nassau, Funky Nassau. In Nassau, Funky Nassau. In Nassau, Funky Nassau. REDBUG\'S EASY PROCESSED FOOD APPETIZER RECIPES: Chili Con Queso: Crab/Cream Cheese Spread 2 cans RO-TEL tomatoes One can crab meat with Chili Peppers One 16 oz bar cream cheese 2 pounds processed cheese Seafood Cocktail Sauce spread(Velveeta or generic) Mix crabmeat with cocktail Put in crock pot on low all day. sauce(just enough sauce to Stir well. Serve with tortilla keep it together) chips. Spread crabmeat mixture over cream cheese just like frosting a cake. Serve with Triscuits. Remember, Canned Food is Good Food! ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/Redbug/mono-excerpt-Funky_Nassau.au 2. file://localhost/IUMA-2.0/ftp/volume2/Redbug/mono-excerpt-Funky_Nassau.mp2 3. file://localhost/IUMA-2.0/ftp/volume2/Redbug/mono-Funky_Nassau.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/Redbug/stereo-Funky_Nassau.mp2 5. file://localhost/IUMA-2.0/olas/genre/lf-CO_031.html#Redbug 6. file://localhost/IUMA-2.0/olas/genre/lf-CY_004.html#Redbug 7. file://localhost/IUMA-2.0/olas/genre/lf-PK_008.html#Redbug 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Redbug 9. mailto:CCORN@delphi.com 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
17,'E. Pluribus Chill [1][sm-E._Pluribus_Chill.gif] Fire [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 250k, 375k / Full song 5.2 mins, 3.42M, 6.84M) [6]HipHop-Rap, [7]Instrumental ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Email ] There is no moon - no starry night - no sun - In shadow all the colors bleed - to one - You hear the sound of saxophone blowing lonely in the night - wordless vocals that seduce and incite - invite - - the feeling - beats that bump the jeeps - the streets - revealing - strictly instrumental Hip-Hop jazz some dare call it acid - not sedate - never placid - rough, rugged, and raw - elastic - Hip-Hop Music minus the ignorance... E. Pluribus Chill [10][] E. Pluribus Chill is the band. 2002 - A Hip-Hop Odyssey is the album title, HipHopkins is the mind and the method behind the madness. We\'ve got a solid fifty five minutes of music - not a dog in the bunch, as well as house mixes, club mixes, trance mixes and even mellow adult contemporary mixes (for the white wine and brie cheese set). We have the full twelve songs as well as a quickie teaser (1:45) available. HipHopkins box 93462 Los Angeles, Ca. 90093-0462 U.S.A.. (213)-469-2002 phone/fax (818)-705-0476 voice mail e-mail: [11]an714@lafn.org _________________________________________________________________ \"Fire\": A blanket of chaos agitates the night - violent exuberance despairs of taking flight - incite - the exultations cascade - this crusade of revolutions yet to be made - the tower of babble vibrates, from rooftop to street - heat - rises up - enemies meet, circle and creep -bittersweet - 116 beats - complete. ======= [12][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume5/E._Pluribus_Chill/E._Pluribus_Chill.jpg 2. file://localhost/IUMA-2.0/ftp/volume5/E._Pluribus_Chill/mono-excerpt-Fire.au 3. file://localhost/IUMA-2.0/ftp/volume5/E._Pluribus_Chill/mono-excerpt-Fire.mp2 4. file://localhost/IUMA-2.0/ftp/volume5/E._Pluribus_Chill/mono-Fire.mp2 5. file://localhost/IUMA-2.0/ftp/volume5/E._Pluribus_Chill/stereo-Fire.mp2 6. file://localhost/IUMA-2.0/olas/genre/RA_001.html#E._Pluribus_Chill 7. file://localhost/IUMA-2.0/olas/genre/IN_003.html#E._Pluribus_Chill 8. http://www.iuma.com/iuma-bin/view-comment.pl?E._Pluribus_Chill 9. mailto:an714@lafn.org 10. file://localhost/IUMA/ftp/music/E._Pluribus_Chill/promo.jpg 11. mailto:an714@lafn.org 12. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
18,'Andrews, Jim Doppelwerk [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 166k, 249k / Full song 5 mins, 3.59M, 7.18M) [5]Instrumental, [6]Easy Listening ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| Email [9]|| More Songs ] Jim Andrews Jim is a native of Charlotte, North Carolina, and moved to Nashville in 1982 to attend Belmont College where he graduated with a Bachelors degree in Music Business in 1985. Having performed various types of Music, he then began to record solo acoustic guitar pieces which were compiled for his first release \"Storytale\" in 1988. While searching for a new and unique medium, Jim began composing music for Doppelgitarre (a type of German harp guitar) in 1989. Having been introduced to engineer/producer Howard Toole in 1989, the two decided to co-produce an album. \"Music For Doppelgitarre\" was released in 1990. Jim performed in various places in Tennessee, then moved back to Charlotte in 1991. Since that time, Jim has been performing in various venues in the southeast, as well as composing instrumental music for the forthcoming release \"Pure White Monday\" and guitar/vocal music for his performances and future recordings. \"Music for Doppelgitarre\" is a collection of ten solo doppelgitarre pieces. The music is very melodic in structure, and intended to convey a sense of serenity, color, and warmth. As stated in a review by Guitar Player magazine, \"perfect for a morning cup of Java or an evening of quiet solitude.\" \"Pure White Monday\", however, is more diverse containing different musical styles including pieces for guitar, doppelgitarre, guitar synthesizer, and piano. Jim\'s vocal music is rather like \"introspective folk\", with lyrics to \"live by\" and both flowing and aggressive guitar phrases. To order \"Music for Doppelgitarre\" send $14.00 for CD or $9.00 for cassette plus $1.50 shipping to CIR, P.O. Box 12505, Charlotte, NC 28220. \"Pure White Monday\" is not yet released as Jim is looking for a record company with interest in marketing it. For bookings or industry information, call 704/344-1819 or e-mail jandrews@cybernetics.net. Songs included on IUMA \"Momentum\" from \"Music for Doppelgitarre\" The mood for this piece is described by its title. It contains intricate phrases with harp string melodies mixed with quick guitar picking. The melody, as always, is evident as it strikes the contemplative side of the listener. \"Serenity\" - a live guitar/vocal recording The title is somewhat ironic, as this is one of the more aggressive pieces. It represents a good example of the diversity found in one of Jim\'s performances. \"Doppelwerk\" from \"Pure White Monday\" This piece contains contrasting phrases from the doppelgitarre and piano. The movement continues a steady pace throughout the song, and the song was titled \"Doppelwerk\" as it sounds like a more melodic, acoustic version of a well known German techno band. ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume4/Andrews,_Jim/mono-excerpt-Doppelwerk.au 2. file://localhost/IUMA-2.0/ftp/volume4/Andrews,_Jim/mono-excerpt-Doppelwerk.mp2 3. file://localhost/IUMA-2.0/ftp/volume4/Andrews,_Jim/mono-Doppelwerk.mp2 4. file://localhost/IUMA-2.0/ftp/volume4/Andrews,_Jim/stereo-Doppelwerk.mp2 5. file://localhost/IUMA-2.0/olas/genre/IN_001.html 6. file://localhost/IUMA-2.0/olas/genre/EZ_001.html 7. http://www.iuma.com/iuma-bin/view-comment.pl?Andrews,_Jim 8. mailto:jandrews@cybernetics.net 9. file://localhost/IUMA-2.0/ftp/volume4/Andrews,_Jim/html/songs.html 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',medium
19,'Nasty Wabbit [1][sm-Nasty_Wabbit.gif] Naked Naked [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 160k, 240k / Full song 3.75 mins, 2.74M, 5.49M) [6]Humor, [7]HipHop-Rap ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| More Artwork [10]|| Ordering Info ] JOSHUA MOTTLEY Vocals, Musicial Arrangements, Production DOUG ROBERTSON Lyrics, Vocals On All Raping Parts Joshua Mottley, (Josh) Is a twenty-one year old Scottsdale, Arizona resident wlth a destiny. Since hls early teens, Josh has had a dream to conquer the realms of musicology. From writirig song lyrics, to composing music to fit them to, Josh was never told he couldn\'t do it. In his twenty-one years he has reveled to the heights of his dream, mastering the art of playing several musical instruments, writing heart rendering lyrics, and arranging music that wlll set the hardest soul to dancing. To make the cycle complete, Josh has delved into the other side of the board and become a prolific producer as well. With two completed albums, \'Lifetimes\' (Rock alternative) with his \'Nowhere Dreamer\' band, and as a Soloist on the album \'Venus Butterfly\' -\'Tao of lust\', (Techno Dance,) Josh Mottley, and long time friend Doug Robertson have brought Adult Comedy Rap to the list of his ever growing repertoire of original productions wlth their newest endeavor, \'NASTY WABBIT.\' Although the finishing touches have yet to be put on this humorous demo, the two have gotten off to a great start wlth \'Naked Naked\' and \'Fire In The Hole.\' Doug Robertsom affectionately known as \'The Party Animal\' by Josh and their friends, was born and raised In Grand Rapids, Michigan on January the 8th. 1971. Doug played Soccer for East Grand Rapids High, and was on the All State Conference team in high school. In 1990 Doug relocated to Scottsdale. Arizona where he met Josh when his brother Don, joined the \'Nowhere Dreamer Band\' led by Mottley. Doug, the \"cut up,\" always making the others laugh with his raw humor and original Rapping lyrics caught the ear of Mottley. Josh, being ever on the look out for something unique musically to conquer, recognized Doug\'s talent and teamed with Robertson to bring life to the down home humor of the guy from Grand Rapids. Mottley, by now an old pro to the music industry, took \'Rappin\' Doug\' Into the studio to produce his first encounter into the music field. Doug took to the microphone like a duck takes to water. Before all the scratch vocals were laid for the music, Doug could be heard through the speakers calling to the engineer, \'Hey Rog, roll the damn tape.\' Doug has completed the first two songs on the demo under the dlrection of Mottley who wrote and arranged the music and also sang the back ground parts of the songs, \'Naked Naked\' and \'Fire In The Hole;\' both of which were lyrically written by Robertson. When ask where he gets hls rapping talent Doug kindly replies, \'I\'m a black man living in a white mans body.\' While waiting to complete the \'Nasty Wabbit\' album, Doug can be found working as a waiter in a local Scottsdale restaurant. When not working or rappin\', Doug attends Scottsdale Community College, where he is majoring in Business Administration. Doug has a great sense of humor behind the microphone, and with the combined talents of both mem they are sure to take \'NASTY WABBIT\' to the upper reaches of musical acclaim. ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Nasty_Wabbit/Nasty_Wabbit.jpg 2. file://localhost/IUMA-2.0/ftp/volume1/Nasty_Wabbit/mono-excerpt-Naked_Naked.au 3. file://localhost/IUMA-2.0/ftp/volume1/Nasty_Wabbit/mono-excerpt-Naked_Naked.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/Nasty_Wabbit/mono-Naked_Naked.mp2 5. file://localhost/IUMA-2.0/ftp/volume1/Nasty_Wabbit/stereo-Naked_Naked.mp2 6. file://localhost/IUMA-2.0/olas/genre/HA_004.html#Nasty_Wabbit 7. file://localhost/IUMA-2.0/olas/genre/RA_002.html#Nasty_Wabbit 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Nasty_Wabbit 9. file://localhost/IUMA-2.0/ftp/volume1/Nasty_Wabbit/html/art.html 10. file://localhost/iuma-bin/buy.pl?init=Nasty_Wabbit 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
20,'Excited First Daughter [1][sm-Excited_First_Daughter.gif] T V Lust [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 160k, 240k / Full song 4 mins, 3.30M, 6.59M) [6]Rock ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| Email [9]|| More Songs ] excited first daughter box 4292 vancouver, b.c. canada v6b 3z7 e1d@mindlink.bc.ca What people have said about e1d: \"Complex and intelligent, but not without humour.\" - Discorder \"Totally fuckin rad, like a cross between NoMeansNo and Rush.\" - Arts Club patron \"As a dance band, you suck!\" - Disgruntled Victoria lugnut On This Tape: Ordinary Man (quirky introspection) TV Lust (a euro-surf-disco instrumental; TV does not stand for television) The Hammer Song (as close as we come to a love song) e1d: Paul Funk (guitar and vocals) David Horsley (stick and vocals) Q (percussion and electronics) From the CD This is the Picture Now, available through the above address. ($15CDN in Canada, $15US in the States) We are also accepting advance payment for explaining colours to the blind, due out spring 95. Ordinary Man All I am, an ordinary man, and Ive got some very ordinary plans I like to sit down, think, and figure out where my life is going and just what its been about. Time, time to look ahead Time, time to look behind Planning for the future Ill evaluate my needs, do my best and try to make each dream reality Not everything I do will all work out, like all of us, I make mistakes, a less-than-perfect cut. And it bleeds, I see red blood run Scars go deep, and the pain lives on There are those days when I want to... Days turn into months turn into years, yesterdays as far away as tomorrows getting near And here I am an ordinary man, someday Ill be memories, someday Ill be dust. Time, time to look ahead Time, time to look behind The Hammer Song Look at me. Its not true that no-one cares. Ill give you what kindness I can afford, but theres something I want in return: No more penance for the power you were born with; a gift is not a crime. All you owe the world is a healthy respect. Dont let it kill your light. Dont be afraid of the sun inside you, unveil that secret heat Youre not quite alone, and youre exactly as strong as you feel you need to be. Dont whine at me about the weight of the world, it comes down everywhere. As friends, we can only try to even out the load, and make it a little less unfair. Pressures inside build a burning diamond, and though were all a little flawed, still if you look hard enough youll find that inner light where they got the idea for God. Dont be afraid... ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Excited_First_Daughter/Excited_First_Daughter.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Excited_First_Daughter/mono-excerpt-T_V_Lust.au 3. file://localhost/IUMA-2.0/ftp/volume3/Excited_First_Daughter/mono-excerpt-T_V_Lust.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Excited_First_Daughter/mono-T_V_Lust.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Excited_First_Daughter/stereo-T_V_Lust.mp2 6. file://localhost/IUMA-2.0/olas/genre/RR_009.html#Excited_First_Daughter 7. http://www.iuma.com/iuma-bin/view-comment.pl?Excited_First_Daughter 8. mailto:e1d@mindlink.bc.ca 9. file://localhost/IUMA-2.0/ftp/volume3/Excited_First_Daughter/html/songs.html 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',medium
21,'Looking Glass [1][sm-Looking_Glass.gif] Out of the Lair [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 32k, 120k / Full song 3.4 mins, 2.74M, 3.39M) [6]Spoken Word, [7]Electronic, [8]Experimental ----------------------------------------------------------------- [ [9]|| Comments & Reviews [10]|| Ordering Info ] Looking Glass -The band/The music An avant-garde blending of spoken word lyrics with visually evocative, hypnotic music, Looking Glass invites you to share emotions that run from jagged to ethereal, futuristic to archetypal, slithering to sensual. The spoken word lyrics are somewhere between poetry and song lyrics: there are repeated elements as there would be in lyrics, but not bound by the verse/chorus format. As the material is not read as a poem would be, but spoken, the intent is for the listener to be able to take away something of what was heard, much as being able to remember a song\'s melody. In a creative blitz, 15 songs have been written and recorded from September of 1993 to today. KFJC, the radio station at 89.7 FM, is playing material from the demo tapes. Other radio stations are in the works. _________________________________________________________________ Member Bios: Tom Aragon -Keyboards and Guitar Tom has independently released Ascension, a collection of ambient musicla testures in the electronic/acoustic vein through his project, The Temple of Sound. One of the founding members of Soulstice, he performs in the San Francisco Bay Area. Soulstice has released Wake-up Call, also independently. Formerly, Tom was guitar and keyboard player in the rock group The X-Factor. With various bands, he has opened for such name groups as Y&T, Foghart, John Lee Hooker, and Cold Blood. _________________________________________________________________ Maggie St. Michel -Vocals and Lyrics One of her first projects was the co-writing of The Bloodbank Blues, a humorous, yet touching, vampire tale, complete with music video, with Ron Barron, previously of Quiet Riot, with Chuck Ruff, Longtime drummer for the Edgar Winter Group. A frequent lyrical collaborator with Bay Area musicians, one of her collaborations has been included in a CD released by Rash Behavior (check out their sound also on IUMA) _________________________________________________________________ Out Of The Lair The song It\'s the 1890\'s. You\'re in an opium den in England. It\'s dark, smoky and red hued: Blood red walls, dark red tapestries on the floor, red velvet sofas along the walls. Whether it\'s the smoke or the effect of the smoke on your mind, it\'s hard to tell real from illusion, pysical from imagined. Lewis Carroll wrote about what this feels like in Through The Looking Glass. Enough hints? Listen to the song... _________________________________________________________________ Contact Information: The address The Band\'s mailing address is Looking Glass, P.O. Box 127, Los Altos, CA 94023-0127. If you are a record label that wants to sign us, please let us know which part of your feet you prefer to have kissed. ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Looking_Glass/Looking_Glass.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Looking_Glass/mono-excerpt-Out_of_the_Lair.au 3. file://localhost/IUMA-2.0/ftp/volume3/Looking_Glass/mono-excerpt-Out_of_the_Lair.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Looking_Glass/mono-Out_of_the_Lair.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Looking_Glass/stereo-Out_of_the_Lair.mp2 6. file://localhost/IUMA-2.0/olas/genre/SW_001.html#Looking_Glass 7. file://localhost/IUMA-2.0/olas/genre/EL_006.html#Looking_Glass 8. file://localhost/IUMA-2.0/olas/genre/EX_006.html#Looking_Glass 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Looking_Glass 10. file://localhost/iuma-bin/buy.pl?init=Looking_Glass 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
22,'Inhalers, The [1][sm-Inhalers,_The.gif] Kind [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 132k, 198k / Full song 3 mins, 2.22M, 4.43M) [6]Rock, [7]Pop ----------------------------------------------------------------- [ [8]|| Comments & Reviews ] The Inhalers THE INHALERS\' ADDRESS: 6722 Benjamin St. McLean, VA 22101 CONTACT: Tripp Green TEL: 703/448/9242 ======= [9][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/Inhalers,_The/Inhalers,_The.jpg 2. file://localhost/IUMA-2.0/ftp/volume2/Inhalers,_The/mono-excerpt-Kind.au 3. file://localhost/IUMA-2.0/ftp/volume2/Inhalers,_The/mono-excerpt-Kind.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/Inhalers,_The/mono-Kind.mp2 5. file://localhost/IUMA-2.0/ftp/volume2/Inhalers,_The/stereo-Kind.mp2 6. file://localhost/IUMA-2.0/olas/genre/RR_023.html#Inhalers,_The 7. file://localhost/IUMA-2.0/olas/genre/PO_014.html#Inhalers,_The 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Inhalers,_The 9. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
23,'Champagne, Connie [1][sm-Champagne,_Connie.gif] Drinking Again [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 133k, 133k / Full song 4 mins, 2.65M, 3.52M) [6]Rhythm and Blues, [7]Jazz, [8]Folk ----------------------------------------------------------------- [ [9]|| Comments & Reviews ] Connie Champagne La Strada The first thing you notice about La Strada is Connie Champagne\'s voice. Opening with the Velvet Underground classic \"All Tomorrow\'s Parties\", Connie grabs hold of the song and never lets go. The band charges the opening chords with intensity and skill, creating a 3-D wall of sound built from electric guitars, clarinet and exotic percussion. Listening to the next few tunes, you begin to realize that La Strada is no ordinary singer/songwriter debut album. La Strada is truly an eclectic album. Each song is a story, stylistically ranging from rock to jazz, retro-pop to smoky torch song. Rarely before has there been a recording that successfully covers so many different styles of music. With La Strada Connie brings a new dimension to alternative music. \"One of the year\'s 10 best\" -- Detroit Metro times \"Judy Garland meets Iggy Pop\" -- Billboard \"Connie sings with torch-song virtuosity, a film noir siren\" -- CMJ \"It\'s one damn fine record\" -- BAM Connie Champagne -- La Strada (HEY 022) Heyday Records, 2325 Third Street, Suite 339, San Francisco, CA 94107, USA. Telephone: (415) 252-5590. Fax: (415) 252-5599. CD $14.00, cassette $7.50. Visa, Mastercard, check, or money order accepted. Add $2.75 for shipping (plus $0.50 per additional item). Customers outside of USA add $5.00 for shipping (plus $1.00 per additional item). ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Champagne,_Connie/Champagne,_Connie.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Champagne,_Connie/mono-excerpt-Drinking_Again.au 3. file://localhost/IUMA-2.0/ftp/volume3/Champagne,_Connie/mono-excerpt-Drinking_Again.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Champagne,_Connie/mono-Drinking_Again.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Champagne,_Connie/stereo-Drinking_Again.mp2 6. file://localhost/IUMA-2.0/olas/genre/RB_002.html#Champagne,_Connie 7. file://localhost/IUMA-2.0/olas/genre/JZ_001.html#Champagne,_Connie 8. file://localhost/IUMA-2.0/olas/genre/FO_003.html#Champagne,_Connie 9. http://www.iuma.com/iuma-bin/view-comment.pl?Champagne,_Connie 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
24,'Reingold, Al [1][sm-Reingold,_Al.gif] Spain [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 124k, 186k / Full song 4.5 mins, 3.37M, 6.74M) [6]New Age, [7]Easy Listening ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Email [10]|| Ordering Info ] AL REINGOLD \"Spain\" from the CD \"Stranger Looking In\" \"Landed in Spain just an hour ago Already I\'m walking the streets I need a friend to heal my desperate soul Cold strangers are all that I meet...\" Al Reingold began to formally play piano at age 3. After a decade of recitals, competitions, and practice in both Suzuki and traditional methods, his interests led him to add contemporary rock-and-roll to his strict classical background. Since moving to Atlanta in 1989, Al Reingold has been has been playing music professionally, from accompanying well-known local artists on stage to scoring an all-original soundtrack for a local production of \"Driving Miss Daisy.\" From this seamless blend of the traditional and digital worlds, Reingold creates a hauntingly familiar sound, that gently stretches the boundaries from the classical realm to the New Age. Al Reingold uses these unique melodic lines to frame his debut, \"Stranger Looking In\" , which Reingold released on his own label, SLI Records, Ltd. This vast undertaking was completely arranged and produced by the artist himself, and ranges from rock-n-roll, to jazz, to blues, to classical and to the New Age. He recorded each piece with different guest musicians, including some of Atlanta\'s finest players. In addition to crafting the music and lyrics, Al Reingold plays piano, synthesizers, acoustic guitar, mandolin and percussion. Here\'s a listing of the players on the featured song, \"SPAIN\": Eliss Hadley, vocals Al Reingold, piano, rainstick David Patterson, classical guitar Chris McMahon, acoustic bass Matthew Kahler, congas Since releasing \"Stranger Looking In,\" Reingold has returned to the stage in Chicago and Atlanta, now performing his own compositions as a solo artist. Furthermore, Reingold continually records his own new material and has two distinct albums in the pre-production stages. To order the CD, \"Stranger Looking In\" , please contact Rainy Day Records at: PHONE: (800) 636-6166 E-Mail: rainy@mindspring.com ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Reingold,_Al/Reingold,_Al.jpg 2. file://localhost/IUMA-2.0/ftp/volume1/Reingold,_Al/mono-excerpt-Spain.au 3. file://localhost/IUMA-2.0/ftp/volume1/Reingold,_Al/mono-excerpt-Spain.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/Reingold,_Al/mono-Spain.mp2 5. file://localhost/IUMA-2.0/ftp/volume1/Reingold,_Al/stereo-Spain.mp2 6. file://localhost/IUMA-2.0/olas/genre/lf-NA_005.html#Reingold,_Al 7. file://localhost/IUMA-2.0/olas/genre/lf-EZ_005.html#Reingold,_Al 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Reingold,_Al 9. mailto:rainy@mindspring.com 10. file://localhost/iuma-bin/buy.pl?init=Reingold,_Al 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
25,'Deth Specula [1][sm-Deth_Specula.gif] Careening Continental [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Stereo] (Excerpt 120k, 119k / Full song 4 mins, 3.79M) [5]Hard Rock, [6]Pop, [7]Humor ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Email [10]|| More Songs [11]|| Ordering Info ] | | / / _ _\' |_ 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh |_` \'\'\' Booking: Malcom McCameron 245 Sheldon Ave. Santa Cruz, CA 95060 (408) 425-0460 (Phone/FAX) E-mail: specula@deth.com Deth Specula was spawned in Santa Cruz, California. We are a neo-retro band, playing both original music and covers. The song loaded onto the Internet Underground Music Archive (IUMA) is \"Get Even More,\" our personal advice for when things go bad: Don\'t get mad, don\'t get even, get even more! Deth Specula was formed by the crafty Malcom McCameron a couple of years ago, and was an immediate hit with some of the band\'s friends. Deth Specula is: 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Kozmo - rhythm guitar, vocals 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Malcom McCameron - lead guitar, management 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Tim E Rotarian (aka Timmy, aka Timmer) - lead vocals 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh RaSTrO! - drums 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Yam - bass, vocals Immediately after forming the band, Malcom booked the group on a series of World Tours. It seemed like a good idea at the time. However, by sheer coincidence, every single gig they tried to play, such as Kuwait City in January of 1991, or Clarke Air Force Base in the Philippines, was canceled due to some kind of natural or human-caused disaster. Recently, Malcom vainly tried to put together a Yugoslavia Cease-Fire Tour following the latest United Nations declarations, but again war intervened and the tour was cancelled. Because of the Yugoslavia Cease-Fire Tour debacle, Deth Specula has many concert t-shirts left over, most of which are stored in Malcom\'s dad\'s garage. For information on buying a t-shirt or other Specula paraphernalia (buttons, bumper stickers), send e-mail to: specula@deth.com Ask to be subscribed to our monthly, on-line fanzine. New subscribers get a free bumper sticker and a couple of buttons, and we\'ll send you prices and other information. A Tape? Yeah, we\'re making one. Trust me. It\'s going to have six original songs on it, and we\'re recording it in January of 1994. We\'ll let everyone know when it\'s available via our on-line fanzine. Finally, we are putting together an Internet World-wide Web (WWW) home page that will have more Specula info - maybe even some video clips. Again, subscribe to the fanzine by mailing specula@deth.com and we\'ll keep you posted on events. We hope to see your smiling e-mail in our mailboxes and your smiling faces at our shows. Thanks ... Malcom McCameron _________________________________________________________________ PHOTO CREDIT: Sharky takes our promo pictures. _________________________________________________________________ Take a trip to the deth zone-- the [12]Deth Specula Home Page. _________________________________________________________________ _________________________________________________________________ ABOUT THE DEMO SONG Get Even More: Get Even More is for anyone who gets screwed over by Fate, The System, a lover, your boss, or whatever. We have always considered it a special song because members of Deth Specula, many of our fans, and close friends lost their jobs over the last couple of years. The song was recorded at the drummer\'s house on a Tascam 8-track cassette. Vocals (Timmy, Yam and Kozmo) were recorded on the back porch and the guitars (Malcom and Kozmo) were recorded in the bathroom. Drums (RaStRo!) were recorded in the bedroom and the bass (Yam) was direct. Although it was mastered on cassette (oh joy), the end result is not too shabby. However, we can\'t wait to rerecord this in a studio. Engineering was handled by Eric \"Sharky\" Davis, the Mystery Sixth Member of the band. Sharky takes care of our live sound, much of our recording, camera work, and general technical stuff. We couldn\'t have done it without him. Get Even More is one of our most popular live songs (along with our cover of \"Radar Love\" and our original \"(I\'m in Love with a) Gutterslut.\" We play it just as well live as on tape, in case you were wondering. :-) _________________________________________________________________ by Robert Lord of the IUMA staff December 29, 1993 _________________________________________________________________ I Wanna Be Updated is Deth Specula\'s bonus song for the IUMA. It\'s a spoof on the Ramones song I Wanna Be Sedated to reflect what it\'s like to working for a software company. Here\'some lyrics for example: Twenty, twenty, twenty-four hours to go, I wanna be updated. Nothing to do, nowhere to go, I wanna be updated. Get me to the trade show, put me on a plane. Send it to me Fed Ex, before I go insane. I can\'t control my budget, can\'t drink away the pain, Oh no no no no! These guys are a tight rock band and this song rules. Check it out. -robertLord, IUMA staff. ======= [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Deth_Specula/Deth_Specula.gif 2. file://localhost/IUMA-2.0/ftp/volume3/Deth_Specula/mono-excerpt-Careening_Continental.au 3. file://localhost/IUMA-2.0/ftp/volume3/Deth_Specula/mono-excerpt-Careening_Continental.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Deth_Specula/stereo-Careening_Continental.mp2 5. file://localhost/IUMA-2.0/olas/genre/HR_004.html#Deth_Specula 6. file://localhost/IUMA-2.0/olas/genre/PO_006.html#Deth_Specula 7. file://localhost/IUMA-2.0/olas/genre/HA_002.html#Deth_Specula 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Deth_Specula 9. mailto:specula@hal.com 10. file://localhost/IUMA-2.0/ftp/volume3/Deth_Specula/html/songs.html 11. file://localhost/iuma-bin/buy.pl?init=Deth_Specula 12. http://www.deth.com/specula/ 13. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
26,'Vatchers, The I Keep Thinking Its Tuesday [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 160k, 241k / Full song 4 mins, 2.85M, 5.69M) [5]Rock ----------------------------------------------------------------- [ [6]|| Comments & Reviews [7]|| More Songs [8]|| Ordering Info ] [The Vatchers] Torn between the opposing poles of hard rock and bubblegum, THE VATCHERS have invented a unique musical alloy they call Hard Gum. This miracle polymer penetrates deep into the mind, attaches to the brain stem, and lingers in the soul. No longer content to conduct their experiments in secrecy, THE VATCHERS have begun distributing samples of their creation to an unsuspecting public, in the aptly titled CD \"Cruel\". [9][album cover] Three songs from the album are especially dangerous. They are: I Keep Thinking It\'s Tuesday Demonstrates the effect of this music on the listener, as the speaker can\'t focus on anything but the day of the week, most likely because of the nagging, repetitive guitars. Man In The Moon Disillusionment and despair set in as the subject realizes his condition, assaulted by machine-gun guitars and cannonading drums. Ready Or Not The dramatic final stage, indicated by overpowering emotion and hopefulness. The listener is lost, and will soon succumb. ALL SONGS WRITTEN BY HOWARD VATCHER © 1994 BEATERNITY RECORDS 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Howard Vatcher Lead vocals, Guitars, Keyboards 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Don Vatcher Bass, Backgroud Vocals 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Jeff Nead Drums 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Michael Vatcher Drums on Ready Or Not THE VATCHERS were named one of 1994\'s Best Unsigned Bands by MUSICIAN MAGAZINE ORDER NOW! Our full length, 10-song CD release CRUEL was recorded at CrowMagnon Music and mixed at Sharkbite Studios, both in Oakland, California. CONTACT: Beatemity Records 723 Camino Plaza #301 San Bruno, CA 94066 Ph: 415-737-0728 Fax. 415-872-1156 ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Vatchers,_The/mono-excerpt-I_Keep_Thinking_Its_Tuesday.au 2. file://localhost/IUMA-2.0/ftp/volume1/Vatchers,_The/mono-excerpt-I_Keep_Thinking_Its_Tuesday.mp2 3. file://localhost/IUMA-2.0/ftp/volume1/Vatchers,_The/mono-I_Keep_Thinking_Its_Tuesday.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/Vatchers,_The/stereo-I_Keep_Thinking_Its_Tuesday.mp2 5. file://localhost/IUMA-2.0/olas/genre/RR_029.html#Vatchers,_The 6. http://www.iuma.com/iuma-bin/view-comment.pl?Vatchers,_The 7. file://localhost/IUMA-2.0/ftp/volume1/Vatchers,_The/html/songs.html 8. file://localhost/iuma-bin/buy.pl?init=Vatchers,_The 9. file://localhost/IUMA/ftp/music/Vatchers,_The/cover-Cruel.jpg 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
27,'Brookman, Scott [1][sm-Brookman,_Scott.gif] Everything You Write Sounds To Me Like Death [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 140k, 210k / Full song 5 mins, 3.56M, 7.13M) [6]Folk, [7]College/Indie/Lo-Fi, [8]Humor, [9]Pop ----------------------------------------------------------------- [ [10]|| Comments & Reviews [11]|| Email [12]|| More Songs [13]|| Ordering Info ] \"Organs Was Only the Beginning..... NOW YOU MUST HEAR THE EXCITING NEW SONG BY SCOTT BROOKMAN BEFORE YOU GO MAD! \"EVERYTHING YOU WRITE SOUNDS TO ME LIKE DEATH\" _________________________________________________________________ ....is from his latest--and greatest--cassette relaese, Scott Brookman: A National Treasure, a stunning ten song set from Salem, Vigrinia\'s own pop meister of recorded sound. Each song on the tape has a 100% guaranteed hummable melody. The song you\'re about to hear is a thrilling indictment of today\'s rock (you know who you are): tuneless songs with no melody or harmony, I mean, I just don\'t get it. And this little number rocks as well. I only hope that you can dig it. And please do. Media Coverage of Scott Brookman: Details, Rolling Stone, San Francisco Examiner, The Arizona Republic, Mondo 2000, and Good Times, all available in the \"Press Coverage of IUMA\" file. Reviews of the previous cassette have appeared in Improvijazzanation and will perhaps appear in Gajoob and Yellow Pills this year. To get your copy of the tape--and friends, why be satisfied with a measly one song downloading when you can groove for a full 46-minutes?!--click on the \"Ordering Info\" button above in the toolbar, or send five bucks, a mere pittance, in check form, made payable to: Loser Records P.O. Box 14719 Richmond, Virginia 23221 Come On, Get it While the Getting\'s Good To those many who downloaded my last song, thanks, and I hope you like this one too Your Pal, SCOTT BROOKMAN ======= [14][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Brookman,_Scott/Brookman,_Scott.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Brookman,_Scott/mono-excerpt-Everything_You_Write_Sounds_To_Me_Like_Death.au 3. file://localhost/IUMA-2.0/ftp/volume3/Brookman,_Scott/mono-excerpt-Everything_You_Write_Sounds_To_Me_Like_Death.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Brookman,_Scott/mono-Everything_You_Write_Sounds_To_Me_Like_Death.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Brookman,_Scott/stereo-Everything_You_Write_Sounds_To_Me_Like_Death.mp2 6. file://localhost/IUMA-2.0/olas/genre/FO_002.html#Brookman,_Scott 7. file://localhost/IUMA-2.0/olas/genre/CO_005.html#Brookman,_Scott 8. file://localhost/IUMA-2.0/olas/genre/HA_001.html#Brookman,_Scott 9. file://localhost/IUMA-2.0/olas/genre/PO_004.html#Brookman,_Scott 10. http://www.iuma.com/iuma-bin/view-comment.pl?Brookman,_Scott 11. mailto:sbrook@hibbs.vcu.edu 12. file://localhost/IUMA-2.0/ftp/volume3/Brookman,_Scott/html/songs.html 13. file://localhost/iuma-bin/buy.pl?init=Brookman,_Scott 14. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',medium
28,'Houston, Penelope [1][sm-Houston,_Penelope.gif] Behind Your Eyes [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 136k, 136k / Full song 4 mins, 2.87M, 5.74M) [6]Hard Rock, [7]Pop ----------------------------------------------------------------- [ [8]|| Comments & Reviews ] Penelope Houston At the age of 19, Penelope Houston founded what Greil Marcus called \"San Francisco\'s best punk band\" -- The Avengers. Penelope was heralded as the \"archetypal indomitable rock \'n\' roll woman and her band dubbed \"a major national musical asset\" by The New Touser Press Record Guide. Time matured her music; hard-edged noise became intricate melody, and raw anger became transformed into a bittersweet awareness of the human condition. Penelope was drawn to the evocative and immediate nature of acoustic instruments. In expanding the dimensions of her core sound, she added bandoneon, cello, accordion, soprano and bass clarinet, cornet, French horn, melodica and autoharp. Her work has evolved in terms of intimacy and depth of emotion, but she has lost none of the fierce intelligence that powered the music of the Avengers. Penelope Houston -- The Whole World (HEY 029) Heyday Records, 2325 Third Street, Suite 339, San Francisco, CA 94107, USA. Telephone: (415) 252-5590. Fax: (415) 252-5599. CD $14.00. Visa, Mastercard, check, or money order accepted. add $2.75 for shipping (plus $0.50 per additional item). Customers outside of USA add $5.00 for shipping (plus $1.00 per additional item). Also available: live tapes, T-shirts, singles, etc., etc. ======= [9][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Houston,_Penelope/Houston,_Penelope.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Houston,_Penelope/mono-excerpt-Behind_Your_Eyes.au 3. file://localhost/IUMA-2.0/ftp/volume3/Houston,_Penelope/mono-excerpt-Behind_Your_Eyes.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Houston,_Penelope/mono-Behind_Your_Eyes.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Houston,_Penelope/stereo-Behind_Your_Eyes.mp2 6. file://localhost/IUMA-2.0/olas/genre/HR_008.html#Houston,_Penelope 7. file://localhost/IUMA-2.0/olas/genre/PO_012.html#Houston,_Penelope 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Houston,_Penelope 9. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
29,'Challenge [1][sm-Challenge.gif] Soul Sirens [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 120k, 180k / Full song 4.2 mins, 3.05M, 6.10M) [6]Rock ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| Email ] [Challengelogo.gif] With the release of their self-titled debut album, on Splash International Records, Challenge proves to be a natural to shape melodic rock of today. The CD is packed with emotion laden vocals, catchy guitars and most of all, memorable songs. Challenge is Arno Verstappen on guitar and Allison Lindsay on vocals. With the help of fellow musicians and friends, who appear on this first offering, this duo is a force to be reckoned with. Arno emphasizes that their goal is to make music which is less fad oriented. \"People have a hard time classifying our music because it\'s melodic, yet modern. Lately people seem to think that in order to be current, music has to be alternative or grunge. It\'s interesting, then, to note the current popularity of numerous melodic and classic rock bands. Since their songs have a timeless nature, they haven\'t had to jump on any trends to enjoy continued success. A position we want to be in. While few female singers have had long lasting, enduring careers, Allison feels the tide is turning, \"Artists like Melissa Etheridge and Bonnie Raitt are paving the way for women with strong melodies and honest emotional vocals. It\'s time for us to cut out the gimmicks and get back to strong vocal lines and great songs.\" The two first met in Hollywood in 1991, when Amo was auditioning to find the singer that could bring life to his music. Originally from Holland, Arno came to Los Angeles in 1989 to study at GIT (Guitar Institute of Technology). After graduation, he decided to stay in town to form a band. \"There are a lot more opportunities in Los Angeles. In Holland, the rock scene is very small,\" Arno clarifies. \"Few bands from there, with the notable exception of Golden Earring (who have been a great inspiration), are able to make a comfortable living out of playing music.\" Coming from opposite sides of the Atlantic exposed the two musicians to different styles of music. How does that influence the band? \"Arno grew up listening to the great European rock guitarists. Guys with lots of feel and personality,\" explains Allison. \"My influence has come from the dynamics of American singers. You could say we are now able to incorporate the best of both worlds into our own music.\" As for lyrical content, the band touches on matters of the heart as well as more serious topics. Allison elaborates, \"Everyone can find themselves in a love song but we also like to address other matters that inspire and concern us. Such as the ups and downs that present themselves in everyday life. \" Next to being the voice for Challenge, Allison is gaining notoriety by teaching at Sabine Institute (for Vocal Strengthening and Development) in Los Angeles. Sabine Institute (established by renowned vocal coach Elizabeth Sabine) is famous for coaching many of rocks brightest stars including Axl Rose, Dave Mustaine, Brian Howe (Bad Co.). The Institute is currently branching out by bringing it\'s powerful technique to Japan, Australia and Italy. The band has every reason to be confident about the road ahead. \"We know the time is right for us,\" stresses Amo. \"Alternative and grunge have clearly textured the 90\'s with their realistic depictions of the life styles of today\'s youth. However, history shows us that music trends tend to move in waves and Challenge will be on the crest of the rising tide of new melodic rock.\" [Challengelogo.gif] Mail-order Instructions How to order of Challenge (7 song EP CD on Splash International Records) [9][CD cover] Within the U.S. Send a check or money order in the amount of $12.00 (includes shipping and handling) Outside the U.S. Send IRC (international money order) in U.S. currency in the amount of $15.00 (includes shipping and handling) Make Check or Money Order Payable to: Arno Verstappen Please mail to: ALV Music P.O. Box 36755 Los Angeles, CA 90036 Attn: Allison Lindsay Correspondence ALV Music P.O. Box 36755 Los Angeles, CA 90036 E-MAIL address:[10] challenge@earthlink.net Comments \"Everything does sound right. Challenge has a sound all its own - a blend of power pop and progressive rock with harder undercurrents running throughout.\" -- R. Sayegh, SCREAMER (January 1994) \"Allison is one of vbery few singers that intuitively knows how to merge passion and technical ability. Besides being an incredible singer, Allison is also a highly acclaimed teacher at the institute.\" -- Elizabeth Sabine, Founder of Sabine Institute and vocal coach to the stars (i.e. Axl Rose, Dave Mustaine). April 1995 ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume4/Challenge/Challenge.jpg 2. file://localhost/IUMA-2.0/ftp/volume4/Challenge/mono-excerpt-Soul_Sirens.au 3. file://localhost/IUMA-2.0/ftp/volume4/Challenge/mono-excerpt-Soul_Sirens.mp2 4. file://localhost/IUMA-2.0/ftp/volume4/Challenge/mono-Soul_Sirens.mp2 5. file://localhost/IUMA-2.0/ftp/volume4/Challenge/stereo-Soul_Sirens.mp2 6. file://localhost/IUMA-2.0/olas/genre/RR_008.html#Challenge 7. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Challenge 8. mailto:challenge@earthlink.net 9. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Challenge3.jpg 10. mailto:challenge@earthlink.net 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
30,'Angels of Venice, The A Time For Dreams [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 160k, 240k / Full song 4:59 mins, 3.59M, 7.18M) [5]Classical, [6]New Age ----------------------------------------------------------------- [ [7]|| Comments & Reviews ] [8][band photo] May We Introduce Ourselves... We are \"The Angels of Venice,\" a trio of professional female musicians performing original music for harp, flute and cello in the romantic/neoclassical style. Dressed completely in white, we have been told our appearance is as striking as the beauty and feeling our music imparts to our listeners. We specialize in creating an enchanting atmosphere for special occasions, from small private parties to weddings to large media and world events, of which we have extensive experience. We have had the collective experience of playing in symphonies and doing session work for movie studios, to performing at the World Cup-sponsored \"Three Tenors\" concert at Dodger Stadium. We were just recently invited to play at The Screen Actors Guild Awards Ceremony Dinner. Our cellist participated in Yanni\'s \"World Tour 1995\" performing in countries around the world. Members of our prior audiences include Tom Hanks, Bob Hope, Phyllis Diller, Ann-Margaret, Jackson Browne, Graham Nash, Guns \'N Roses, and many others. Our music evokes happiness and pure joy as well as introspection, self-reflection and contemplation of one\'s inner spiritual world. Our credo is: \"The Angels of Venice are Dedicated to Expressing Through Music the Beauty and Mystery of the Human Spirit and Celebrating the Gift of Life.\" [9][Angles of Venice: cover] Our current release is entitled \"The Angels of Venice - Music for Harp, Flute and Cello\" and we have manufactured CDs and cassettes of this title. To date we have sold on our own over 5,000 recordings of this original music. We sell directly to customers and through mail order and our music has been circulated from Los Angeles to Russia. We currently have distribution agreements with several well-respected companies. We are writing to announce our availability to you for performances. We can be contacted at the telephone number listed at the top of this page. The Angels of Venice thank you in advance for your consideration. Sincerely, The Angels of Venice Carol Tatum, Harp [10][logo] POST OFFICE BOX 50694 PASADENA, CALIFORNIA 91115-0694 CONTACT: (818)548-2422 TO ORDER: 800-7-ANGEL-8 _________________________________________________________________ About The Musicians... Originally from Dallas, Texas, harpist Carol Tatum has been playing stringed instruments since the age of seven and is the founder of \"The Angels of Venice.\" In addition to harp, Carol plays acoustic and electric guitar, mandolin, bouzouki and oud. She is an ASCAP member and published writer including co-writing nine songs for the rock group Kingdom Come\'s third album on PolyGram and fourth album on Warner Bros. Records. Having been introduced to Strauss waltzes, Vivaldi and Erik Satie at an early age, she combined her classical sensibilities and rock instincts together to weave a unique tapestry of instrumental music that is the style and essence of \"The Angels of Venice.\" She is currently studying with Debussy Trio harpist Marcia Dickstein and makes her home in Glendale, California. Cellist Sarah O\'Brien, originally from Nottingham, England, was invited to the United States on a Fulbright Scholarship to study cello performance at the University of Southern California. Now living in Los Angeles, Sarah is active as a session musician for the major Hollywood studios. Her soundtrack work includes \"Beverly Hills Cop III,\" \"Naked Gun 33 1/3\" and \"Star Trek VII\" and television shows \"Star Trek: Generation,\" \"Deep Space Nine\" and \"Voyager.\" In addition to continued classical concert work, Sarah regularly plays and records with rock musicians and groups of diverse style. She is currently accompanying Yanni on his \"1995 World Tour.\" Flautist Suzanne Teng was born in Berkley, California and has been playing flute for twenty-three years. She holds a Masters Degree from the School for the Arts at Boston University and is pursuing a Ph.D. from UCLA\'s Department of Ethnomusicology. Suzanne is a classically trained musician and has performed with classical symphonies, pop orchestras, Baroque chamber ensembles, rock and reggae bands, folk and new age bands and various ethnic music ensembles. She has further performed with Tito Puente, Babatundi Olatunji, Airto and Flora Purim and members of the bands Yes, Little Feat, Spirit and Devo. In addition to flute, Suzanne also sings, plays violin, piano and a variety of percussion instruments and is a professional dancer. Television and commercial credits include \"Murder She Wrote,\" \"Pepsi\" and the feature film \"Separate Lives\" with Jim Belushi and Linda Hamilton. As a teacher, she has instructed hundreds of students at conservatories, music camps and in her private studio and has taught workshops on music and healing. She currently resides in Topanga Canyon, California. ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/Angels_of_Venice,_The/mono-excerpt-A_Time_For_Dreams.au 2. file://localhost/IUMA-2.0/ftp/volume2/Angels_of_Venice,_The/mono-excerpt-A_Time_For_Dreams.mp2 3. file://localhost/IUMA-2.0/ftp/volume2/Angels_of_Venice,_The/mono-A_Time_For_Dreams.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/Angels_of_Venice,_The/stereo-A_Time_For_Dreams.mp2 5. file://localhost/IUMA-2.0/olas/genre/CL_001.html#Angels_of_Venice,_The 6. file://localhost/IUMA-2.0/olas/genre/NA_001.html#Angels_of_Venice,_The 7. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Angels_of_Venice,_The 8. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Angels_of_Venice,_The-photo.jpg 9. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Angels_of_Venice,_The.jpg 10. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/lg-logo-Angels_of_Venice,_The.jpg 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
31,'Elvis Diet, The Question Everything [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 120k, 179k / Full song 2:51 mins, 2.05M, 4.11M) [5]College/Indie/Lo-Fi, [6]Rock ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| Email [9]|| More Songs ] [10][band photo] the Elvis Diet is a Chicago based surf punk band. Steve, Dave, Kerry and Jack formed the band as an oasis from the hair metal bands of the late 80\'s early 90\'s. Tailspin Magazine described their sound as \"twisted punk with a sense of humor\". Drawing from 80\'s bands as the Pixies, the Plimsouls and the Ramones as influences, the Elvis Diet has formed their own left of center punk sound. the Elvis Diet pushes their live shows to extremes, similar to the kings eating binges, very extreme. They frequently can be seen in the Chicagoland area, either in the city or the suburbs providing an energy filled show. To their credit they have two CD\'s available for sale. The Debut CD contains the song\'l Wanna be a Kennedy\', this song is a humorous bash of the Kennedy clan and was featured on over 50 college radio stations throughout the US. The sound clip song Question Everything and Ground Hog is from the just released second CD entitled Gravity Furnace. the Elvis Diet has a mailing list that keeps fellow dieters updated on upco@ng shows and current Elvis sightings. All interested are invited to come join the crowd. You may contact the band by mail at the Elvis Diet, P.O. Box 4404, Hammond IN 46324 or E-Mail them at [11]SteverGTR@AOL.com ======= [12][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume7/Elvis_Diet,_The/mono-excerpt-Question_Everything.au 2. file://localhost/IUMA-2.0/ftp/volume7/Elvis_Diet,_The/mono-excerpt-Question_Everything.mp2 3. file://localhost/IUMA-2.0/ftp/volume7/Elvis_Diet,_The/mono-Question_Everything.mp2 4. file://localhost/IUMA-2.0/ftp/volume7/Elvis_Diet,_The/stereo-Question_Everything.mp2 5. file://localhost/IUMA-2.0/olas/genre/CO_001.html 6. file://localhost/IUMA-2.0/olas/genre/RR_001.html 7. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Elvis_Diet,_The 8. mailto:stevergtr@aol.com 9. file://localhost/IUMA-2.0/ftp/volume7/Elvis_Diet,_The/html/songs.html 10. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Elvis_Diet,_The.jpg 11. mailto:SteverGTR@AOL.com 12. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
32,'Lindbergh, Don [1][sm-Lindbergh,_Don.gif] After the Rain [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Stereo] (Excerpt 51k, 119k / Full song 4 mins, 3.66M) [5]Pop, [6]Rock ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| Email ] Hear the snap and crackle of perfect pop. Warm and bright, filled with pure melodic hooks and harmonies. All instruments and voices / produced and engineered by Don Lindbergh \"After the Rain\" Lyrics [9]text file Don Lindbergh has been composing and producing music for 20 years. Among his recent projects is a musical and visual interpretation of Samuel Taylor Coleridge\'s poem \"Christabel\", a psychosexual story of a young girl\'s intiation into womanhood. Also available: \"DABL\" (7 songs, includes \"After the Rain\") \"IU Tapes\" (7 songs) \"Nile Concert\" (12 songs, promos) \"Bootleg III\" (12 songs) \"Basement Tapes\" (12 songs) Cassette(s): $8.00 DAT by special request \"Christabel\" (27 mins. Film. Long form music video) (also includes \"After the Rain\", \"Never Harm Me\" music videos) \"Lock Out\" (43 mins. Film. Music performed by Don Lindbergh) \"Bitter Weekend\" (33 mins. Film. Music produced and engineered by Don Lindbergh) \"Video Carnage\" (43 mins. Film. Includes \"Dealing With Agression\" music by Don Lindbergh) VHS, SVHS (both Hi-Fi), 3/4\", Cassette) VHS: $22.00 SVHS: $27.00 3/4\": $32 CASS: $8.00 DAT by special request (includes shipping within US, all others +$2 pay by MO or check to:) Don Lindbergh 6378 Broadway Indianapolis, IN 46220 (317) 251-5204 Internet: dabl2@lhc.nlm.nih.gov (c)1994 Singular Sound Music. All rights reserved. ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Lindbergh,_Don/Lindbergh,_Don.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Lindbergh,_Don/mono-excerpt-After_the_Rain.au 3. file://localhost/IUMA-2.0/ftp/volume3/Lindbergh,_Don/mono-excerpt-After_the_Rain.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Lindbergh,_Don/stereo-After_the_Rain.mp2 5. file://localhost/IUMA-2.0/olas/genre/PO_017.html#Lindbergh,_Don 6. file://localhost/IUMA-2.0/olas/genre/RR_028.html#Lindbergh,_Don 7. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Lindbergh,_Don 8. mailto:dabl2@lhc.nlm.nih.gov 9. file://localhost/ftp/music/Lindbergh,_Don/After_the_Rain.txt 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
33,'Johnson, Ski [1][sm-Johnson,_Ski.gif] Rise [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 120k, 120k / Full song 5 mins, 3.45M, 4.52M) [6]Jazz, [7]Pop, [8]Easy Listening ----------------------------------------------------------------- [ [9]|| Comments & Reviews ] SKI JOHNSON CAREER: Jazz Saxophonist, Arranger and Composer AGE: 25 years of age, a native Washingtonian EDUCATION: 1982-1985 Duke Ellington School of the Arts (Grad) 1985-1986 Virginia Commonwealth University 1986-1988 Howard University (Music Education) COMMITTEES: W.A.M.A. (Washington Area Music Association) SAVE OUR MUSIC, CROSSTOWN JAM, THE WAMMIES RECORDINGS: Ski Johnson & Friends: On the Rise (Wide-A-Wake SKI001) Ski Johnson: FOLLOWING A RAINBOW (Wide-A-Wake SKI002) Ski Johnson: Live (Wide-A-Wake SKI008) PERFORMANCE HISTORY: (BLUE NOTE RECORDING ARTIST) Lionel Hampton, (ARISTA RECRDING ARTIST) Nancy Wilson, (POLYGRAM RECORDING ARTIST) Harper Brothers, Mark Cary, Phyllis Hyman, Ron Sutton, Snook\'s Riley. 1988 Jazz Convention in Remo (EUROPE), Toured Seven Years with the Lettumplay Jazz Organization, Mary Jefferson, Nap Turner, Willie Jolley, Noble Jolly, Bill Taylor, Various Clubs and Venues on the East Coast. AWARDS: Winner of the 1985 City Jazz Competition, Nominated 1990 Best Jazz Artist by Washington Area Music Association Nominated 1990-1991 Best Instrumental Performer by Washington Area Music Association. Throughout the years Ski has been able to enhance the carrers of many local artists by labeling them friends. (SKI JOHNSON AND FRIENDS) These friends have included: Keyboardist Marc Cary (Betty Carter), Guitarist Stanely Cooper (Stacy Lattisaw), Songwriter/producer Tony Detiege (Jean Cern) and many more. Ski band at this time is another group of well known local musicians. He hopes to once again assist at propelling these talents to national exposures as he has done with many before. ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Johnson,_Ski/Johnson,_Ski.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Johnson,_Ski/mono-excerpt-Rise.au 3. file://localhost/IUMA-2.0/ftp/volume3/Johnson,_Ski/mono-excerpt-Rise.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Johnson,_Ski/mono-Rise.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Johnson,_Ski/stereo-Rise.mp2 6. file://localhost/IUMA-2.0/olas/genre/JZ_004.html#Johnson,_Ski 7. file://localhost/IUMA-2.0/olas/genre/PO_015.html#Johnson,_Ski 8. file://localhost/IUMA-2.0/olas/genre/EZ_003.html#Johnson,_Ski 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Johnson,_Ski 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
34,'Black Rain Dyin\' For The Cause [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 121k, 182k / Full song 5 mins, 3.14M, 5.86M) [5]Blues, [6]Hard Rock, [7]Rock ----------------------------------------------------------------- [ [8]|| Comments & Reviews ] [logo-Black_Rain.gif] The five members of Black Rain have been together since June, 1989. As a collaborative group, they have written several hundred songs. While Black Rain\'s current play list consists of forty of their strongest tunes, they are continually writing and performing new material. One of the band\'s most noted performances took place at the California Mid-State Fair in August, 1993, where they opened up for the Damn Yankees, featuring Ted Nugent and Tommy Shaw. Other major California venues have included Dream Street in San Diego; Marquee in Westminster and the SLO Brew Company in San Luis Obispo. Black Rain\'s high energy live performances and area radio play have created an ever increasing consumer demand for their recorded music. Regional Wherehouse record stores continually sell through inventories of the band\'s latest LP titled \"Black Rain\". Black Rain\'s unique sound has been described as Rock with a Blues tinge. The band enjoys tremendous success in Central California and continues to win new fans of all ages. When not on stage, Black Rain can be found in the studio recording their newest songs. MEMBERS: Ty Christensen (Lead Vocals) Shawn Logan (Guitars) Galvan Steele (Guitars) Jay Linthicum (Bass) Joe Bonzi (Drums) ======= [9][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Black_Rain/mono-excerpt-Dyin\'_For_The_Cause.au 2. file://localhost/IUMA-2.0/ftp/volume3/Black_Rain/mono-excerpt-Dyin\'_For_The_Cause.mp2 3. file://localhost/IUMA-2.0/ftp/volume3/Black_Rain/mono-Dyin\'_For_The_Cause.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Black_Rain/stereo-Dyin\'_For_The_Cause.mp2 5. file://localhost/IUMA-2.0/olas/genre/BL_001.html#Black_Rain 6. file://localhost/IUMA-2.0/olas/genre/HR_001.html#Black_Rain 7. file://localhost/IUMA-2.0/olas/genre/RR_004.html#Black_Rain 8. http://www.iuma.com/iuma-bin/view-comment.pl?Black_Rain 9. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
35,'Crosswind Fairytales [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 160k, 240k / Full song 3:42 mins, 2.67M, 5.33M) [5]Rock ----------------------------------------------------------------- [ [6]|| Comments & Reviews [7]|| Email [8]|| Ordering Info ] [9][band photo] After years of experience and dedication this swirling musical mass known as Crosswind now surges to gale force. Fed by an encouraging musical climate and drawing from potent wells of knowledge and ability, Crosswind has developed into a serious storm of sound and fury, ready to establish sovereignty. Quickly take this opportunity to examine the conditions and prevailing atmospheric circumstances that have merged and intersected to proudly produce Crosswind. First there were simple honest goals which were almost always the truest direction to take. Often it takes a band or any collection of musicians a long time to arrive at that realization. Some never reach such a lofty level of understanding, but wallow hopelessly lost in bandwagon jumping, trend-observing confusion. Crosswind, however, is an example of a band whose members have come nearly full circle in development and found themselves staring squarely at the musical bottom line-- go with what you know!! Diligently working thir way through ideas,expectations, views and objectives, often by way of countless \"hell gigs\" - the members of this bluesy guitar-driven rock ensemble: vocalist Dana Hall, guitarist Scottie Jordan, bass player Rich Barefoot and drummer Dan Ross; have been savvy enough to grasp the concept that experience, a good work ethic and a straightforward stand is often the only way to rock and roll heaven. Sadly, today, the industry weather report frequently features bands that are here today, gone later today Not Crosswind! The band has gathered strength around a brooding, talented and misleading calm eye - lead vocalist Dana Hall. She is the focal center of the Crosswind storm. She and her compatriots know that while success would be wonderful, being good, really good, offers the greater reward. Thus, the die was cast, their lot thrown together. Crosswind was originally born out of the demise of several other Charlotte, N.C.-area bands. \"We were scared,\" Dana admits, \"we had to start over from scratch. Now, we\'ve done a lot of road work, that has helped me to understand the idea of entertainment. Now it feels so good to be up there singing for other people, not for me -- but for everybody out there!\" With well over 300 gigs under their belt, Crosswind has established a solid live show and appeared alongside major regional and national acts (yes, some of these bands are still around!) such as: .38 Special, Mothers Finest, Kansas, Nightranger, The Outlaws, Steppenwolf, Copperhead, Molly Hatchet, Three Dog Night, The Georgia Satellites and Cry of Love. Calling Crosswind a \"Southern-fried version of The Who\" Jordan believes that the availability of the bands music is a big part of the success equation. To fulfill that requirement, Crosswind recorded nine original songs on a cassette album entitled \"Can You Feel It?\" that they plan to distribute \"everywhere possible\". Recorded at White Room Studios in Charlotte, the new music on \"Can You Feel It?\" is a real representation of the soul of Crosswind.\"Our sound is simple\", says Hall. \"We write what we feel, not what we think we\'re expected to write.\" Calling the band\'s sound a mixture of Southern rock, anthem rock, the blues and hard rock, she adds \"This band has lots of energy. We pour it out onto the audiences in much the same fashion as a lot of 70\'s bands. We feed off the crowd and in return the crowd feeds off us.\" PRESS REVIEWS Their better original stuff leans toward moody Led Zeppelin and raucous Aerosmith and steers clear of wimpy Journey-isms. Dana Hall has a strong rock n\' roll voice, and they avoid the pretentious, ridiculous, stage-strutting monkeyshines of so many hard rockers. - Charlotte Observer, September 25 1993 Crosswind delivers straight ahead rock n\' roll as subtly as a slap in the face. A listen to the band\'s cassette \"Can You Feel It?\" proves us right. We felt it. - Asheville Citizen-Times, January 13, 1995 This Charlotte outfit mixes some solid guitar crunch, an attitude that\'s aggressive without being threatening and the pipes of CL Best of Charlottes Best Female Vocalist winner Dana Hall. - Creative Loafing February 1994 _________________________________________________________________ \"Can You Feel It?\" 9-song cassette of high energy, sultry, hard rockin\', bluesy, funky, southern kinda soundin thang with a bad female set of pipes up front!!! ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume7/Crosswind/mono-excerpt-Fairytales.au 2. file://localhost/IUMA-2.0/ftp/volume7/Crosswind/mono-excerpt-Fairytales.mp2 3. file://localhost/IUMA-2.0/ftp/volume7/Crosswind/mono-Fairytales.mp2 4. file://localhost/IUMA-2.0/ftp/volume7/Crosswind/stereo-Fairytales.mp2 5. file://localhost/IUMA-2.0/olas/genre/lf-RR_012.html#Crosswind 6. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Crosswind 7. mailto:DanR4Wind@aol.com 8. file://localhost/iuma-bin/buy.pl?init=Crosswind 9. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Crosswind.jpg 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
36,'Mouthbreather Mouth Mix of Pre-Digested Juicy Tidbits from the Bytes [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 141k, 211k / Full song 4.5 mins, 3.50M, 6.99M) [5]Humor ----------------------------------------------------------------- [ [6]|| Comments & Reviews [7]|| Email [8]|| More Songs ] [9]What is Mouthbreather? - [10]Mouthbreathers on Mouthbreather - [11]Song Descriptions [12][sm-Mouthbreather.gif] _________________________________________________________________ WRITING TEAM CREATES BOFFO CD AFTER RELEASE FROM HOSPITAL FOR CRIMINALLY UNEMPLOYABLE The comedy writing team of Carol Lee and Steve Sea were released from the Washington State Hospital for the Criminally Unemployable today to promote their new CD, Mouthbreather: Humor for the Totally Incorrect, Performed by the Puget Sound Bytes. The pair, who met when the poles of their portable IV\'s of Maintainizine collided on their way to shock treatment therapy, apparently were left to their own comedic devices when the TV broke in the day room last week. \"I\'ve listened to the CD and have concluded that Frau Lee and Herr Sea are too sick for this facility,\" said Chief of Psychiatry, Dr. Sy Cotic. \"I\'d mistakenly thought there was hope for full recovery when they no longer insisted upon coming to meals with their gowns open in the front, but when they didn\'t respond to occupational therapy and got on this joke jag, I had to let them go. We simply cannot tolerate patients wasting valuable materials to make hand buzzers and fake barf,\" Dr. Cotic continued. Although unavailable for comment, \"Lee and Sea vehemently deny having made the CD while on the inside,\" an unidentified spokesman said. \"Actually, one day they were so bored, they escaped, unnoticed, and ended-up at a nearby grange hall in Chimacum, Washington where they happened upon a bunch of other former patients who were attempting to improvise eco-based comedy bits for Seattle area radio station, KSER. Trying to turn topics as grim as acid rain dripping through holes in the ozone into knee slapping comedy, appealed to the two depressives right away. When Sea\'s old Radio Shack dictation machine caught fire,\" the spokesman continued, \"the other inmates fled. But Lee and Sea stuck it out and deeply inhaled the toxic fumes which became the streams of acerbic exhalations that ultimately led to the creation of Mouthbreather. With no hope of obtaining corporate financing, the desperate pair pooled their disability checks and held hostage an innocent sound engineer who did an award winning job of mixing an entire album with the jagged edge of a broken IV bottle at his throat. The result is seventy-two minutes of incisive, synapse blistering humor. Mouthbreather: Humor for the Totally Incorrect, Performed by the Puget Sound Bytes. On CD and Cassette. Contact: Mouthbreather Productions, Inc. PO. Box 2001 Port Townsend, WA 98368 (800)276-0119 FAX: (206)385-5273 _________________________________________________________________ WHAT V.I.P. MOUTHBREATHERS ARE SAYING ABOUT MOUTHBREATHER \"For hard-hitting political eco-humor, order a copy of Mouthbreather: Humor For The Totally Incorrect from a group out of Port Townsend, Washington that calls itself The Puget Sound Bytes.\" - Dr. Demento \"I refuse to carry such blasphemy on my racks!\" - Self righteous record store owner, Alaska \"Mouthbreather wades in where few comedy groups have gone before. Fans of the legendary Firesign Theater will feel right at home in Mouthbreather country.\" - Bob Boardman, Reviewer for The Leader \"Huh? I don\'t get it. What\'s a Mouthbreather, anyway?\" - Fan of Gilligan\'s Island and Gomer Pyle re-runs \"The entire CD is wonderful, but I especially liked the Mantra Matic Commercial section of The New Age Network. It\'s hysterical.\" - Susan Stone, KPFA Radio, Berkeley \"You guys oughta have yer mouths washed out with soap!\" - Anonymous, thin-lipped, not so innocent bystander \"I finally got to hear Mouthbreather and I enjoyed it. It\'s quite fun.\" - Author Gabrielle Roth in a letter to Mouthbreather \"Mouthbreather is an insult to the intelligence, which is to say that you all have more of it than I do! The CD is terrific and I thank you for sending it. I hope to see you all in action someday ... when we\'re all institiutionalized, presumably.\" - Tom Paxton in a letter to Mouthbreather \"Mouthbreather is funnier than a fallen tree.\" - Will Nixon, Editor of \"E!\" (The Environmental Magazine) Don\'t miss out! To order your copy of Mouthbreather, write or phone: Mouthbreather Productions, Inc. P.O. Box 2001 Port Townsend, Washington 98368 1-800-276-0119 CDs are $14.95 Cassettes are $9.95 Add $3.00 for s&h to all orders. Correspondence via e-mail is also welcome: [13]sydney@olympus.net Mouthbreather only accepts cash, check or money orders. However, if you order directly through the gang at IUMA, you can charge it! Just use the order button at the top of the page. For lawsuits and death threats, call Stickem, Phukem & Hosem, Attorneys Out Law, Rubout, N.J. _________________________________________________________________ MOUTHBREATHER: HUMOR FOR THE TOTALLY INCORRECT PERFORMED BY THE PUGET SOUND BYTES [14]Mouth Mix Of Pre-Digested Juicy Tidbits From The Bytes 4:55 MANTRA MATIC COMMERCIAL Join Swami CD Rama in the perfect fusion of science and spirituality. Swami CD Rama: Carol Lee Sitar: Julian Adamitis CHAINSAW GOURMET Unemployed logger, Garth Woodmauler, whips up high density meals with chainsaw speed and precision. Announcer: Ray Deo Garth Woodmauler: Steve Sea Atmosphere: The Neanderdale Choir and Pisces Birthday Party Music: The Ray Deo Band Dulcimer: Ray Deo Banjo: Douglas Warren Guitar: Douglas Rathbun Bass: Dave Llewellin 1-900-X-TACY Slip on a crotchless hamster suit and dial your way to ecstasy. Announcer/Mistress: Carol Lee John: Steve Sea Joe: Disney Lopez, M.D. Computer: Catherine McNabb Music: Alex Holland _________________________________________________ THREE WHOLE BITS FROM THE BYTES 1. [15]WASHINGTON DEFORESTATION ASSOCIATION 1:24 Trust us as we explain why forests cannot thrive in the wild without our careful management. Announcer/CAT Driver: Steve Sea Realtor: Carol Lee Music: Alex Holland 2. [16]COMMERCIAL CLIMAX 2:50 Commercial intimacy exposed! Dawn: Carol Lee Brent: Richard Baldwin Finn I, Esq. Music: Alex Holland 3. [17]ONLY YOU 2:36 Join a federal icon on the unemployment line. Ms. Larson: Jasmine Lee Miss Officious: Carol Lee Mr. Bear: Steve Sea _________________________________________________ BITS FROM THE BYTES 1. CHAINSAW GOURMET 3:47 Unemployed logger, Garth Woodmauler, whips up high density meals with chainsaw speed and precision. Announcer: Ray Deo Garth Woodmauler: Steve Sea Dottie: Catherine McNabb Atmosphere: The Neanderdale Choir and Pisces Birthday Party Music: The Ray Deo Band Dulcimer: Ray Deo Banjo: Douglas Warren Guitar: Douglas Rathbun Bass: David Llewellin 2. NOUVEAU HOMELESS HOTLINE 4:48 Talk show host, Rob Hope, of f ers tips on being a winner in the post-employment world. Rob: Steve Sea Bob: Richard Baldwin Finn I, Esq. Bunny: Catherine McNabb Music: Alex Holland 3. WASHINGTON DEFORESTATION ASSOCIATION 1:24 Trust us as we explain why forests cannot thrive in the wild without our careful management. Announcer/CAT Driver: Steve Sea Realtor: Carol Lee Music: Alex Holland 4. LOST COJONES NATURAL PRESERVE 4:20 Take your next vacation in the digital astro-turfed world of Lost Cojones Natural Preserve. Pres. Clinton: Chris A. Hawley Al Gore/Old Codger: Steve Sea Ross Perot: Stanley Birdwire Announcer: Ray Deo Asphalt Annie: Catherine McNabb Polly Vinyl: Carol Lee Music: Alex Holland 5. ONLY YOU 2:36 Join a federal icon on the unemployment line. Ms. Larson: Jasmine Lee Miss Officious: Carol Lee Mr. Bear: Steve Sea 6. Cheezes Saves 5:26 Where food and religion meet. Secretary: Carol Lee Mephisto: Steve Sea Rev. Robots: Ray Deo Betty Sue Sumpump: Catherine McNabb Atmosphere: The Neanderdale Choir and Pisces Birthday Party Music: Alex Holland 7. NEW AGE NETWORK 13:48 Hostess of The Path, Krystal Karma Kluster, interviews Guru Master General Stormin\' Norman Schwarzkopf. Krystal Kluster/CD Rama: Carol Lee Norman: Steve Sea Synthesizer: Alex Holland Sitar: Julian Adamitis INDEX: MANTRA MATIC COMMERCIAL 1:23 Join Swami CD Rama in the perfect fusion of science and spirituality. 8. FLOOR FIGHT 6:10 A civics lesson with Senator Strong Vermin. Chairman Gavel: Stanley Birdwire Sandy Stickler: Carol Lee Sen. Jerry Mander: Richard Baldwin Finn I, Esq. Sen. Strong Vermin: Steve Sea Atmosphere: The Neanderdale Choir 9. MINDBENDO 3:54 Join a generation\'s blank stare into the future. Dr. Atama: Steve Sea Dr. Redmond: Richard Baldwin Finn I, Esq. Col. Sphincter: Chris A. Hawley Music: Alex Holland 10. ETHNIC CLEANSER 5:35 Wash your hands of civilization with Ethnic Cleanser. Biff: Chris A. Hawley Bob: Stanley Birdwire Bud/Announcer: Ray Deo Mephisto/Raji/Ricky: Steve sea Babs/Buphinder: Carol Lee Patti: Jasmine Lee Music: Alex Holland 11. COMMERCIAL CLIMAX 2:50 Commercial intimacy exposed! Dawn: Carol Lee Brent: Richard Baldwin Finn I, Esq. Music: Alex Holland 12. MEDICAL SWAP MEAT 7:03 A tour through the health care system with renowned surgeon Dr. Palsy Trembles. Lucille/Old Woman: Carol Lee Vivian: Catherine McNabb Dr. Trembles: Steve Sea Dr. Spittle: Richard Baldwin Finn I, Esq. 13. 1-900-X-TACY 1:52 Slip on a crotchless hamster suit and dial your way to ecstasy. Joe: Disney Lopez, M.D. John: Steve Sea Announcer/Mistress: Carol Lee Computer: Catherine McNabb Music: Alex Holland 14. THE BASTERSONS 7:44 Gene splice your next super baster baby while selecting pasta for dinner. Announcer/Dees: Carol Lee Darla: Singing Gopher Wes: Steve Sea Arnold: Chris A. Hawley ======= [18][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Mouthbreather/mono-excerpt-Mouth_Mix_of_Pre-Digested_Juicy_Tidbits_from_the_Bytes.au 2. file://localhost/IUMA-2.0/ftp/volume3/Mouthbreather/mono-excerpt-Mouth_Mix_of_Pre-Digested_Juicy_Tidbits_from_the_Bytes.mp2 3. file://localhost/IUMA-2.0/ftp/volume3/Mouthbreather/mono-Mouth_Mix_of_Pre-Digested_Juicy_Tidbits_from_the_Bytes.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Mouthbreather/stereo-Mouth_Mix_of_Pre-Digested_Juicy_Tidbits_from_the_Bytes.mp2 5. file://localhost/IUMA-2.0/olas/genre/HA_003.html#Mouthbreather 6. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Mouthbreather 7. mailto:sydney@olympus.net 8. file://localhost/IUMA-2.0/ftp/volume3/Mouthbreather/html/songs.html 9. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/kdd_SyskillWebert-Bands.arff.html#bio 10. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/kdd_SyskillWebert-Bands.arff.html#quotes 11. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/kdd_SyskillWebert-Bands.arff.html#desc 12. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Mouthbreather.jpg 13. mailto:sydney@olympus.net 14. http://www.iuma.com/Bands/Mouthbreather/html/songs.html 15. http://www.iuma.com/Bands/Mouthbreather/html/songs.html 16. http://www.iuma.com/Bands/Mouthbreather/html/songs.html 17. http://www.iuma.com/Bands/Mouthbreather/html/songs.html 18. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
37,'nada [1][sm-nada.gif] XLR Flood OD [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 122k, 122k / Full song 5.5 mins, 3.85M, 7.71M) [6]Experimental, [7]Instrumental, [8]Hard-core/Industrial ----------------------------------------------------------------- [ [9]|| Comments & Reviews ] nada awkward y borracho core del todo nada combines heavy beats, cynical lyrics and unearthly sounds with intricate percussion and intense guitar work to create a new listening experience. \'awkward y borracho core del todo\', nada\'s premiere release, opens with eerie samples, deep kick drum and a noisey guitar crescendo in \"apopolysp.\" The fast guitar and techno schizophrenia of \"x/l/r flood o.d.\" then collapses into the mystical wanderings of \"ignatio chloride the balding.\" \"the revolutionary om\" uses ambient soundscapes to slowly build into an explosive ending. The grinding guitars and scraping metal percussion of \"idiot\'s planet\" lead into the hallucinogenic crawl of \"tsunami fungus.\" \"excruciate\" combines a thumping subsonic kick with extensive guitar work, while the sinuous bass and drum sounds of \"string (premonition v)\" blend together for a more Eastern flavor. \"afraid\" winds through tribal rhythms and crunchy guitars featuring a strange vocal melody which by the end sets the mood for \"near.\" \"zoviet-amerikka\" closes the CD with a hip-hop and funk rampage that fades into a classical ode to the decay of the U.S.A. \"nada is the product of years of frustrated attempts to create a distinctive band in the San Jose Area,\" said Robert M. Riddle IV. After playing with Autumn Cathedral, Riddle formed Swivelfaust and Slur before the decision to start nada as a solo project. Riddle enlisted the talents of other musicians, including Scott Martinez (Autumn Cathedral), Damien Gonzalez (Swivelfaust, Slur) and Mason Jones (Trance). The album was recorded at House of Faith in Palo Alto by Bart Thurber and produced by nada and Mason Jones. \"This is the most satisfying mix of electronic, experimental, psychedelic and rock music that I have been able to create so far.\" Nada uses influences as diverse as tribal drumming, techno sampling, hip-hop rhythms, wailing guitar and experimental noise to come up with a rich audio tapestry that is reminiscent of music by Coil, The Legendary Pink Dots and Savage Republic that should appeal most listening tastes. Flying Esophagus Productions P.O. Box 390935 Mountain View, CA 94039-0935 USA Flying Esophagus Productions: FEP-CD1 Format: compact disc only Release date: May 20, 1993 For distribution information, call or fax Charnel House Productions: 415-255-8554 Contact nada at P.O. Box 610484 San Jose, CA 95161-0484 ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/nada/nada.jpg 2. file://localhost/IUMA-2.0/ftp/volume1/nada/mono-excerpt-XLR_Flood_OD.au 3. file://localhost/IUMA-2.0/ftp/volume1/nada/mono-excerpt-XLR_Flood_OD.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/nada/mono-XLR_Flood_OD.mp2 5. file://localhost/IUMA-2.0/ftp/volume1/nada/stereo-XLR_Flood_OD.mp2 6. file://localhost/IUMA-2.0/olas/genre/lf-EX_007.html#nada 7. file://localhost/IUMA-2.0/olas/genre/lf-IN_007.html#nada 8. file://localhost/IUMA-2.0/olas/genre/lf-HC_005.html#nada 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?nada 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
38,'The Whistle Pigs Ciecel II [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 170k, 255k / Full song 4 mins, 2.99M, 5.99M) [5]Heavy Metal, [6]Hard Rock, [7]College/Indie/Lo-Fi ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Email [10]|| More Songs [11]|| Ordering Info ] WHISTLE [Letter.gif] PIGS The Whistle Pigs are a break from your average cheesy classic rock Grateful Dead long jam playing covers of Eddie Money all night wish I was a rock star but can\'t write music 12 bar blues 1-4-5 progression put your hands in the air and shake \'em like you just don\'t care 10 minute see how fast I can play guitar solo take off my leather to see my tatoos in yo\' face hardcore metal from the street swiggin\' a forty check my beeper cyber punk death rap band. The Whistle Pigs are: [12][Button.gif] \"Chump Change\" Johnson-Geetar & Vocals [13][Button.gif] \"P\" Huskey -Drums (& seal barks) [14][Button.gif] \"Slobberdoggy\" Howatt -Bass (& \"cheap\" feedback) [15][Teeth.gif] Feel the power of the pig. [16][Pigs-Mov.gif] Here\'s the \"Trout\" video (2.8Mb) It\'s a funny little clip...about as Mtv as you\'ll ever see us. Call for more info & demo tape. (408)423-3893 -or- (408)429-5476. Or, send email to: fatboy@iuma.com _________________________________________________________________ This music is COPYRIGHT protected by Sphincter Butter Productions. It is illegal to use this music for any commercial venture unless specific permission is granted by Sphincter Butter Prod. They can be reached at: Sphincter Butter Productions / 217 Highland Court, Suite #3 / Santa Cruz, CA 95060 ======= [17][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/The_Whistle_Pigs/mono-excerpt-Ciecel_II.au 2. file://localhost/IUMA-2.0/ftp/volume2/The_Whistle_Pigs/mono-excerpt-Ciecel_II.mp2 3. file://localhost/IUMA-2.0/ftp/volume2/The_Whistle_Pigs/mono-Ciecel_II.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/The_Whistle_Pigs/stereo-Ciecel_II.mp2 5. file://localhost/IUMA-2.0/olas/genre/HM_006.html#The_Whistle_Pigs 6. file://localhost/IUMA-2.0/olas/genre/HR_015.html#The_Whistle_Pigs 7. file://localhost/IUMA-2.0/olas/genre/CO_030.html#The_Whistle_Pigs 8. http://www.iuma.com/iuma-bin/view-comment.pl?The_Whistle_Pigs 9. mailto:fatboy@iuma.com 10. file://localhost/IUMA-2.0/ftp/volume2/The_Whistle_Pigs/html/songs.html 11. file://localhost/iuma-bin/buy.pl?init=The_Whistle_Pigs 12. file://localhost/IUMA/ftp/music/The_Whistle_Pigs/Danny.jpg 13. file://localhost/IUMA/ftp/music/The_Whistle_Pigs/pauly.jpg 14. file://localhost/IUMA/ftp/music/The_Whistle_Pigs/ryan.jpg 15. file://localhost/IUMA/ftp/music/The_Whistle_Pigs/a_whistle_pig.jpg 16. file://localhost/IUMA/ftp/music/The_Whistle_Pigs/chunks/The_Whistle_Pigs-videos.qt 17. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
39,'Joyner, Eileen [1][sm-Joyner,_Eileen.gif] Always Wear Underwear [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 124k, 187k / Full song 3 mins, 0.19M, 3.85M) [6]Folk ----------------------------------------------------------------- [ [7]|| Comments & Reviews ] Eileen Joyner You only have to ask singer/songwriter Eileen Joyner one question to see that she\'s different. If you ask most female songwriters who their main influence has been, 90% of them will name Joni Mitchell. Ask Eileen the same question and she doesn\'t hesitate. \"Dr. Seuss,\" she replies. This is not your average folksinger. Eileen got her start performing in comedy clubs in California. Although she did well in competitions, she wanted to emphasize her music as much as her humor, something that is not possible in the cut-throat world of stand-up comedy. When she moved east, Eileen concentrated on the music scene, quickly becoming a regular performer at folk festivals and coffeehouses. In addition to the humorous songs she brought with her, she began to write satirical songs about the culture shock of living in Washington, D.C., after growing up in California. \"...singular and damn near sociopathic...\" -- The Washington Post \"Eileen Joyner sings about problems in El Salvador and problems on the Beltway, about the importance of friendships and the importance of wearing underwear.\" -- Alexandria Gazzete Packet ======= [8][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Joyner,_Eileen/Joyner,_Eileen.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Joyner,_Eileen/mono-excerpt-Always_Wear_Underwear.au 3. file://localhost/IUMA-2.0/ftp/volume3/Joyner,_Eileen/mono-excerpt-Always_Wear_Underwear.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Joyner,_Eileen/mono-Always_Wear_Underwear.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Joyner,_Eileen/stereo-Always_Wear_Underwear.mp2 6. file://localhost/IUMA-2.0/olas/genre/FO_009.html#Joyner,_Eileen 7. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Joyner,_Eileen 8. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
40,'Eve B Sexy Thing [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 160k, 240k / Full song 4:24 mins, 3.17M, 6.35M) [5]Pop ----------------------------------------------------------------- [ [6]|| Comments & Reviews [7]|| Email [8]|| More Songs [9]|| Song Lyrics [10]|| Ordering Info ] [11][artist photo] Eve B. Singer, songwriter, arranger and performer, Eve B., has been performing in the Boston area since 1990 when she formed and fronted the band, Eve\'n Up. The band played Eve\'s original tunes in Boston clubs for three years headlining and opening for other area locals before Eve decided to go solo in 1993. Eve\'s musical past also includes the recording of a single on an independent European label in 1988, tours of Japan and France in 1988 and 1989, and more recently, performances with The Berklee College of Music Gospel Choir as a soloist in 1993. Among Eve\'s various musical projects are several self-produced demos. The most recent, a four-song CD entitled, Innocence, is the culmination of her performing and songwriting experience. The four songs on the CD were written, produced and arranged by Eve B. with assistance from songwriter/ guitarist, Andrea Bensmiller, who previously performed in the Boston acoustic scene. Eve and Andrea merged their talents in 1994 to form EB Productions and have since continued to write, arrange and produce together. [12][Innocence: album cover] The four tracks included on Innocence are \"Sexy Thing\", \"Innocence\", \"Invitation\", and \"Field of Hope\". Each tune showcases Eve\'s soulful, sultry, and purely original vocal style. Eve\'s creative and tasteful integration of vocal riffs and runs makes each tune breathe with soul and originality. The songs can best be described as a blend of pop and R&B with a strong gospel influence. Arrangements are characterized by the complex interweaving of keyboards and guitars, and lush harmonic backing vocals. Information about Eve B. and Innocence can be obtained by contacting Andrea Bensmiller of EB Productions at (617) 437-6944. Band Member List EB Productions: Eve B. and Andrea Bensmiller Produced by Eve B., assisted by Andrea Bensmiller All songs written and arranged by Eve B. Lyrics: Andrea Bensmiller and Eve B. All vocals, additional keys, percussion: Eve B. Keyboards: Aruna Abrams Drums: J.T. Percussion on \"Innocence\": Ricky Rodriquez Bass: Whynot Jansveld Electric guitar: Tomo Fujita Acoustic guitar: Andrea Bensmiller Sequencing/editing: Joe Ciarcia, Eve B., Andrea Bensmiller Mixed by Dan MacKay at Tandem Recording Studio, Boston, MA. Cover/CD lable Photos: Eric Budney Black and white photos: Katrin Elvarsdottir Makeup: Deborah Cross Hair: Alan Mautino Contact Information Andrea Bensmiller 614 Columbus Avenue #1 Boston, MA 02118 (617) 437-6944 e-mail: [13]abensmiller@vmsvax.simmons.edu Brief Description of Songs Sexy Thing (4:24): uptempo pop/R&B. Of special interest to those interested in a funky rhythmic groove and complex intertwined arrangements. Eve B. delivers sexy and soulful vocals on top of it all. Innocence (4:26): medium tempo pop: a lush mixture of multi-layered keys, percussion, and vocals. At the heart of Innocence\'s message is encouragement for people to find peace by breaking down racial barriers. Merchandise Description Innocence CD or cassette Includes: Sexy Thing (4:24) Innocence (4:26) Invitation (4:19) Field of Hope (4:04) ======= [14][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume7/Eve_B/mono-excerpt-Sexy_Thing.au 2. file://localhost/IUMA-2.0/ftp/volume7/Eve_B/mono-excerpt-Sexy_Thing.mp2 3. file://localhost/IUMA-2.0/ftp/volume7/Eve_B/mono-Sexy_Thing.mp2 4. file://localhost/IUMA-2.0/ftp/volume7/Eve_B/stereo-Sexy_Thing.mp2 5. file://localhost/IUMA-2.0/olas/genre/lf-PO_011.html#Eve_B 6. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Eve_B 7. mailto:abensmiller@vmsvax.simmons.edu 8. file://localhost/IUMA-2.0/ftp/volume7/Eve_B/html/songs.html 9. file://localhost/IUMA-2.0/ftp/volume7/Eve_B/html/lyrics.html 10. file://localhost/iuma-bin/buy.pl?init=Eve_B 11. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Eve_B.jpg 12. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Innocence-cover.jpg 13. mailto:abensmiller@vmsvax.simmons.edu 14. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
41,'Fretwork [1][sm-Fretwork.gif] Marching To Paradise [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 144k, 217k / Full song 4:23 mins, 3.16M, 6.31M) [6]Instrumental, [7]Folk, [8]Blues, [9]Easy Listening ----------------------------------------------------------------- [ [10]|| Comments & Reviews [11]|| More Songs [12]|| Ordering Info ] Plain and simple, FRETWORK is two friends playing live, steel string acoustics with a bass player and percussionist. No frills, no lies, the songs are original and the ideas come from the heart. [13][the band members] Band Members: Guitar & Vocal - Steve Tellez Guitar, Vocal, Harmonica - Brian Connie Congas & Percussion - M.B. Gordy Bass - Kevin Axt Songs contained in Excerpt Compilation: Come Out & Play, Dusk, Blues & Tacos & Trains ======= [14][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume7/Fretwork/Fretwork.jpg 2. file://localhost/IUMA-2.0/ftp/volume7/Fretwork/mono-excerpt-Marching_To_Paradise.au 3. file://localhost/IUMA-2.0/ftp/volume7/Fretwork/mono-excerpt-Marching_To_Paradise.mp2 4. file://localhost/IUMA-2.0/ftp/volume7/Fretwork/mono-Marching_To_Paradise.mp2 5. file://localhost/IUMA-2.0/ftp/volume7/Fretwork/stereo-Marching_To_Paradise.mp2 6. file://localhost/IUMA-2.0/olas/genre/lf-IN_004.html#Fretwork 7. file://localhost/IUMA-2.0/olas/genre/lf-FO_006.html#Fretwork 8. file://localhost/IUMA-2.0/olas/genre/lf-BL_002.html#Fretwork 9. file://localhost/IUMA-2.0/olas/genre/lf-EZ_003.html#Fretwork 10. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Fretwork 11. file://localhost/IUMA-2.0/ftp/volume7/Fretwork/html/songs.html 12. file://localhost/iuma-bin/buy.pl?init=Fretwork 13. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Band.jpg 14. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
42,'Deeper [1][sm-Deeper.gif] Porky Pig People [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 62k, 373k / Full song 5 mins, 3.47M, 6.94M) [6]Rock ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| Email [9]|| More Songs ] DEEPER drowning in the shallows all songs (1994 Patrick Kelly & DEEPER) recorded April 1994 at Asthma Studios, San Francisco Engineer: Tom Pierce Patrick Kelly - lead vocals, guitar Matt Langlois - lead guitar, vocals Cindy Perry - keyboards Tish Cortez - bass Barry Shaw - drums Special thanks to: Tom Pierce, Wally Brill, Michelle Hickey and \'Sparky\' from Canada (our 1st long distance fan) _________________________________________________________________ FOR BOOKING / BAND INFO: call: (510) 891-9426 email: drama.queen@sfnet.com write: deeper c/o C. Perry / 2601 Adeline St., Suite 202-B / Oakland, CA 94607 FOR A COMPLETE 7 SONG DEMO, SEND $7.00 TO ABOVE ADDRESS (make check payable to Cindy Perry) _________________________________________________________________ DEEPER Ranging from a moody, psychedelic R.E.M. to a head-swinging and hard edged U2 with interweaving reminders of the Waterboys or early Stevie Winwood/Traffic. Patrick Kelly (vocals, guitar), the well known front person and songwriter of the popular SF rock band Hoi Polloi and other HP founder member Barry Shaw (drums) reunite with previous collaborator Cindy Perry (keyboards) known for fronting the SF band The Bark Angels and her work with Gere Fennelli (Red Kross). They are joined by Matt Langlois (lead guitar), a four year favorite of the German club scene with his band The Betterment Letters and Tish Cortez (bass), who has played and toured with various bands across the U.S. PORKY PIG PEOPLE - Song #1 late last night my god came from the sky a shadowy spirit taking me away and all my friends come and say goodbye oh, lying there solid, I didn\'t have much to say I\'ll miss the sun, I\'ll miss the stars at night they\'ll miss my love and all my gambling ways hey, give me one more chance and I\'ll try and make it right I\'ll put my last two bucks on a bid for yesterday oh, yesterday all my troubles seemed so far away now it looks as though they\'re here... I see your face and I want you tonight It\'s not just love I\'m looking for I died this death and now I\'m bored I always hoped for something more my friend at the zoo says the monkeys all stare into space the jaguar paces, the elephant sleeps on it\'s side the porky pig people walk in and are drawn to a look on a face that\'s so frighteningly similar to a feeling we all keep inside porky pig people...porky pig porky pig people...porky pig CRYPTIC TORTURE - Song #2 20 years of cryptic torture vomiting in front of friends wasting time gathering fortunes that you never get the chance to spend the patient upon learning he\'s no longer dying felt guilty for asking someone to forgive him EMPTY POCKETS - Song #3 I\'m picking at an empty pocket could be the richest man in the world he\'d like to see through empty sockets and there ain\'t nothin\' left in this world make no mistake about it you will be riding on this train could take you climbing up a mountain or leave you waiting in the rain where angels fall from dark clouds into the doubting crowd I once knew a man he wrote his story down in pencil and I said \'be careful where you store your soul, because someone will erase it\' make no mistake about it this is not a perfect world I\'m picking from an empty pocket I\'m picking from an empty pocket I\'m picking from an empty pocket could be the richest man...the richest man and angels fall from dark clouds into the doubting crowd angels fall from dark clouds into the doubting crowd Oh world, our world ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Deeper/Deeper.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Deeper/mono-excerpt-Porky_Pig_People.au 3. file://localhost/IUMA-2.0/ftp/volume3/Deeper/mono-excerpt-Porky_Pig_People.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Deeper/mono-Porky_Pig_People.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Deeper/stereo-Porky_Pig_People.mp2 6. file://localhost/IUMA-2.0/olas/genre/RR_008.html#Deeper 7. http://www.iuma.com/iuma-bin/view-comment.pl?Deeper 8. mailto:drama.queen@sfnet.com 9. file://localhost/IUMA-2.0/ftp/volume3/Deeper/html/songs.html 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
43,'Clan Diah Sky Sign [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 160k, 240k / Full song 5.1 mins, 3.68M, 7.35M) [5]College/Indie/Lo-Fi ----------------------------------------------------------------- [ [6]|| Comments & Reviews [7]|| More Songs [8]|| Ordering Info ] [9][logo] CLAN DIAH To a ground work of massive bass sound, add the drive of stormy, trippy drums, thick and spicy guitars plus mature, haunting vocals and you have (with the occasional Celtic bagpipe and penny whistle) Clan Diah. Emotionally charged and deep in meaning, Clan Diah produces sways from indie rock to heavier alternative. It\'s no wonder their appeal to the college scene keeps growing. Clan Diah is eclectic, yet ironically maintains a balanced, cohesive sound. They flow through a whole gamut of styles and sounds, but each song is uncontrived and honest. This sophisticated approach makes for timeless music. Clan Diah is song oriented with a communication of both mood and thought. This Cincinnati based quartet capitalizes on dynamics all through their debut CD \"The Train Journey North.\" If you haven\'t heard them have a taste and enjoy the Cincinnati style cookin\'. _________________________________________________________________ About the songs available on IUMA... SKY SIGN: This tribute to the unseen fully explores the use of dynamics. It refers to the sense that we believe in many things not yet seen, or invisible. We can see the future by study of the past and we can see the invisible by the results it produces. This song has interesting changes in time signature and moods. It trips, it flies, it spirals out of control. What is communication but transfer of ideas and moods? Words too are invisible and yet still exist. MIST COVERED MOUNTAINS: Simply Complicated and sadly beautiful. Christopher shows off some of his piping abilities on this piece. Originally composed by an unknown source in the early 1800\'s, this piece is sometimes rendered with Gaelic (trad. Scottish language) lyrics but more often the haunting melody is left alone to tell the tale of a traveler longing for the mist covered mountains of his home. This tune was a favorite of the late King George the VI and was played at his funeral. It was also played at the funeral of President John F. Kennedy. Highland bagpipes, acoustic guitar, and the distant harmonies of the whistles will leave an impression. SYMBOL OF MY SHAME: Very Emotional! This song demonstrates the winding melodies and thick guitars. Listen hard and you\'ll hear Jay\'s marching band past. This song is rich in meaning. It refers to the moving irony of the feast of Christ\'s last meal. It was caused by man\'s failure, yet caused man\'s redemption. He said it symbolized His death and His blood. He then gave thanks to God for it and ate it. _________________________________________________________________ [10][album cover] These three songs are only a taste of Clan Diah\'s independently released CD \"The Train Journey North\" which is available by sending $11.00 plus $2.00 postage and handling to.... Clan Diah 265 Emming Street Apt. #3 Cincinnati, Ohio 45219 _________________________________________________________________ Some more stuff for those who care... HISTORY OF CLAN DIAH In Cincinnati, Ohio, in 1991 a few college friends started writing songs. Clan Diah, as a band started with the stereotypical ritual of arguing over what to name the band. They settled on \"Clan Diah\" which is an old Scottish phrase meaning \"the children of God.\" This subtle reference to the divine nature of our humanity came from the Scottish influence of one of the members, Christopher McLennan, who is a nationally awarded bagpipe performer. After the name was chosen the band started playing out at local venues and coffee houses in the Cincinnati area. Over the years the band did some quick recordings of songs for a demo tape. One song (\"Matter of Time\") actually ended up on a nationally distributed compilation CD. With the confidence built by a very supportive local fan base, the success of the demo tape, and playing at a national music festival, the band embarked on its most ambitious endeavor yet... In July of 1994, Clan Diah went into the studio to start recording its first full length compact disc. This self produced, independently released, and personally financed album is a statement of the band\'s abilities, commitment, and pro-active nature. Clan Diah continues today to develop its loyal following. The band is presently shopping labels to give themselves the freedom to fully explore their potential. They wish you the best and hope you enjoy their work. See you on the \"Train Journey North.\" _________________________________________________________________ MEMBERS OF CLAN DIAH... CHRISTOPHER MCLENNAN: Lead Guitar, Bagpipes, Penny whistles Christopher is a 22 year old business major at the University of Cincinnati. From his young formative years he has played piano, violin, bagpipes, and the penny whistle. He was president of the Sycamore Orchestra and has won many national competitions on the bagpipes. He manages two apartment buildings, dabbles in the stock market, and is pipe major of the Caledonian Pipes and Drums of Cincinnati. He also has a certain preoccupation with Sir Arthur Conan Doyle\'s \"Sherlock Homes.\" JAY HARNISH: Drums, Percussion, Exotic Coffee Jay is a 22 year old CAD operator at an engineering firm in Cincinnati. He has played drums since the age of ten. His eclectic music tastes and artistic abilities add to the band\'s persona. Along with being a CAD operator, Jay is also a talented model maker and is very gifted in the art of Calligraphy (note the band\'s logo). JEREMY PITTMAN: Bass Guitar Jeremy is a 20 year old saltpacker. Yes, you read correctly, he moves bags of salt. Jeremy has the strongest back in the band. He loves to play bass. That is all he talks about. We try to distract him but all he\'ll do is play bass and work a day job to pay for more bass gear. We are, however, hopeful that he might actually spend his money on something else: He\'s thinking of getting a tattoo. KENDALL FAULL: Lead Vocals, Guitar Kendall is a 23 year old college graduate. He has a bachelor of Arts in Ancient Hebrew and Greek literature. He also has a minor in public communications. He has been involved in the art of song writing for eight years. He is the author and voice of the lyrics and melodies. He enjoys poems, proverbs, and the works of Edgar Allan Poe. Since graduation he has worked several jobs including being a bicycle courier in downtown Cincinnati. Mountain biking has been his hobby of choice stemming back to his youth as an amateur BMX racer. _________________________________________________________________ General Band Information... Members: Christopher, Jay, Jeremy, Kendall. Style of Music: Progressive Alternative Rock with some Celtic influences thrown in for good measure. Band Influences: Led Zeppelin, Pink Floyd, U2, Jimi, Jane\'s Addiction, Dead Can Dance, Dylan, Neil Young, R.E.M., Big Country, Mike Stand, Sound Garden, Social Distortion, Dramarama, and the Tannahill Weavers. About the CD: \"The Train Journey North\" is characterized by thick, fuzzy guitars, winding melodies, and bagpipes. \"It\'s poetry at our best.\" The tastes are eclectic and moods dynamic. It captures where we were and where we are going. It was released in Nov. of 1994 and has sold widely in the Cincinnati area. Running time is 69 minutes, 45 seconds (14 tracks + a little something at the end....). If you would like to be put on our mailing list or if you would like more information about the band you are ENCOURAGED to write us at: Snailmail: Clan Diah, 265 Emming Street. Apt #3, Cincinnati, Ohio 45219 E-Mail: \"[11]CLANDIAH@aol.com.\" ======= [12][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Clan_Diah/mono-excerpt-Sky_Sign.au 2. file://localhost/IUMA-2.0/ftp/volume1/Clan_Diah/mono-excerpt-Sky_Sign.mp2 3. file://localhost/IUMA-2.0/ftp/volume1/Clan_Diah/mono-Sky_Sign.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/Clan_Diah/stereo-Sky_Sign.mp2 5. file://localhost/IUMA-2.0/olas/genre/CO_006.html#Clan_Diah 6. http://www.iuma.com/iuma-bin/view-comment.pl?Clan_Diah 7. file://localhost/IUMA-2.0/ftp/volume1/Clan_Diah/html/songs.html 8. file://localhost/iuma-bin/buy.pl?init=Clan_Diah 9. file://localhost/IUMA/ftp/music/Clan_Diah/logo-Clan_Diah.jpg 10. file://localhost/IUMA/ftp/music/Clan_Diah/cover-Clan_Diah.jpg 11. mailto:CLANDIAH@aol.com 12. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
44,'Snipe [1][sm-Snipe.gif] Ordained [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 121k, 121k / Full song 5 mins, 3.61M, 7.24M) [6]Hard Rock, [7]College/Indie/Lo-Fi, [8]Funk ----------------------------------------------------------------- [ [9]|| Comments & Reviews [10]|| More Songs ] [gators.gif] [11][sleestacksattacksnipe.gif] A four-song EP is coming soon. Contact brooce@cruzio.com or call (408) 338-2272 for more information. ======= [12][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Snipe/Snipe.jpg 2. file://localhost/IUMA-2.0/ftp/volume1/Snipe/mono-excerpt-Ordained.au 3. file://localhost/IUMA-2.0/ftp/volume1/Snipe/mono-excerpt-Ordained.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/Snipe/mono-Ordained.mp2 5. file://localhost/IUMA-2.0/ftp/volume1/Snipe/stereo-Ordained.mp2 6. file://localhost/IUMA-2.0/olas/genre/lf-HR_016.html#Snipe 7. file://localhost/IUMA-2.0/olas/genre/CO_036.html#Snipe 8. file://localhost/IUMA-2.0/olas/genre/FN_005.html#Snipe 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Snipe 10. file://localhost/IUMA-2.0/ftp/volume1/Snipe/html/songs.html 11. file://localhost/IUMA/ftp/music/Snipe/sleestacksattacksnipe.jpg 12. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
45,'No Winter Phoenix, Arizona [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 127k, 191k / Full song 5 mins, 2.72M, 3.24M) [5]Rock, [6]Rhythm and Blues, [7]Country ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| More Songs ] logo -TENESSEE WOMAN \"Floating down a river, starting in St. Lou Floating down a river, that ol\' Mississippi Blue Floating down a river, chasin\' that Dixie Train Floating down a river, because I can\'t want you back again\" Drums: Jim Vocals: Robert & Reina Guitar: Robert Keyboards: Mark Bass: Dave _________________________________________________________________ -CHEATER \"I left her sad, I do it all the time, There\'s nothing I do better Than forget it\" Vocals: Robert & Reina Guitar: Robert Keyboards: Mark Bass: Dave Drums: Jim _________________________________________________________________ -PHOENIX ARIZONA \"Yes all the cows were green The grass was brown Somehow it all got switched around... Wouldn\'t you wonder why?\" Vocals: Robert Guitar: Robert Keyboards: Mark Violin: Joel Bass: Dave Drums: Jim _________________________________________________________________ ABOUT NO WINTER... No Winter was born in the Fall of 1979 in Aptos, California as a quartet. After stormy beginnings, the dust cleared and a tight, enduring trio (Robert, Jim and Dave) emerged called AURORA BOREALIS. Early original music had wide influences and took shape in arrangements which balanced song with intricate instrumental passages. As the band began to perform, numerous cover tunes crossing most musical boundaries (From Alabamas to Zeppelins) were added to the repertoire. This helped to keep a ride range of rooms filled, dancing, happy and intact. Always between the covers lurked the original songs. Throughout the years the band evolved, mutated, went into oblivion and returned from oblivion, leading to the current project - an eight song CD/Cassette. This was produced with two living in Northern California and the other in Southern California. Three of these songs are showcased here and the others are: Haven\'t I Cried Enough Queen of the Rodeo In Heaven I need some Lovin\' Message to the stars No Winter perpetually looks for musical/recording/exposure/performance opportunities. If you would like to contact us or order the current songs on CD or cassette, please call 1-800-99SUCCess (997-8223). ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/No_Winter/mono-excerpt-Phoenix,_Arizona.au 2. file://localhost/IUMA-2.0/ftp/volume1/No_Winter/mono-excerpt-Phoenix,_Arizona.mp2 3. file://localhost/IUMA-2.0/ftp/volume1/No_Winter/mono-Phoenix,_Arizona.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/No_Winter/stereo-Phoenix,_Arizona.mp2 5. file://localhost/IUMA-2.0/olas/genre/lf-RR_035.html#No_Winter 6. file://localhost/IUMA-2.0/olas/genre/lf-RB_005.html#No_Winter 7. file://localhost/IUMA-2.0/olas/genre/lf-CY_003.html#No_Winter 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?No_Winter 9. file://localhost/IUMA-2.0/ftp/volume1/No_Winter/html/songs.html 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
46,'Coat Squirrel [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 120k, 181k / Full song 3:41 mins, 2.65M, 5.31M) [5]College/Indie/Lo-Fi ----------------------------------------------------------------- [ [6]|| Comments & Reviews [7]|| Email [8]|| Song Lyrics ] Coat\'s roller coaster \"Squirrel\" is a turbulent mix of noisy grinding guitars, hushed feverish vocals, rockin\' nimble bass and smashing drums, all packed into one of the most intriguing three and a half minute pop singles in recent memory. Featured on L.A.\'s New Alternative CD Compilation Executive Producer:Joe Berman/SmartRecordings Producer Mike Bosley/Engineer Geoff Siegel Recorded at the Sandbox \"...a little Jane\'s-ish, a little Nirvana-ish, with subdued punk overtones.\" - Prince of Darkness, L.A.\'s Underground/Rock City News _________________________________________________________________ [9][album cover] BAND DESCRIPTION: Coat has heavy, crunchy guitars with melodic vocal hooks, and ass kickin\' rhythms!! Los Angeles based male/female foursome. \"...a nice noisy slap in the face! Heavy, richly textured powerful proto-pop.\" - Chuck Crisafulli, KCRW 89.9 FM REVIEWS: \"...heavy, enveloping pop-noise grooves.\" - LA Weekly \"Musically versatile & engaging with a penchant for layered pop-thrash guitars and vocal/instrument interplay.\" - Natalie Nichols, The Reader \"Heavy alternative that digs into a bent groove and jams it about, with each instrument adding a bit of life to the story.\" - Gena Nason, BAM \"COAT are probably the most interesting live unsigned bands in Los Angeles right now.\" - The Producer Report This band combines two dense guitars layers with dramatically shifting song dynamics without sounding messy and contrived. Fused with playful structural psychadelics, this combination results in an explosive burst of pop that\'s been turned upside down, melded with darkness, and produces an intoxicating brew of melodic whimsy. Coat pushes the limits of noise! With their boy-girl-boy-girl line up, Coat can come off as gratifyingly raw or gleamingly pop. Yet this L.A. based quartet has a limitless capacity for drawing one in with achy guitar melodies. Their hyper-hypnotic rhythms combined with oddly accessible pop hooks, create a natural flowing buoyancy. If you like your pop hard and heavy combined with an avalanche of punched up riffs, then check out Coat! _________________________________________________________________ [10][band photo] MEMBERS: Cindy Albon - Bass Patrick Craig - Vocals, Guitar Karen Kelley - Guitar, Vocals Larry Taube - Drums Discography: 7\" vinyl single on Meltdown Records Produced by Tracy Chisholm (Belly, A.M.C.) - Skin - Fallingdown 3 song cassette: - Squirrel - Underground - Charlotte Cost $4.00 for single or cassette (includes shipping & handling). Make check payable to Larry Taube & mail to following address: Contact Info: COAT 1015 Marine St. #1 Santa Monica CA 90405 (310)-392-1471 E-MAIL: [11]healthvid@aol.com _________________________________________________________________ Feel free to e-mail us with your questions, comments, recipe\'s and/or ideas! All responses will be looked at carefully and thoroughly. We will respond to you given the intelligence and sexual content of your message. Coat is playing all over the Los Angeles area all the time. Constantly check this site for the latest show dates! Make sure to request Coat at your nearest college radio station. The 7\"single has made the rounds to many college stations across the nation and it could be waiting to hit your airwaves right now! Cheers. ======= [12][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume7/Coat/mono-excerpt-Squirrel.au 2. file://localhost/IUMA-2.0/ftp/volume7/Coat/mono-excerpt-Squirrel.mp2 3. file://localhost/IUMA-2.0/ftp/volume7/Coat/mono-Squirrel.mp2 4. file://localhost/IUMA-2.0/ftp/volume7/Coat/stereo-Squirrel.mp2 5. file://localhost/IUMA-2.0/olas/genre/CO_001.html 6. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Coat 7. mailto:healthvid@aol.com 8. file://localhost/IUMA-2.0/ftp/volume7/Coat/html/lyrics.html 9. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/lg-albumcover-Coat.jpg 10. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/lg-photo-Coat.jpg 11. mailto:healthvid@aol.com 12. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
47,'Sons of the Corporate Dog [1][sm-Sons_of_the_Corporate_Dog.gif] Public Buddha [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 160k, 240k / Full song 4.6 mins, 3.38M, 6.76M) [6]Hard Rock, [7]College/Indie/Lo-Fi, [8]Rock ----------------------------------------------------------------- [ [9]|| Comments & Reviews [10]|| Email ] Sons of the Corporate Dog [11][band photo] Sons of the Corporate Dog is a band that captures the rawness and energy of the 70\'s combined with a powerful live feel. The band is comprised of Patrick Murphy (formally of Dinosaur Jr.), Charlie Nakajima (from GobbleHoof), Eric Scholz (Unity Band,B.Soul-Jah&other Bands) and Josh Schummer (various music projects). Sons Of The Corporate Dog have created a musical genre that transcends every generation. This is a new band with a fresh sound. _________________________________________________________________ Brief Description of the Song: This is a rocker. One of the new songs by Sons of the Corporate Dog. With members of Dinosaur Jr. and Gobblehoof. Public Buddha: Charlie Nakajima- Vocals & Rythm Guitar Patrick Murphy- Drums & Backup Vocals Eric Scholz(scholze@AOL.com)- Solo & Rythm Guitar Josh Schummer- Bass Song by: Nakajima&Sons of the Corporate Dog Lyrics by: Charlie Nakajima © 1994 Sons of the Corporate Dog all rights reserved _________________________________________________________________ Contact Information: For info on shows, more of our music,or anything else including comments. Please write to: Eric Scholz 405 Stanwich Rd. Greenwich, CT. 06830 U.S.A. or E-mail: [12]scholze@AOL.com _________________________________________________________________ Press Review: Sons of the Corporate Dog are a very loud and hard driving- rock band.(Valley Optimist Magazine) ======= [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Sons_of_the_Corporate_Dog/Sons_of_the_Corporate_Dog.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Sons_of_the_Corporate_Dog/mono-excerpt-Public_Buddha.au 3. file://localhost/IUMA-2.0/ftp/volume3/Sons_of_the_Corporate_Dog/mono-excerpt-Public_Buddha.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Sons_of_the_Corporate_Dog/mono-Public_Buddha.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Sons_of_the_Corporate_Dog/stereo-Public_Buddha.mp2 6. file://localhost/IUMA-2.0/olas/genre/HR_004.html#Sons_of_the_Corporate_Dog 7. file://localhost/IUMA-2.0/olas/genre/CO_008.html#Sons_of_the_Corporate_Dog 8. file://localhost/IUMA-2.0/olas/genre/RR_010.html#Sons_of_the_Corporate_Dog 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Sons_of_the_Corporate_Dog 10. mailto:scholze@aol.com 11. file://localhost/IUMA/ftp/music/Sons_of_the_Corporate_Dog/band-Sons_of_the_Corporate_Dog.jpg 12. mailto:scholze@AOL.com 13. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',medium
48,'What the Cat Dragged In [1][sm-What_the_Cat_Dragged_In.gif] The Women You\'ve Become [2][MPEG Mono] [3][MPEG Stereo] (Full song 5 mins, 3.50M, 4.67M) [4]College/Indie/Lo-Fi, [5]Rock, [6]Pop ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| Email [9]|| More Songs [10]|| Ordering Info ] [11]What the Cat Dragged In Big Love Copyright 1994 John McEachen, not for commercial use WHAT THE CAT DRAGGED IN P.O. Box 204907 New Haven, CT 06520-4907 (203)440-6572 E-mail: mceachen@noodle.med.yale.edu hnye@biomed.med.yale.edu [12]More songs and additional band info, including an e-mailing list. \"Four stars out of three!\" - James Velvet, WPLR Local Bands Show \"This highly proficient quartet... plays darn well!\" - Christopher Arnott, New Haven Advocate What the Cat Dragged In is an unsigned and flat broke band of Yale graduate students. Originally formed in late 1992, the band has played numerous clubs in the New Haven area as well as the annual Summertime Street Festival. The band\'s instrumentation includes (but is not limited to) guitar, keyboards, bass and drums. On Nov. 5, 1994, the band released its first full-length CD, Scratch Tracks. This entirely independent release was co-produced with Jim Chapdelaine (Mr. Right). The CD contains 12 tracks for a total running time of 54:02 and includes an 8 panel full-color insert with lyrics, pictures, and graphics. Big Love is the first track off the CD to receive air time. All of us take turns at lead vocal which adds alot of variety to our music. Additionally, we each come to the band from different musical backgrounds, so our music moves through the entire spectrum of genres. The above song was chosen for distribution through IUMA because we feel it represents an intriguing combination of our musical interests. o Heather Nye: Keyboards, Percussion Heather is a native of Vancouver, WA, a Duke alum, a fourth year pharmacology major, and a first year med student. She plays an Ensoniq KS-32 and a Yamaha DX-7. Her influences are jazz/pop oriented and include Bonnie Raitt, Maria McKee, David Wilcox, and David Sandborn. o Mark Cassano: Guitar Mark is our resident guitar hero. He\'s a native of Danbury, CT and an NYU grad. Currently, he\'s finishing his degree in Economics while posing as a mild-mannered professor at Vassar. He plays a Hamer Special (made back in the days when Hamer was still a designer in the company) and thinks Richard Thompson is the greatest guitar player alive (but still listens to just about everything else.) o Marco Mazzi: Drums Marco still lives in New London, CT, his hometown for life, and makes the hour long drive for practices, shows, and classes. An RPI grad, he\'s studying electrical engineering. Marco plays Slingerland drums, is a big time Marillion fan, and knows a few guys named Vinny. o John McEachen: Bass, Harmonica, Guitar John hails from Woodbridge, VA and is also an electrical engineering major. A Notre Dame alum, he can consistently be found in front of the TV on Saturday afternoons. John plays a 6-string Alembic Elan. A former member of the defunct bluegrass combo Whistler\'s Brother, he has some pretty hefty country/folk persuasions. ======= [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/What_the_Cat_Dragged_In/What_the_Cat_Dragged_In.gif 2. file://localhost/IUMA-2.0/ftp/volume2/What_the_Cat_Dragged_In/mono-The_Women_You\'ve_Become.mp2 3. file://localhost/IUMA-2.0/ftp/volume2/What_the_Cat_Dragged_In/stereo-The_Women_You\'ve_Become.mp2 4. file://localhost/IUMA-2.0/olas/genre/CO_006.html#What_the_Cat_Dragged_In 5. file://localhost/IUMA-2.0/olas/genre/RR_008.html#What_the_Cat_Dragged_In 6. file://localhost/IUMA-2.0/olas/genre/PO_005.html#What_the_Cat_Dragged_In 7. http://www.iuma.com/iuma-bin/view-ola-comment.pl?What_the_Cat_Dragged_In 8. mailto:mceachen@noodle.med.yale.edu 9. file://localhost/IUMA-2.0/ftp/volume2/What_the_Cat_Dragged_In/html/songs.html 10. file://localhost/iuma-bin/buy.pl?init=What_the_Cat_Dragged_In 11. http://noodle.med.yale.edu/~mceachen/intro.html 12. http://noodle.med.yale.edu/~mceachen/intro.html 13. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
49,'Rebecca\'s Mask [1][sm-Rebecca\'s_Mask.gif] For Amy [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 120k, 120k / Full song 3.5 mins, 2.15M, 4.32M) [6]Hard Rock, [7]College/Indie/Lo-Fi ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| More Songs ] Rebecca\'s Mask Rebecca\'s Mask is a modern rock band trio consisting of Rebecca Reece on bass and vocals; Gregory Menacho on guitar, keyboards, and backing vocals; and Norman Plischke on drums. Gregory and Rebecca have been performing with various bands in the Bay Area and writing songs together for the past five years. With the addition of Norman, formerly of the Paul Godfrey Band, the band has attained the sound they\'ve been looking for. [10][Rebecca\'s Mask] The music is \"introsective\" and is characterized by the unique \"angelic vocal style\" os Rebecca. Compared by many to Annie Lennox, The pretenders, Pink Floyd, and Kate Bush, \"Rebecca\'s Mask\'s influences are as eclectic as their music,\"according to City Revolt writer Aaron Johnston. Rebecca\'s Mask has been performing for enthusiatic crowds all over the Bay Area, including San Francisco, San Jose, Santa Cruz, Mt. View, and Campbell. Described as \"one of the South Bay\'s best\" by KSCU\'s Subzero, the variety of the venues played is testimony to the eclectic and versatile nature of the band. Recent performances include the Cactus Club (San Jose), Live Soup (Santa Cruz), Bay Area Coffee Roasting Co. (Mt. View), and the Campbell Arts and Wine Festival. The band has recently developed an acoustic show, with help from guitarist Kevin Mendoza, and has been in the studio recording several of its latest songs. Rebecca\'s Mask is working toward landing a major record deal in 1994 to produce a CD so that a wider audience can be exposed to their music. ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume1/Rebecca\'s_Mask/Rebecca\'s_Mask.gif 2. file://localhost/IUMA-2.0/ftp/volume1/Rebecca\'s_Mask/mono-excerpt-For_Amy.au 3. file://localhost/IUMA-2.0/ftp/volume1/Rebecca\'s_Mask/mono-excerpt-For_Amy.mp2 4. file://localhost/IUMA-2.0/ftp/volume1/Rebecca\'s_Mask/mono-For_Amy.mp2 5. file://localhost/IUMA-2.0/ftp/volume1/Rebecca\'s_Mask/stereo-For_Amy.mp2 6. file://localhost/IUMA-2.0/olas/genre/lf-HR_013.html#Rebecca\'s_Mask 7. file://localhost/IUMA-2.0/olas/genre/lf-CO_030.html#Rebecca\'s_Mask 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Rebecca\'s_Mask 9. file://localhost/IUMA-2.0/ftp/volume1/Rebecca\'s_Mask/html/songs.html 10. file://localhost/IUMA/ftp/music/Rebecca\'s_Mask/Rebecca\'s_Mask-band.jpg 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
50,'Lindsay, Diane [1][sm-Lindsay,_Diane.gif] Don\' Wanna Geddup [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 123k, 184k / Full song 5.5 mins, 3.95M, 7.91M) [6]Rhythm and Blues, [7]Pop, [8]Country ----------------------------------------------------------------- [ [9]|| Comments & Reviews ] Diane Lindsay \"Give In To Love\", Diane Lindsay\'s second release on Cityscape Records, is a heartfelt collection of contemporary alternative pop/rock, skillfully produced by Ms. Lindsay, featuring songs she has written with a unique perspective, strength and maturity. Mixed by Grammy award-winning songwriter and producer Randy Sharp, everyone who appears on this album is an accomplished artist in their own right. Vocal production is by Rosemary Butler (Bonnie Raitt, Linda Ronstadt, Jackson Browne, etc. ) , who also lends her legendary talents as backup vocalist, along with Arnold McCuller (Phil Collins, James Taylor, K.T. Oslin, etc.) and Linda Tillery (Bobby McFerrin, Linda Ronstadt). Mike Finnigan is heard on organ (Rolling Stones, Crosby, Stills & Nash, etc.), Andrew Woolfolk on saxes (Earth, Wind and Fire, Phil Collins), and Debra Dobkin (Bonnie Raitt) on percussion. Don Kirkpatrick (Richard Marx, Amy Grant, etc.) blazes new flight paths with his amazing guitar work. All remaining keyboard work, as well as all of the basswork, is handled by Ms. Lindsay with her trademark grace and style (\"Best Bass Player\", Reader\'s Choice Awards, Hot Wire magazine). Together, these artists combine to weave a tapestry of sheer elegance. Diane Lindsay\'s performing and recording credits (over 25 albums) include Dusty Springfield, The Limeliters, Randy Sharp, Holly Near, Cris Williamson, Linda Tillery, Ferron and many more, as well as BAM Magazine and NAIRD awards as a producer. Her songs have been recorded by many artists, received awards from both the Billboard Song Contest and the Music City Song Festival, and are featured on stage, radio, film and television. _________________________________________________________________ [10][D] Diane Lindsay\'s songs brave the deepest and most vulnerable of human experiences with a telescopic eye for the truth. But her unusual range also visits the fun and sensuous with equal committment. \"In my writing, playing and arrangements, I try to evoke, not describe; to travel somewhere in the course of a song it has to reach out and pull me in and keep me interested.\" \"Lindsay is establishing herself as a refreshing and powerful force in today\'s music\" - The State News, East Lansing, MI \"She is an accomplished performer and is as beautiful as her music\" - The Weekly News, Miami, FL CD\'s ($15) or cassettes ($10) may be ordered directly by sending a check or money order (add $1.50 shipping per item) to: Cityscape Records P.O. Box 7167 Van Nuys, Calif. USA 91409 Phone/fax: 818-994-8246 SONG LYRICS ALL OVER ME \"Oh, the heartbreak of push and pull... There seems to be this sick magnetic attraction between the emotionally available and the emotionally unavailable. This is a tongue-in-cheek look at it that also contains elements of painful truth.\" -Diane Lindsay Now just as soon as I\'d made up my mind That being in love is at best a waste of time And that as far as I could see It wasn\'t worth the mess and it\'s barkin\' up the wrong tree Well they\'re all over me - these gorgeous creatures are All over me - all over me All over me - it\'s such cruelty They\'re all over me Well I could believe what they say is true \'Cuz they probably do and besides you know I want to But what I\'ll never understand Is why time and again They only want what they can\'t have Now they\'re all over me - these gorgeous creatures are All over me - all over me All over me - you know it\'s cruelty They\'re all over me (they love my apathy) Now if I was ever fool enough to say \"Put down your things and honey stay, stay, stay...\" Before my heart had even seen the light of day I\'d be watching their dust as they run, run the other way But they\'re all over me - these gorgeous creatures are All over me - all over me All over me - it\'s cruelty They love my apathy All over me - it\'s plain insanity Make them let me be... © 1993 Slightly Tortured Music, BMI I DON\'T WANNA GEDDUP \"If this isn\'t self-explanatory, it\'s time you go have an affair...\" - Diane Lindsay & Miriam Cutler I don\' wanna geddup this mornin\' I\'d rather stay in bed all day I don\' wanna hear the telephone ringin\' So tell the world to go away I\'d rather have your kisses than coffee I much prefer your lovin\' to tea And if I start to feelin\' hungry Well I know you can satisfy me I don\' wanna geddup this mornin\' I\'d rather stay with you instead I don\' wanna geddup this mornin\' \'Cuz I\'ve got everything I need in bed I don\' wanna geddup (she don\' wanna geddup) You can\'t make me geddup (you can\'t make her geddup) I\'m not gonna geddup--no, no, no I\'m gonna lay around in bed all day You know honey love Ever since I first laid eyes on you Something way down deep inside me has been set free And now that we\'re in love, like my momma always said I would be I\'m gonna show you what you mean to me I don\' wanna geddup (she don\' wanna geddup) You can\'t make me geddup (you can\'t make her geddup) I\'m not gonna geddup--no, no, no I\'m gonna stay in bed all day with you I don\' wanna geddup (geddup) I say no--you can\'t make me get up (geddup) no, no, no, no, no, no, no I\'m gonna lay in bed all day with you © 1993 Slightly Tortured Music, BMI ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Lindsay,_Diane/Lindsay,_Diane.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Lindsay,_Diane/mono-excerpt-Don\'_Wanna_Geddup.au 3. file://localhost/IUMA-2.0/ftp/volume3/Lindsay,_Diane/mono-excerpt-Don\'_Wanna_Geddup.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Lindsay,_Diane/mono-Don\'_Wanna_Geddup.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Lindsay,_Diane/stereo-Don\'_Wanna_Geddup.mp2 6. file://localhost/IUMA-2.0/olas/genre/RB_004.html#Lindsay,_Diane 7. file://localhost/IUMA-2.0/olas/genre/PO_017.html#Lindsay,_Diane 8. file://localhost/IUMA-2.0/olas/genre/CY_003.html#Lindsay,_Diane 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Lindsay,_Diane 10. file://localhost/IUMA/ftp/music/Lindsay,_Diane/portrait-Lindsay,_Diane.jpg 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
51,'Markay, Barbara [1][sm-Markay,_Barbara.gif] Change to Come [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 160k, 240k / Full song 3:48 mins, 2.73M, 5.46M) [6]Folk, [7]Rock, [8]Pop, [9]World Beat ----------------------------------------------------------------- [ [10]|| Comments & Reviews [11]|| More Songs [12]|| Song Lyrics [13]|| Videos [14]|| Ordering Info ] In an age when popular musicians rely highly on sex, gimmickry and shameless hype to influence audiences and boost record sales, Barbara Markay is a standout talent with extraordinary musical abilities. With roots grounded in a solid classical music background, Ms. Markay has worked with some of the top names in the industry, ranging trom Quincy Jones and Eric Clapton, to Carly Simon and George Duke. Her credits have also been splashed across Michael Jackson\'s \"BAD\" video, directed by Martin Scorsese, and on the Saturday Night Live band through Leon Pendarvis - the band\'s keyboard player with whom she worked. Ms. Markay started out by winning a scholarship to New York\'s prestigious Juilliard School of Music where she studied composition with Roger Sessions and developed into an outstanding classical pianist. But despite her exceptional ability as a classical musician, she could not be confined to that genre. While still wearing pigtails and braces on her teeth, Ms. Markay was called on to showcase her prodigious talents to the European community as part of a popular college rock and roll tour sponsored by a couple of Britain\'s better known producers. She met the challenge by performing to standing ovations on many European campuses. Upon arrival back to the United States, she was invited to perform in her own Miami Beach rock and roll review. She quickly followed that success with a dance music hit, \"It\'s Allrite,\" (released on WEA International in Holland). The tune wowed audiences in clubs all across the United States, and romped up the international music charts reaching an enviable No. 19 in Holland. That achievement was soon overshadowed by \"I Don\'t Wanna Be A Zombie,\" which zoomed to No. 2 on the French music charts, and demonstrated beyond a doubt that \"It\'s Allrite\" was no musical fluke. In between these many successes Ms. Markay further demonstrated her multi-faceted musical talents with solid credits in live performances, record dates, voice-overs, background vocals, and jingles for which she was in great demand in New York City where she lived and worked until moving to the West Coast two years ago. Ms. Markay recently completed her latest album, \"Change To Come\" which she composed, arranged and produced, and on which she is also the lead vocalist and plays a number of musical instruments. The album features a dazzling array of background musicians, and has been getting rave reviews trom a number of well-respected music critics. [15][album cover] Album Song Listing: CHANGE TO COME WOMAN OF LIGHT I AM THE RIVER NOBODY BOOGOOYAGA BABY SUNSHINE FALLEN ANGEL STRANGE FORTUNE MAN FROM THE STARS WAKE UP AND LIVE STILL NEED YOU \"Boogooyaga\" (from the album \"Change To Come\") 3:48 min. (a Caribbean word meaning lack of sophistication) \"Change To Come\" 3:48 min. DESCRIPTION OF MUSIC: \"Change To Come\" is an exciting, eclectic combination of songs which underscores the artist\'s spiritual and professional growth. The 11 tunes featured on this album shows a sensitivity for and understanding of the troubling issues which threaten to ravage our world--women\'s rights, the environment, the human condition, intolerance, and the overriding need for universal love. Markay has pulled this universality of themes together with an ingenious and exuberant intermingling of musical styles. The album is a triumph. Markay\'s fine-tuned musical acumen create an album that is professionally well-crafted, stylish and musically superior. The result is a commercially viable yet creatively exceptional gem that is destined for success! REVIEWS: \"Women\'s rights, independence, unconditlonal love & guardian angels ... Markay has a true talent and this album is a shining showcase with her great radio-ready voice ... and top notch self-written pop songs--a winner!\" Heartsong Review \"...ingenious & exuberant intermingling of musical styles ... the album is a triumph! DON\'T MISS IT!\" Radcliffe Joe - Words & Music \"It\'s hard not to be impressed with what a success \"Change To Come\" is as she traffics in a variety of upbeat styles, including jazz, pop, R&B, and a sort of torch song/rock balladry (the well-crafted \"Fallen Angel\") hybrid that works well ...she has top-flight musicians who really shine on funky workouts like \"Nobody\" and \"Strange Fortune\"...Markay pulls it all together with guts and flair - a fine album\" Steve Roeser - Note 4 Note CREDITS: Written, Arranged, and Produced by Barbara Markay Recording engineer: Joseph Armillas Guitar: Jeff Mironov Bass guitar: Wayne Petswater Synthesizers and drum programing: Barbara Markay Horns: performed and arranged by Tom Malone Background vocals: Julie Eigenberg, Barbara Markay, Joseph Armillas Congas: Gumbi Ortiz Lead Vocals- Barbara Markay For more information: PO BOX 25156, Los Angeles, California 90025 310-575-9829 Available on CD and Cassette at all Tower Records and HMV stores (USA) or through IUMA. ======= [16][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume4/Markay,_Barbara/Markay,_Barbara.jpg 2. file://localhost/IUMA-2.0/ftp/volume4/Markay,_Barbara/mono-excerpt-Change_to_Come.au 3. file://localhost/IUMA-2.0/ftp/volume4/Markay,_Barbara/mono-excerpt-Change_to_Come.mp2 4. file://localhost/IUMA-2.0/ftp/volume4/Markay,_Barbara/mono-Change_to_Come.mp2 5. file://localhost/IUMA-2.0/ftp/volume4/Markay,_Barbara/stereo-Change_to_Come.mp2 6. file://localhost/IUMA-2.0/olas/genre/FO_009.html#Markay,_Barbara 7. file://localhost/IUMA-2.0/olas/genre/RR_026.html#Markay,_Barbara 8. file://localhost/IUMA-2.0/olas/genre/PO_015.html#Markay,_Barbara 9. file://localhost/IUMA-2.0/olas/genre/WO_002.html#Markay,_Barbara 10. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Markay,_Barbara 11. file://localhost/IUMA-2.0/ftp/volume4/Markay,_Barbara/html/songs.html 12. file://localhost/IUMA-2.0/ftp/volume4/Markay,_Barbara/html/lyrics.html 13. file://localhost/IUMA-2.0/ftp/volume4/Markay,_Barbara/html/videos.html 14. file://localhost/iuma-bin/buy.pl?init=Markay,_Barbara 15. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Change_to_Come-cover.jpg 16. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
52,'Bovee, Anne [1][sm-Bovee,_Anne.gif] You Let Me Down So Gently [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 145k, 218k / Full song 4 mins, 2.40M, 4.80M) [6]Pop, [7]Folk, [8]Easy Listening ----------------------------------------------------------------- [ [9]|| Comments & Reviews ] Anne Bovee Anne Bovee has garnered numerous awards in songwriting competitions, most notably a $1,000 Grand Prize for \"Pick the Pennies,\" based on childhodd memories of her grandfather, Jesse Keyser. Her melodies are as hummable as her lyrics are unusual and thought-provoking. She writes in a variety of styles, most recently concentrating on guitar-based pop-folk and children\'s music. Her first single, a sweet soprano rendition of \"You Let Me Down So Gently,\" is available on cassette for $3.50 (postage and handling included) from: Anne Bovee PO BOX 5099 Philadelphia, PA 19111 PHONE/FAX (215) 725-9094 and radio listeners don\'t forget to request the song on your local radio station AFFILIATIONS: Association of Independent Music Publishers, BMI The Entertainment Network Espilon Nu Cathloic Singles Club MAPPS (Musicians, Artists, Poets, Performers & Songwriters) NARAS (National Academy of Recording Arts and Sciences) National Academy of Songwriters Philadelphia Area Songwriters Alliance Philadelphia Music Alliance Rock Out Censorship Songwriters Forum of the Philadelphia Free Library Songwriters Guild of America Toastmasters International Women in Communications, INC BACKGROUND Anne Bovee grew up in Kensington, a working-class neighborhood in Philadelphia, where she attended Ascension of Our Lord grade school; aatended the former Ancilla Domini Academy (affliated with Ancillae-Assumpta Academy in Wyncote, PA) for high school, where the popularity of folk music and the advent of the Beatles inspired her to write her own songs); she majored in Radio/TV/Film at Temple University; earned an M.A> from the Annenberg School for Communication at the University of Pennslyvania: worked at Thomas Flynn advertising agency. Then a series of employers followed: TV Guide, the IRS, Songwriter\'s Montly Magazine, and the North American Publishing Company. She is currently a member of Presentation B.V.M. parish in Cheltenham, PA. Her mother Louise (aka Etta) and her deceased father, Kenneth, both wrote poetry and her dad also wrote children\'s stories. Her deceased uncle Gerald Bovee danced on Broadway in the original production of \"OKLAHOMA.\" Singer-songwriter Geri Smith of Delaware is her cousin. Her top two musical heroes are the Beatles and Bruce Springsteen. Lyrics You Let Me Down So Gently words and music by anne bovee lead and backing vocals by Anne Bovee guitars, drums, engineering, mastering by bob grosso keyboards, bass assistant engineering by Vince Pierre recorded at Gold Key Studios 121 N. Chester Pike Norwood, PA 19074 You let me down so gently So carefully, so slow I almost didn\'t get it I almost didn\'t know And when I finally understood I almost didn\'t cry It almost hurt me When you said good-bye \'Cause you let me down so gently \"Cause you let me down so gently You didn\'t need to worry I\'d do anything for you I would have suffered long and hard If you asked me to But you let me down so gently It\'s not your fault You never meant me harm You didn\'t know that I would find such rapture in your arms It\'s not my fault To fall in love with someone Who would be so kind to me And let me down so gently You let me down so gently ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Bovee,_Anne/Bovee,_Anne.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Bovee,_Anne/mono-excerpt-You_Let_Me_Down_So_Gently.au 3. file://localhost/IUMA-2.0/ftp/volume3/Bovee,_Anne/mono-excerpt-You_Let_Me_Down_So_Gently.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Bovee,_Anne/mono-You_Let_Me_Down_So_Gently.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Bovee,_Anne/stereo-You_Let_Me_Down_So_Gently.mp2 6. file://localhost/IUMA-2.0/olas/genre/PO_003.html#Bovee,_Anne 7. file://localhost/IUMA-2.0/olas/genre/FO_002.html#Bovee,_Anne 8. file://localhost/IUMA-2.0/olas/genre/EZ_001.html#Bovee,_Anne 9. http://www.iuma.com/iuma-bin/view-comment.pl?Bovee,_Anne 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
53,'LaFond, Lois One World [1][AU Excerpt] [2][MPEG Mono Excerpt] [3][MPEG Mono] [4][MPEG Stereo] (Excerpt 160k, 240k / Full song 3:47 mins, 2.72M, 5.45M) [5]Children\'s ----------------------------------------------------------------- [ [6]|| Comments & Reviews [7]|| More Songs [8]|| Song Lyrics ] LOIS LaFOND & THE ROCKADILES PLAY THE WORLD BEAT! [9][Artist photo] Welcome to five cool albums from one hot band! BIG TIME FUN FOR THE WHOLE FAMILY (and great for the classroom, too!) Grab your make-believe microphone, put on your dancin\' shoes, get ready to celebrate: get down, have fun and learn something, too. LOIS LaFOND & THE ROCKADILES offer you great grooves like Reggae,Rock, Brazilian, African, Blues and even a Ballad or two, and blend them with child-appropriate lyrics.The result is a World Beat sound the entire family will love. These are songs of self-esteem with a dose of just-plain-silly tunes that celebrate cultures from around the world. Mostly, they\'re fun and they\'re diverse and even teenagers have been seen tapping their feet. Plus, you can even learn something while you listen and move to the music. Some songs teach aboutlanguage and math, like \"Numbers All Around\" or social studies such as \"Part of the Family.\" Or you can just kick back and laugh to songs like \"Wascawy Wabbit,\" or \"Up in the Sky Where the Whales Are.\" This happenin\' sound is recommended by everyone who is anyone,including L.A.PARENT, PARENTS CHOICE, BILLBOARD, DOWNBEAT, American Library Association\'s BOOKLIST,ALL EARS, and GROWING UP WITH MUSIC . . . So, what more could you want? Now just click on to hear a taste of this great sound or to order your own copies. [10][Pipsqueaks logo] Biographical Information: In 1984 Lois LaFond had two of the most gorgeous, talented and astounding Children on the face of the earth, who were four and five years old. She searched high and low, in and out, up and down, by and through, far and wide, but couldn\'t find the kind of music she really liked made especially for Children (like smokin\' saxophones and percolatin\'percussion). So, being one to do whatever was necessary for those two most gorgeous, talented and astounding Children on the face of the earth, she decided to put out an album of her own with Reggae, Salsa, Blues,Ballads, Rock & Roll and African grooves. As she had been in the adult music scene for some number of years in the Boulder-Denver area, she had access to some of the greatest musicians to be found anywhere. And, as it worked out, in 1985, she had her third baby: I AM WHO I AM! This recording put her on the map as one of the premier American artists making modern music for young Children. At the same time she gathered four of Colorado\'s really rockin\' players and formed LOIS LaFOND & THE ROCKADILES -- one of the early five-piece bands to hit the road for Kids. Now this World Beat sound satisfied those two gorgeous, talented and astounding Children, who also composed many of the songs with LaFond. Soon LaFond found out that many other Children-- as well as their parents -- were absolutely thrilled with her recording. People said things like, \"I really don\'t mind that my Child plays this tape over and over and over and over and over and over. I really like it, too!\" Reviews poured in from all over the country from newspapers and magazines, parents and teachers, and -- most importantly -- from Kids. I AM WHO I AM! became a signature tune which put LaFond in the forefront of composing and producing songs of self-esteem and diversity -- years before they were the buzzwords of today. Classrooms started using the music, as did Spinabifida Centers, ARC Centers and Very Special Arts Festivals around the country. Encouraged by the response, LaFond decided to make another record in 1986. And another one in 1987. And another one in 1989. Each recording brought more rave reviews, positive comments and responses from publications like THE L.A.PARENT, PARENTS\' CHOICE, BILLBOARD MAGAZINE, DOWNBEAT MAGAZINE, GRAMMY MAGAZINE, American Library Association\'s BOOKLIST, PRE-K TODAY, MUSIC EDUCATOR\'S JOURNAL, SCHOOL LIBRARY JOURNAL, Jill Jarnow\'s ALL EARS, Laurie Sale\'s GROWING UP WITH MUSIC .. . . In fact, there were so many reviews that there was no way to keep track of them anymore! LOIS LaFOND & THE ROCKADILES\' songs were played on RADIO AAHS, WE LIKE KIDS of KTOO, Alaska, PICKLEBERRY PIE out of Santa Cruz, WCBS-TV in New York, and on CONTINENTAL,LUFTHANSA, and DELTA Airlines Children\'s in-flight programming. Of course, people started calling for shows with the ROCKADILES. So they toured their original participatory concerts to thousands of Children from New York to Oregon and from Alaska to Florida at places like New York\'s CENTRAL PARK, HENRY STREET SETTLEMENT, and ST.PETER\'S CATHEDRAL. Then, in 1995, LaFond produced her fifth album, TURNING IT UPSIDE DOWN. So now the Rockin\' ROCKADILES\' concerts include songs from this new recording as well as I AM WHO I AM! and their very popular ONE WORLD. Soon LOIS LaFOND & THE ROCKADILES will be touring throughout COLORADO and in CHICAGO, NORTHERN CALIFORNIA, and WASHINGTON, D.C. If you are in these areas, they might just be able to come to your community. You can call HEATHER NOTO at AGENCY WEST (303-652-3421) to bring ROCKADILES to YOUR town -- wherever you are!! One thing Lois LaFond knows for sure is that every Child she gets to meet now is gorgeous, talented and astounding. BAND MEMBER LIST: LOIS LaFOND & THE ROCKADILES\' live show paints a rainbow of words that kids love, messages that parents appreciate, and great music that pulls it all together in the World Beat. Mother, singer, songwriter, producer, and speaker, LOIS LaFOND spent most of her life in the performance arts of dance, music, mime, and theatre, as well as teaching. Lois first made her mark in the adult world of music as vocalist and lyricist. She then brought her varied styles of music to the hearts of Children -- writing, producing, and recording five albums for Children and their families. Her sophisticated world music enjoys national acclaim from the L.A. PARENT and PARENTS\' CHOICE to BILLBOARD and DOWNBEAT magazines. Her songs appear on several international airlines and commercial and promotional videos. Her spoken voice is heard on voice-overs for video and radio productions as well as commercials. She is a featured speaker at NATIONAL ASSOCIATION FOR THE EDUCATION OF YOUNG CHILDREN Conferences and sits on the faculty of THE PEOPLES NETWORK. Her many years of experience in the disciplines of teaching, music, and the performing arts combine to create the ultimate in entertainment for the entire family. THE PLAYERS: Drummer GORDON KENNEDY has been a musical mainstay in the ROCKADILES. He is featured on all of LaFond\'s recordings and in her opinion, \"Gordon has everything: great rhythm, keen ears,and a wild sense of humour.\" Kennedy started drumming on potato chip cans at 13. Now his styles range from rock to freeform improvisation with his current band, THE INSTRUMENT PANEL. His drumming credits include, as he says, \"Too many bands to be significant.\" He has opened for TALKING HEADS, THE RAMONES and KING SUNNY ADE. Kennedy says, \"With Children, there are no pretensions. It\'s just plain fun to work with THE ROCKADILES.\" Keyboardist REBECCA MARTIN began playing the piano at the age of six,and went on to earn a B.A. in Music and a Masters in Piano Performance and Pedagogy. Her talent for improvisation is seen in her jazz combo, THE REBECCA MARTIN TRIO, and the big band PANDAEMONIUM. She is an outstanding classical pianist who performs both solo and duet. She has taught piano for 21 years, specializing in the Suzuki method for young Children. Rebecca composed the piano music on LaFond\'s third tape SOMETHING NEW! Bassist CHICO MEIRA also plays guitar, sings and composes. He began studying guitar as an eight year old child in Rio de Janeiro. The traditional music of Brazil which he brings to the band encompasses Samba, Bossa Nova, Chorinho, and African as well as Brazilian rhythms. He played in many rock bands in his native country and was the major force behind the band PAO BRASIL providing both classical guitar and vocals. Currently, in addition to ROCKADILES, he plays bass and percussion with CONGUEROS DEL ALMA while working as a full time bio-engineer. Saxophonist MARK HARRIS has played everything from what he calls \"way-avante-honk-and- squeak music\" to the Colorado Symphony. Whatever the style, his preference is to play original music. His favorite style is world beat dance music with his band, MONKEY SIREN. Mark has played for shows with Bob Hope, Joe Williams, The Temptations, and Diane Schuur. He teaches sax at Metro State College of Denver and has appeared as a featured classical soloist with their wind ensemble. He performs on many recordings including those of Ron Miles, Fred Hess, and Janet Feder. He says, \"Kids are swell.\" MARK McCOIN has played drums and percussion for 25 years gaining a national reputation for his musical scoring, art installations, and sound designs across the country. He has performed in America, Indonesia and Singapore. Mark has composed numerous theatre and dance scores for the DENVER CENTER FOR THE PERFORMING ARTS and the DAVID TAYLOR DANCE COMPANY. He founded the DENVER GAMELAN and was co-producer of the highly successful NATIONAL PUBLIC RADIO series, TERRA INFIRMA. Mark has composed numerous original soundscapes. Contact information To book the band call HEATHER NOTO at AGENCY WEST (303)652-3421 To order recordings by phone call LOIS LaFOND\'S ROCKADILE MUSIC (303)444-7095 Brief Description of the songs \"Alliteration Sensation\" was a blast to make. I just started thinking of the craziest combinations of words that started with the same letter. I like to pass on to kids some of what are called \"figures of speech\" in the English language, and this one is always a lot of fun. You can make up your own alliterations -- try any letter. \"One World\" originated as a song for adult audiences. Its groove has an mbaganga influence from South Africa, also called \"township jive.\" When recording my Children\'s album, I thought \"One World\" would be a great choice to include for kids since it always got a such a hearty response from dancing adults. I try not to do any less for kids than I do for adults. Press Reviews About TURNING IT UPSIDE DOWN (song included online): P.J. SWIFT, PICKLEBERRY PIE: \"This is miles above what most other people are doing right now.\" JILL JARNOW, ALL EARS: \"Maybe this one will finally make Lois LaFond the superstar she should be.\" JASON FELD, DISTRIBUTOR FOR HEADSTART: \". . . highly educational and valuable teaching tools in promoting self esteem, social/emotional development and the beauty of cultural diversity among young Children.\" Chosen for in-flight Children\'s programming on DELTA AIRLINES. About ONE WORLD (song included online): PARENTS\' CHOICE: \"LaFond\'s ticket to the broader audience she deserves.\" BILLBOARD MAGAZINE: \"I was knocked out . . . as good as anything I\'ve heard.\" L.A. PARENT: \"Celebratory anthems of peace, love and unity in a musical patois that speaks for itself.\" Chosen for in-flight Children\'s programming on LUFTHANSA AIRLINES. ADDITIONAL LOIS LaFOND RECORDINGS About I AM WHO I AM!: L.A.PARENT: \". . .the practically perfect children\'s song, teaching self-respect and tolerance to an instantly singable refrain.\" American Library Association BOOKLIST: \"The tunes are lively, catchy, and easy to learn.\" Evan, 5 years old: \"I think I really love it.\" About SOMETHING NEW!: PRE-K TODAY: \"A must for your infant room!\" Julie Carpenter, MD: \"It is wonderful to watch these melodies and Lois\' beautiful singing calm irritable and sick newborns.\" TATTERED COVER: \"A first rate addition to the world of children\'s music.\" About WHILE CREATURES OF SUMMER SLEEP: GEORGE WINSTON: \"enjoyable. . . uncluttered and refreshing . . . . It just works.\" NEW HORIZONS PRESCHOOL DIRECTOR ARDIE DICKSON: \" . . . perfect for costume, puppets, or flannel board teaching tools.\" Chosen for in-flight Children\'s programming on CONTINENTAL AIRLINES. Merchandise Description: TURNING IT UPSIDE DOWN (LL-05c and LL-05cd) (Song \"Alliteration Sensation\" included online) In this hot new release, LaFond does turn it all upside down. Continuing in her tradition of cutting edge music, this new album replaces her big band sound with the essentials of music: vocals and percussion. LaFond has turned to an exciting array of over 40 percussion instruments from around the world including the Australian Didgeridoo, the Brazilian Berimbau and the American Washboard -- and everything in between. Singing of everything from numbers in three languages to a changeable creature named Zuppie, this recording also includes a parade, movement songs and a 5-minute relaxation process. PLUS, based on LaFond\'s highly successful workshop: \"USING MUSIC IN THE CLASSROOM: YOU DON\'T HAVE TO BE BEETHOVEN,\" she has compiled a manual of hands-on ideas for Parents and Teachers to use the songs to teach all the disciplines including Language, Math, Art, Imagination, and more. Hailed by teachers and parents and, especially, kids. Geared for the Child 4-7. Songlist: Celebrate! Alliteration Sensation Stop & Go Numbers All Around! Rainbows Way Down Deep Inside Zuppie Mashan Piggy Letter Boogie What\'s the Situation with You? Blooz in Zb Anyway I Can Palmas Turn Around ONE WORLD (LL-04) (Available on CD for radio play or demo; soon to be publicly released on CD)(Song \"One World\" included online) Danceable, singable WORLD BEAT MUSIC for Children of all ages, this album was the first of its kind in the Children\'s market. Before Paul Simon\'s GRACELAND was released, the Rockadiles were writing Afro-Pop songs for the highly successful Denver dance band for adults, ORCHESTRA KING MAMA. This sound is captured on ONE WORLD, which includes African/Caribbean-influenced music styles such as soca and mbaganga, as well as blues, gospel, jazz, klezmer,reggae, and ballads. Geared for the Child of all ages. This percolating music will get the whole family moving and singing together from the first tune! Songlist: Part of the Family I Lost My Shoes Some Days Are Happier Than Others Smile Wascawy Wabbit You Can Be Whatever You Want To Be You Can Dance Raining Cats & Dogs Bokey In Control The Night Rides In On Ships One World I AM WHO I AM! (LL-01) The title song \"I Am Who I Am!\" remains one of LOIS LaFOND & THE ROCKADILES\' signature tunes. This is an exceptional collection of 13 original songs in a variety of modern styles of music, including Reggae, Salsa, Rock & Roll, Blues, Ballads, and more. The songs emphasize movement, language, rhythm and \"just plain fun.\" Applauded for their sophistication, this is music with a message to boot. With her eye always on self-esteem and diversity, LaFond includes two songs in French and Spanish. Child-oriented topics include ME!, animals, colors, space, and much much more. Geared for the Child 2-7. Songlist: I Am Who I Am! Space is Going To Be Fun Up in the Sky Where the Whales Are Rainbows My Room The Beat Couldn\'t Do It A Year Ago (But I Can Do It Now) Dinosaurs Boo Hoo Pengo & Poley Colors/Colores Living Things Rock & Roll SOMETHING NEW! (LL-03) An unusually beautiful collection of lullabies and soothing music for the newborn baby, with the additional benefit of relaxing Children and adults of all ages, this recording explores the richness of the voice as well as acoustic instrumentation. LaFond includes a Sioux Indian chant and a 19th century Scottish lullaby. Side Two features \"HeartRhythms\": the calming sound of the Mother\'s heartbeat enhanced with gentle percussion sounds. Recommended for naptime, bedtime, as a classroom cool-down or following a tiring day. Songlist: Mother\'s Song Cradle Song Liam\'s Lullaby Ballad for Baby Caits Sioux Indian Chant My Girl Gentle Winds You Are Love HeartRhythms and Other Reminders WHILE CREATURES OF SUMMER SLEEP (LL-02) This recording of celebrations from around the world includes Halloween, Thanksgiving, Christmas, the age-old observances of Winter Solstice and Tu B\'shvat (the Hebrew holiday celebrating the first signs of spring) along with \"the best celebration you have!\": the Child\'s birthday. A truly refreshing combination of music and storytelling, these are original participation stories and songs for the school season. Great for the classroom. Geared for the Child 4-10. The Three Great Witches It\'s My Day Givings Winter Solstice A Christmas Tail ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume7/LaFond,_Lois/mono-excerpt-One_World.au 2. file://localhost/IUMA-2.0/ftp/volume7/LaFond,_Lois/mono-excerpt-One_World.mp2 3. file://localhost/IUMA-2.0/ftp/volume7/LaFond,_Lois/mono-One_World.mp2 4. file://localhost/IUMA-2.0/ftp/volume7/LaFond,_Lois/stereo-One_World.mp2 5. file://localhost/IUMA-2.0/olas/genre/CH_001.html 6. http://www.iuma.com/iuma-bin/view-ola-comment.pl?LaFond,_Lois 7. file://localhost/IUMA-2.0/ftp/volume7/LaFond,_Lois/html/songs.html 8. file://localhost/IUMA-2.0/ftp/volume7/LaFond,_Lois/html/lyrics.html 9. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/LaFond,_Lois.jpg 10. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/logo-Pipsqueaks.jpg 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
54,'Manning, Barbara [1][sm-Manning,_Barbara.gif] Smoking Her Wings [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 32k, 126k / Full song 3.8 mins, 2.83M, 3.76M) [6]Pop, [7]Rock, [8]Folk ----------------------------------------------------------------- [ [9]|| Comments & Reviews ] Barbara Manning The Village Voice said \"Manning\'s songs are brooding, unflinching, scary, and most utterly believable.... Lou Reed and Rosanne Cash rolled into one.\" Spin magazine called Barbara\'s first album Scissors one of the best albums of the decade. In the Gavin Report, musician Robyn Hitchcock named Scissors one of his top ten favorites along with albums by Roxy Music, REM, Richard Thompson, and Elvis Costello. The Village Voice said \"Barbara Manning can make waves in a sea of sarcasm with introspective pretty songs about heavy shit. Her voice makes the edge seem like a place to warm yourself....her Nick Drake dread was cut with punk derision, her Suzanne Vega lilt was frosted with anxiety and her folky ear was full of Wire and the Fall.\" Scissors, originally released in 1988 on vinyl, was out of print for several years. As a special bonus, the CD and cassette formats of One Perfect Green Blanket includes all ten cuts from the Scissors LP as well. Guest musicians helping out on the album include Kim Osterwalder from Flophouse on cello, Melanie Clarin from Harm Farm on drums, and Steve Michner from Big Dipper on bass. Barbara has developed a strong cult following over the past several years with her frequent live shows on both coasts. Barabara\'s music is regularly heard on college radio across the country. Several cuts from One Perfect Green Blanket were included in the underground film classic Hippie Porn. Barbara Manning -- One Perfect Green Blanket (HEY 018) Heyday Records 2325 Third St. #339 San Francisco, CA 94107 USA Telephone: (415) 252-5590 Fax: (415) 252-5599 CD $14.00, cassette $7.50. Visa, Mastercard, check, or money order accepted. Add $2.75 for shipping (plus $0.50 per additional item). Customers outside of USA add $5.00 for shipping (plus $1.00 per additional item). ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Manning,_Barbara/Manning,_Barbara.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Manning,_Barbara/mono-excerpt-Smoking_Her_Wings.au 3. file://localhost/IUMA-2.0/ftp/volume3/Manning,_Barbara/mono-excerpt-Smoking_Her_Wings.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Manning,_Barbara/mono-Smoking_Her_Wings.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Manning,_Barbara/stereo-Smoking_Her_Wings.mp2 6. file://localhost/IUMA-2.0/olas/genre/PO_019.html#Manning,_Barbara 7. file://localhost/IUMA-2.0/olas/genre/RR_031.html#Manning,_Barbara 8. file://localhost/IUMA-2.0/olas/genre/FO_010.html#Manning,_Barbara 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Manning,_Barbara 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
55,'Griffin, June [1][sm-Griffin,_June.gif] America\'s Sonata [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 120k, 120k / Full song 5 mins, 3.64M, 4.86M) [6]Folk, [7]Experimental ----------------------------------------------------------------- [ [8]|| Comments & Reviews [9]|| Ordering Info ] A letter from June: I have been writing music since 1984 -- the year the \"end of the world\" was predicted and found it to be rather a good beginning. I give God all the glory for my inspiration and I am sure there are many that claim inspiration, but the Book of James says that every good and perfect gift comes from the Father, and what perfection there is in my music is a gift from the God of the United States. It usually takes me between 10 and 20 minutes to write a song, usually less, and I rarely have corrections to make, only minor ones, a conjunction or the like. I am 55 this July, should the Lord let me continue to live, and am co-owner in a dental laboratory with my husband. I have run for office three times, holding up the principes of free enterprise which made this nation great and which will explain my concern for a real market, I am founder of a publishing company and missionary society, again in conjunction with my wonderful husband and am an ordained minister of the gospel. I have a daughter and a son, two step-daughters and beloved grandchildren. I have dedicated my life to rebuilding America with a special dedication and burden of bringing glory to my forefathers of God\'s music. I have written over 200 songs and poems, but find that the stronghold of merchandising control makes it nearly impossible to promote any music beyond what is according to someone\'s preplanned agenda. The old saying says, \"Let me write the music of the nation, and I care not who writes the laws.\" I will continue to write and trust God to punish thieves and make them pay back fourfold, in this life, as well as in eternity. Sincerely - for Christ, June Griffin ======= [10][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume3/Griffin,_June/Griffin,_June.jpg 2. file://localhost/IUMA-2.0/ftp/volume3/Griffin,_June/mono-excerpt-America\'s_Sonata.au 3. file://localhost/IUMA-2.0/ftp/volume3/Griffin,_June/mono-excerpt-America\'s_Sonata.mp2 4. file://localhost/IUMA-2.0/ftp/volume3/Griffin,_June/mono-America\'s_Sonata.mp2 5. file://localhost/IUMA-2.0/ftp/volume3/Griffin,_June/stereo-America\'s_Sonata.mp2 6. file://localhost/IUMA-2.0/olas/genre/FO_006.html#Griffin,_June 7. file://localhost/IUMA-2.0/olas/genre/EX_004.html#Griffin,_June 8. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Griffin,_June 9. file://localhost/iuma-bin/buy.pl?init=Griffin,_June 10. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
56,'Wallace, Dorothy [1][sm-Wallace,_Dorothy.gif] Automo Joe [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 135k, 203k / Full song 5.5 mins, 3.96M, 7.93M) [6]Rock ----------------------------------------------------------------- [ [7]|| Comments & Reviews [8]|| More Songs [9]|| Ordering Info ] [10][Jimi.gif] I consider myself a singer/songwriter. I don\'t like to define my style because I have always felt that was someone else\'s job. I like to write about things I feel passionate about and communicate my feelings through songwriting. I think my music is unique because although I\'d like a career in music, that is not my motivation. Making music is very spiritual and songs are like prayers for me. My songs are always analytical, sometimes topical and occasionally political because I want the listeners to get emotional about, think about or get angry about a subject they were previously unfamiliar with. I think a good song can get under your skin and bring up emotions you never knew were there. Band member list: Although I\'m a solo artist, I\'ve had the privilege of working with very talented musicians: Automo Joe (Tribute to Jimi Hendrix): written and produced by Dorothy Wallace 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh John Petrucci - Guitar: When my original guitar player cancelled an hour before this session, I called Focus II Guitar Center in Commack, Long Island to see if they knew a guitar player who was a Hendrix fan, so they sent me one of their teachers, John Petrucci. Now he\'s doing real well with his progressive Metal band \"Dream Theater\" (East West Records). Their latest album \"Awake\" blows Megadeth right out the window! One guitar magazine called him the \"Guitar Hero of the Nineties\"!. Lucky Me! He played on my song!! 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Dave Ambrosio - Bass: A very talented virtuoso musician. Dave has a degree in composition from Manhattan School of Music and is playing with a Jazz band in Manhattan. He can also play keyboards and has played guitar on some of my songwriting demos. 20newsgroups.sh CorelFeatures.sh JapaneseVowels.sh Makefile SyskillWebert.sh UNIX_user_data.sh auslan.sh auslan2.sh census-income.sh census1990.sh coil.sh covertype.sh eeg.sh el_nino.sh internet_usage.sh ipums.sh kddcup98.sh kddcup99.sh msweb.sh nsfabs.sh robotfailure.sh synthetic.sh synthetic_control.sh Paul Presseau - Drums: Another virtuoso musician. He can also play piano and guitar and writes beautiful lyrics. He likes to travel and study music of different cultures. America written and produced by Dorothy Wallace Paul Presseau - Drums Dave Ambrosio - Bass Pat Ambrosio - Guitar: Dave\'s brother. I don\'t know him but he was nice. (even though he cancelled his Automo Joe session) Contact Information Dorothy Wallace 6515 Boulevard East Apt. 2L West New York, NJ 07093-4207 (201)662-1104 Brief description of song: Automo Joe: A tribute to Jimi Hendrix. The idea was to make my voice not only sing the lyrics but also sound like a guitar. Then for the guitar to tell the rest of the story when I stopped singing the lyrics. I\'m very proud of this production because it\'s the first record I produced that sounds exactly the way I wanted it to sound. I also incorporated elements of \"Hey Joe\" and other Hendrix riffs into this song. America: I wanted this to sound like it\'s coming from the point of view of a Native American which is why I used tribal drum sounds. This is combined with military marching band sounds because the song is about how greed, power and the desire for world domination can destroy a beautiful country. The intro and outro are excerpts of Gospel singer Marion Williams\' \"They Lead my Lord Away\". Lyrics AUTOMO JOE LET ME TELL YOU A STORY ABOUT AUTOMO JOE WELL HE WORKS SO HARD BUT HE\'S BEEN OUT OF A JOB SINCE ABOUT A YEAR OR SO AGO HE CRUISES THE ALLEYS KNOWS ALL THE BOYS IN THE BAR BUT HE CAN\'T GET A JOB SO THE UNDERGROUND\'S WHERE HE\'S BEEN HIDING HIS HEART NOW AND HE ONLY COME OUT AT NIGHT WELL, HIS WIFE LEFT HIM FOR ANOTHER MAN SHE SAID \'CAUSE THE OTHER MAN CAN SATISFY HER AND AUTOMO JOE HE CAN\'T SO HE ONLY COME OUT AT NIGHT AND THE CLOUDS ARE HANGING LOW FOR POOR POOR AUTOMO HE\'S LIVING ALL ALONE AND HE DON\'T KNOW HOW MUCH LONGER HE CAN GO AND THE WORLD IS NEVER KIND ON THE UNEMPLOYMENT LINE DEPRESSION IS GETTING TO HIM WELL I SEE SOMEBODY WALKING WHY IT\'S AUTOMO JOE HE AIN\'T LAUGHING, HE AIN\'T SMILING AND HE AIN\'T WALKING SLOW AND A FULL MOON IS OUT TONIGHT HEY JOE WHERE YOU GOING WITH THAT GUN IN YOUR HAND I\'M GOING TO SHOOT MY OLD LADY DOWN YOU KNOW I CAUGHT HER MESSING AROUND WITH ANOTHER MAN AND A FULL MOON IS OUT TONIGHT AMERICA SOMETHING IS HAPPENING HERE A SHADOW\'S ENFOLDING THE EARTH AND MY EYES ARE OPEN WHO IS THIS SPIRIT THIS MOTHER THIS GUIDE THE STREETS ARE ALL EMPTY THE DESSERT IS BARREN AND MY EYES ARE OPEN SOMETHING IS HAPPENING NOW A WOMAN IN PAIN PRAISING JESUS\' NAME AND HER EYES ARE OPEN WHAT IS THIS POWER OF FREEDOM OF STRENGTH THE OLD MAN IS STARVING THE BABY IS DYING HEAVEN IS CRYING AND MY EYES ARE OPEN OH AMERICA SAY CAN YOU SEE MY EYES ARE OPEN AND WHERE IS MY AMERICA IF LIBERTY\'S VOICE COULD BE HEARD THE ROCK IN THE PEDESTAL WOULD READ DIFFERENT WORDS I PITY YOU SEARCHERS WHO YEARN TO BREATHE FREE THERE IS NO DIFFERENCE HERE THERE IS NO FREEDOM HERE THE FIRE IS FADING AND MY EYES ARE OPEN OH AMERICA SAY CAN YOU SEE MY EYES ARE OPEN AND WHERE IS MY AMERICA BLEED, I BLEED FIRE BREATHE, I BREATHE LIGHT SOMETHING IS HAPPENING HERE A STRANGER IS OFFERING A HAND AND MY HANDS ARE OPEN THE SPIRIT THAT BORE US IS STILL IN OUR MIDST A FLOWER IS BLOOMING A NEW MOON IS RISING A LITTLE GIRL\'S SMILING AND HER EYES ARE OPEN Press Reviews: The Music Paper: Andy Glass Automo Joe: Wallace\'s vocal here is spine-tingling and inspired, and guest guitarist John Petrucci knocks off a couple of magnificent solos. America: An urgent, soaring, thunderous challenge to recapture a nation\'s lost direction. Dorothy\'s music has a definite \'60s influence, but rather than borrowing old riffs, she revives the soul, daring and defiant spirit particular to that era. Merchandise Descriptions: 7\" single America/Automo Joe (vinyl) my price is $3.00 ======= [11][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume2/Wallace,_Dorothy/Wallace,_Dorothy.jpg 2. file://localhost/IUMA-2.0/ftp/volume2/Wallace,_Dorothy/mono-excerpt-Automo_Joe.au 3. file://localhost/IUMA-2.0/ftp/volume2/Wallace,_Dorothy/mono-excerpt-Automo_Joe.mp2 4. file://localhost/IUMA-2.0/ftp/volume2/Wallace,_Dorothy/mono-Automo_Joe.mp2 5. file://localhost/IUMA-2.0/ftp/volume2/Wallace,_Dorothy/stereo-Automo_Joe.mp2 6. file://localhost/IUMA-2.0/olas/genre/RR_035.html#Wallace,_Dorothy 7. http://www.iuma.com/iuma-bin/view-comment.pl?Wallace,_Dorothy 8. file://localhost/IUMA-2.0/ftp/volume2/Wallace,_Dorothy/html/songs.html 9. file://localhost/iuma-bin/buy.pl?init=Wallace,_Dorothy 10. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/Jimi.jpg 11. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
57,'Bernard, Mary Ellen [1][sm-Bernard,_Mary_Ellen.gif] Sugar Reef [2][AU Excerpt] [3][MPEG Mono Excerpt] [4][MPEG Mono] [5][MPEG Stereo] (Excerpt 148k, 222k / Full song 4 mins, 2.92M, 5.83M) [6]Folk, [7]Humor, [8]Pop ----------------------------------------------------------------- [ [9]|| Comments & Reviews [10]|| Song Lyrics [11]|| Ordering Info ] [name logo] \"Tom Waits meets Tracey Ullman.\" \"This crazy chick should turn VH-1 on its ear.\" -- The Music Paper Mary Ellen Bernard just doesn\'t know how to fit in. Her debut recording Point of Departure was described by a New York radio personality as \"Tom Waits meets Tracey Ullman.\" (Huh?) See, it\'s not quite pop, not quite jazz, not quite blues, not quite folk -- and yet, a little of each. And some of it\'s kind of, well ... funny. What\'s a radio programmer to do? Well ... play it! And they have ... at WXPN in Philadelphia ... WGBH in Boston ... the \"Z-100 Morning Zoo\" in New York city ... KSER in Seattle... even Radio Riga in Latvia! (Yes, Latvia.) And listeners love it. On Point of Departure Mary Ellen and producer Paul Guzzone are more musically extravagant than is currently feasible in her live shows. Here, the Patty Larkin song \"Caffeine\" is a full-fledged big-band number. Other tracks feature (live, not sampled) Brazilian percussion, horn sections, even bird calls. (Okay, the bird calls are sampled -- with permission, of course.) \"We tried desperately to use every musician in New York,\" Mary Ellen says of the undertaking. \"We didn\'t, but you still get your money\'s worth.\" Mary Ellen has been playing live at such Northeast clubs as The Iron Horse Music Hall in Northampton, MA; The Godfrey Daniels in Bethlehem, PA; The Bitter End in New York city, The Towne Crier in Pawling, NY and other folk clubs, coffee houses, jazz & blues rooms, theaters and festivals. She\'s opened shows for Richie Havens, Tom Paxton, John Sebastian and Saffire: Uppity Blues Women. Backed by keyboards and bass/acoustic guitar (and sometimes violin), her concerts center mostly on rootsy blues and jazz, bittersweet ballads and her signature \"wacky production numbers.\" \"Caffeine\" has become one of these and so has the John Prine/Fred Koller collaboration \"Let\'s Talk Dirty in Hawaiian.\" Recently some original tunes have entered this category as well. \"My mission is to disprove the theory that no one ever laughs in a folk club,\" she states. \"I\'ll be working on jazz clubs next.\" Order NOW! Point of Departure featuring \"Sugar Reef\" is available on CD and cassette. Also available is the incredibly cool Mary Ellen Bernard T-Shirt! Call FREE! Dial 800-890-5080 (it doesn\'t spell anything) to add your name to Mary Ellen\'s mailing list or to get additional information about upcoming performances and releases. For bookings contact: Triple Z Productions 321 Church Avenue -- Box 1020 Brooklyn, NY 11218 (718) 965-0374 Coming soon from Triple Z Records ... South of the Coconut Line, a special five-song cassette of Paul Guzzone tunes inspired by life in the Caribbean slow lane. Call our 800 number to reserve your copy! [ZZZ Records Logo] POINT OF DEPARTURE Mary Ellen Bernard\'s debut recording on Triple Z Records features the following songs: Sugar Reef by Paul Guzzone Kiss Me Sweet by Steve J. Lewis & Armand J. Piron Caffeine by Patty Larkin The Dutchman by Michael Smith Princess Poopooly Has Plenty Papaya/Let\'s Talk Dirty in Hawaiian by Harry Owens/John Prine & Fred Koller Alcohol by Ray Davies All For the Love of the Game by Phillip Namanworth Dance Dis Dance by A.Cassell (\"Arrow\") America in My Mind by Jane Barnett Take Me Home by Tom Waits POINT OF DEPARTURE: CD (TZ CD-001) -- $11.50 Cassette (TZ CA-001) -- $8.50 [12][CD cover] MARY ELLEN BERNARD T-SHIRT: Black-and-fluorescent pink on white pre-shrunk 100% cotton. Medium, Large or X-Large -- $12.50 [13][Tshirt design] [ZZZ Records Logo] ======= [14][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ftp/volume4/Bernard,_Mary_Ellen/Bernard,_Mary_Ellen.jpg 2. file://localhost/IUMA-2.0/ftp/volume4/Bernard,_Mary_Ellen/mono-excerpt-Sugar_Reef.au 3. file://localhost/IUMA-2.0/ftp/volume4/Bernard,_Mary_Ellen/mono-excerpt-Sugar_Reef.mp2 4. file://localhost/IUMA-2.0/ftp/volume4/Bernard,_Mary_Ellen/mono-Sugar_Reef.mp2 5. file://localhost/IUMA-2.0/ftp/volume4/Bernard,_Mary_Ellen/stereo-Sugar_Reef.mp2 6. file://localhost/IUMA-2.0/olas/genre/lf-FO_001.html#Bernard,_Mary_Ellen 7. file://localhost/IUMA-2.0/olas/genre/lf-HA_001.html#Bernard,_Mary_Ellen 8. file://localhost/IUMA-2.0/olas/genre/lf-PO_003.html#Bernard,_Mary_Ellen 9. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Bernard,_Mary_Ellen 10. file://localhost/IUMA-2.0/ftp/volume4/Bernard,_Mary_Ellen/html/lyrics.html 11. file://localhost/iuma-bin/buy.pl?init=Bernard,_Mary_Ellen 12. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/CD.jpg 13. file://localhost/research/ml/datasets/uci/raw/output/ucikdd/shirt.jpg 14. file://localhost/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',hot
58,'FRAME: [1]insert FRAME: [2]content [3][banner.gif] [4][bumper-gray.gif] _________________________________________________________________ God Dog Emission [5][AU Excerpt] [6][MPEG Mono Excerpt] [7][MPEG Mono] [8][MPEG Stereo] (Excerpt 120k, 180k / Full song 5 mins, 3.55M, 7.13M) [9]Hard-core/Industrial, [10]Heavy Metal ----------------------------------------------------------------- [ [11]|| Comments & Reviews [12]|| Ordering Info ] God Dog _________________________________________________________________ Heralded by such sources as the City Revolt Publication and KSCU radio as one of the most original new acts to come out in years, God Dog is an Industrial blend of hard-edged metal, synths, sampling and electronic effects. Originating from the Bay Area, which has provided a breeding ground for several top-notch Industrial groups that have become major forces in the international world of music, God Dog is one of the newer \"Tech Metal\" groups to burst upon the scene. God Dog consists of the electronic and vocal talents of Steve Severino and guitarist/programmer, Mike Vaughn. The two have been working extensively since the fall of 1993 and have released a full-length independent CD, \"Of Love, Death and Blood\", as well as performing several live shows. The self professed goal of God Dog is to take the combination of metal and electronic technology to areas yet to be explored. Their sound takes this union and manipulates it in a way that is innovative and exciting yet not experimental in terms of song structure and melody. God Dog will appeal to people who like to hear Industrial music through a straight line rather than a jagged tunnel. With the addition of drummer, programmer and synth master, Ben Padilla, God Dog are expanding their live shows and adding a plethora of new sounds and styles to new material while maintaining their Industrial edge. Emphasis on diversity and quality, a commitment to integrity, a concentrated effort toward constant productivity and a growing loyal fan base mean God Dog will be around for years to come. Band info and the full-length 50min CD release, GOD DOG \"Of Love, Death, and Blood\" is available by writing: GOD DOG: PO BOX 1124 SOQUEL, CA 95073 EMISSION: Emission, showcasing the talents of God Dog, is a combination of heavy guitar and driving beats interspersed with quieter moments of synth and programming orchestration. The track is further enhanced by layers of electronic mayhem. The songs lyrics, delivered in a heavily distorted yet unique Industrial vocal style are about individuality and personal expression while not getting weighed down by the opinions and expectations of others. An over all intense and aggressive song, God Dog feel it is one of the stronger tracks off their new full-length independent CD release \"Of Love, Death, and Blood\". ======= [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ads/html/musase/edu-16.html 2. file://localhost/IUMA-2.0/ftmp/lv0/IUMA/ftp/music/God_Dog/index.html 3. file://localhost/ad-bin/redirect?musase 4. file://localhost/IUMA-2.0/olas/sponsor/sponsor.html 5. http://www.iuma.com/IUMA-2.0/ftp/volume3/God_Dog/mono-excerpt-Emission.au 6. http://www.iuma.com/IUMA-2.0/ftp/volume3/God_Dog/mono-excerpt-Emission.mp2 7. http://www.iuma.com/IUMA-2.0/ftp/volume3/God_Dog/mono-Emission.mp2 8. http://www.iuma.com/IUMA-2.0/ftp/volume3/God_Dog/stereo-Emission.mp2 9. http://www.iuma.com/IUMA-2.0/olas/genre/HC_003.html#God_Dog 10. http://www.iuma.com/IUMA-2.0/olas/genre/HM_002.html#God_Dog 11. http://www.iuma.com/iuma-bin/view-ola-comment.pl?God_Dog 12. http://www.iuma.com/iuma-bin/buy.pl?init=God_Dog 13. http://www.iuma.com/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
59,'FRAME: [1]insert FRAME: [2]content [3][banner.gif] [4][bumper-gray.gif] _________________________________________________________________ Distant Cousins [5][sm-Distant_Cousins.gif] Elvis Did Karate [6][AU Excerpt] [7][MPEG Mono Excerpt] [8][MPEG Mono] [9][MPEG Stereo] (Excerpt 120k, 120k / Full song 2.5 mins, 2.02M, 2.70M) [10]College/Indie/Lo-Fi, [11]Pop ----------------------------------------------------------------- [ [12]|| Comments & Reviews ] Only rarely does one come upon a distant relative that at once becomes a familiar friend, possessing shared secrets that never cease to beguile. Such is the case of Twice Removed, the astonishingly mature debut from New York\'s distant cousins. Like their moniker, distant cousins are lower case in an upper-case world, a unique school of fish ready to burst out of a big pond with the eclectic bag of tricks they display on Twice Removed. First of all, these cousins are slyly deceptive. While the playful cover art and buoyant, rambling rhythms first suggest a party band, on closer inspection Twice Removed\'s songs have dark roots that add depth to their danceability. The album\'s opener, the raucous \"Elvis Did Karate\" is a camp classic, but singer/songwriter/guitarist Catherine Dail\'s husky wail imparts a simmering sensuality that\'s more Chrissie Hynde than downtown dilettante. And \"Gotta Fly,\" opening with awkward, tentative bass notes reminiscent of Talking Head\'s \"Psycho Killer,\" turns into a Beatlesque rocker that details the ups and downs of an obsessive relationship that refuses to end. Even \"Tambourine Girl\" a seemingly innocuous song propelled by bright vocals and upbeat island riddims, describes a lovable misfit unable to fit in, who \"does not play the tuba, no no, because it weighs too much/And when it comes to guitar playin\' that girl ain\'t got the touch.\" Where distant cousins truly impress is their effortless ability to shift between many musical styles, often within the same song. Twice Removed ranges from the chicken-scratch guitar and blue-eyed soul of \"Pony\" (where Dail strongly tells her lover \"don\'t ride me baby, I\'m not your pony\") to sophisticated, jazzy pop like the smoky \"Three Things\" and quietly longing \"Love\'s Here Now\". distant cousins even manage to make having the \"Minnesota Blues\" sound like fun; combining a humorous confessional with bar-band boogie, \"Minnesota Blues\" suggests an unholy alliance between Laurie Anderson and the Spin Doctors. Underscoring the masterful songwriting is distant cousins\' familial musical virtuosity. On \"Elvis Did Karate\" lead guitarist Jon Diamond brings a hard, bluesy swagger to his soloing, then switches to a mariachi stroll on \"Burning Words.\" As well, Joe \"Mama\" Holland\'s harmonica provides a questioning counterpoint to the lyrics on \"No Exception\" and Fred Gildes\' subtle trombone shadings on \"Pony\" suggest an indecision hiding behind Dail\'s outwardly tough stance. When necessary, distant cousins aren\'t afraid to bring in bongos, timbales, organ or piano to flesh out an already well-fed groove. And they\'re no strangers to technology, either - check out the off-kilter samples that ornament the otherworldly jam session \"Lucky Magnet.\" Recalling both the past and the future, distant cousins appear comfortable in their uncategorizable but homey place in-between the in-betweens. And from the sound of Twice Removed, these cousins won\'t be distant for long. Be sure to bring the family. _________________________________________________________________ distant cousins\' \"Twice Removed\" has really hit the college radio waves with great success across the country. The band has been on the road early in \'94 from ski and college gigs in Vermont and New Hampshire to rockin\' club dates in Boston, Philly, D.C. and elsewhere. On their home turf of New York City, the cousins have played to raving crowds at China Club, CBGCs, Wetlands, Village Gate, Lone Star, Bitter End, etc! Enjoy! ======= [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ads/html/offest/edu-1.html 2. file://localhost/IUMA-2.0/ftmp/lv0/IUMA/ftp/music/Distant_Cousins/index.html 3. file://localhost/ad-bin/redirect?offest 4. file://localhost/IUMA-2.0/olas/sponsor/sponsor.html 5. http://www.iuma.com/IUMA-2.0/ftp/volume3/Distant_Cousins/Distant_Cousins.jpg 6. http://www.iuma.com/IUMA-2.0/ftp/volume3/Distant_Cousins/mono-excerpt-Elvis_Did_Karate.au 7. http://www.iuma.com/IUMA-2.0/ftp/volume3/Distant_Cousins/mono-excerpt-Elvis_Did_Karate.mp2 8. http://www.iuma.com/IUMA-2.0/ftp/volume3/Distant_Cousins/mono-Elvis_Did_Karate.mp2 9. http://www.iuma.com/IUMA-2.0/ftp/volume3/Distant_Cousins/stereo-Elvis_Did_Karate.mp2 10. http://www.iuma.com/IUMA-2.0/olas/genre/CO_007.html#Distant_Cousins 11. http://www.iuma.com/IUMA-2.0/olas/genre/PO_005.html#Distant_Cousins 12. http://www.iuma.com/iuma-bin/view-comment.pl?Distant_Cousins 13. http://www.iuma.com/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold
60,'FRAME: [1]insert FRAME: [2]content [3][banner.gif] [4][bumper-gray.gif] _________________________________________________________________ elizabeth gone Far From Heaven [5][AU Excerpt] [6][MPEG Mono Excerpt] [7][MPEG Mono] [8][MPEG Stereo] (Excerpt 160k, 240k / Full song 4:55 mins, 3.54M, 7.09M) [9]College/Indie/Lo-Fi ----------------------------------------------------------------- [ [10]|| Comments & Reviews [11]|| Email [12]|| Song Lyrics ] a brief history: started in 1994 as an acoustic guitar and percussion duo, elizabeth gone spun itself into an alternative acoustic rock band by 1995. the groups diversified sound has caused a growing interest among a wide variety of tastes. elizabeth gone performs everywhere from small cafes and college hangouts to large showcase venues like new yorks CBGBs and Mercury Lounge. singer/songwriter vincent james combines a haunting musical element with poetic lyrics of dark human emotion and surrounds his traumatic vocal with textural violin melodies, acoustic rhythmic drive and psychedelic folk. far from heaven [13][album cover] among the ever expanding and changing repertoire are many compositions which have been cited to be the gems of the lot, one of which is far from heaven. given the tragically beautiful lyrics and vocals the song leaves one feeling the utter loss of spirit the songwriter felt. the song was also chosen by filmmaker luis mullen as the musical backdrop for one of his recent works. current line up: [14][artist photo] vincent james ................... acoustic guitar, vocals, keyboards maria baugh ..................... percussion, backing vocals kim milai ......................... drums, flute rick watson ...................... bass guitar _________________________________________________________________ management Paul W. Peterson Management 9005 Cynthia #309 Los Angeles, CA 90069 phone/Fax 310 273-7255 lawyer ellen feig (914) 289-0252 elizabeth gone provides extensive bio sheets, newsletters, copies of two complete 11 song recordings, performance schedules, and stickers upon request. for info on these items or to make comments/suggestions you can contact: [15]egone@interport.net or write/call: elizabeth gone c/o vincent james 2036 lurting avenue bronx, new york 10461 (718)828-9229 link to [16]the official elizabeth gone home page ======= [17][ISMAP:bdg-tb.gif]-[18][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ads/html/rocide/edu-11.html 2. file://localhost/IUMA-2.0/ftmp/lv0/IUMA/ftp/music/elizabeth_gone/index.html 3. file://localhost/ad-bin/redirect?rocide 4. file://localhost/IUMA-2.0/olas/sponsor/sponsor.html 5. http://www.iuma.com/IUMA-2.0/ftp/volume7/elizabeth_gone/mono-excerpt-Far_From_Heaven.au 6. http://www.iuma.com/IUMA-2.0/ftp/volume7/elizabeth_gone/mono-excerpt-Far_From_Heaven.mp2 7. http://www.iuma.com/IUMA-2.0/ftp/volume7/elizabeth_gone/mono-Far_From_Heaven.mp2 8. http://www.iuma.com/IUMA-2.0/ftp/volume7/elizabeth_gone/stereo-Far_From_Heaven.mp2 9. http://www.iuma.com/IUMA-2.0/olas/genre/CO_017.html#elizabeth_gone 10. http://www.iuma.com/iuma-bin/view-ola-comment.pl?elizabeth_gone 11. mailto:egone@interport.net 12. http://www.iuma.com/IUMA-2.0/ftp/volume7/elizabeth_gone/html/lyrics.html 13. http://www.iuma.com/IUMA/Bands/elizabeth_gone/elizabeth_gone.jpg 14. http://www.iuma.com/IUMA/Bands/elizabeth_gone/elizabeth_gone-photo.jpg 15. mailto:egone@interport.net 16. http://www.interport.net/~egone/index.html 17. http://www.iuma.com/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map 18. LYNXIMGMAP:file://localhost/research/ml/datasets/uci/raw/output/ucikdd/kdd_SyskillWebert-Bands.arff.html#bandage-toolbar',hot
61,'FRAME: [1]insert FRAME: [2]content [3][banner.gif] [4][bumper-gray.gif] _________________________________________________________________ Kessey, Susan [5][sm-Kessey,_Susan.gif] Anybody Can [6][AU Excerpt] [7][MPEG Mono Excerpt] [8][MPEG Mono] [9][MPEG Stereo] (Excerpt 113k, 113k / Full song 4.5 mins, 2.77M, 5.62M) [10]Folk ----------------------------------------------------------------- [ [11]|| Comments & Reviews [12]|| Email ] Anybody Can Blessed with the twin gifts of a beautiful voice and a soaring sense of melody, Susan Kessey composes simple powerful songs From self reflection to innocent lullabies. There is an unusual quality of faith and openness that is somehow solid, like that of a believing child -- in all that Susan Kessey performs.It shows in her voice, a slim, silky sound that sweetly leads the instruments on her songs, whether one guitar or a whole acoustic band.It appears in her melodies, which are simple but strong, and often unforgettable after only one hearing.And it comes in her lyrics, most of which are encouragements to confidence and belief.Kessey has already established a following in schools and among family groups with her deeply positive music, and is increasingly sought for concert appearances as her reputation spreads. Anybody Can, the title tune of her fourteen-song album, shows Susan Kessey at her best.Download it on a grey or difficult day, and feel the room begin to change. For Information about Susan Kessey and her music contact Noel Gott noelgt@cruzio.com or snail mail: Harbor Records/Noel Gott PO. Box 2097 Santa Cruz, CA.95063 USA Ph#(408)475-9433 ======= [13][Fine Oak Finished Toolbar] Copyright (C) 1995 Internet Underground Music Archive References 1. file://localhost/IUMA-2.0/ads/html/mixman/edu-1.html 2. file://localhost/IUMA-2.0/ftmp/lv0/IUMA/ftp/music/Kessey,_Susan/index.html 3. file://localhost/ad-bin/redirect?mixman 4. file://localhost/IUMA-2.0/olas/sponsor/sponsor.html 5. http://www.iuma.com/IUMA-2.0/ftp/volume3/Kessey,_Susan/Kessey,_Susan.jpg 6. http://www.iuma.com/IUMA-2.0/ftp/volume3/Kessey,_Susan/mono-excerpt-Anybody_Can.au 7. http://www.iuma.com/IUMA-2.0/ftp/volume3/Kessey,_Susan/mono-excerpt-Anybody_Can.mp2 8. http://www.iuma.com/IUMA-2.0/ftp/volume3/Kessey,_Susan/mono-Anybody_Can.mp2 9. http://www.iuma.com/IUMA-2.0/ftp/volume3/Kessey,_Susan/stereo-Anybody_Can.mp2 10. http://www.iuma.com/IUMA-2.0/olas/genre/FO_009.html#Kessey,_Susan 11. http://www.iuma.com/iuma-bin/view-ola-comment.pl?Kessey,_Susan 12. mailto:noelgt@cruz.com 13. http://www.iuma.com/iuma-bin/nimagemap/IUMA-2.0/imaps/bandage-toolbar.map',cold